Opinion – Page 84
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CommentTime for indies to engage in future of kids TV
Making children’s TV is a job, not a hobby, yet still producers must fight to get it taken seriously, argues Tony Collingwood
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CommentTV has a lot to learn about supporting working mums
Other industries find flexible solutions so why can’t this one? asks Rakhee Rajani
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CommentIt’s great to be a woman working in TV
We’re not there yet, but we’ve come a long way towards gender equality, says Kate Beal
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CommentThe future of TV advertising
Programmatic sales are set to become the norm, says Kate Bulkley
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CommentWhy make BBC1 less popular?
Quality is just as important as distinctiveness to licence fee payers
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CommentDear diary, what of TV’s future?
Can we trust tomorrow’s shows to today’s teens? asks Steven D Wright
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CommentTime to tackle licence fee process
Consensus is that last summer’s agreement was unsatisfactory
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CommentWhy The X Factor remains on song
Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise
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CommentEurope is more than a single market
Removing borders for TV and film could dilute content and distort the market, says Michael Maxtone-Smith
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CommentDramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial
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CommentIs this the end for ads on TV?
Auto ad-skipping is striking fear into the industry, says Kate Bulkley
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CommentFresh energy will benefit ITV
Bazalgette is right man to help broadcaster build on Norman era
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CommentBBC deserves praise for its forward thinking
Giving BBC3 viewers what they want to watch, when they want to watch it, will drive uptake, says Tom Williams
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CommentBBC3 will have to teach viewers new habits
The BBC is making the right noises about what BBC3 online should offer. Its challenge now is to hook regular viewers, says Stephen Arnell
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CommentIs this really a golden age of UK drama?
To be on the same footing as international rivals, we need original stories, says Peter Ansorge
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CommentLet’s diversify writers rooms
If we want the best, we must give everyone a chance, says Debbie Moon
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CommentAwards highlight C4’s special status
The not-for-profit PSB finds there is great value in taking risks, says Chris Curtis
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CommentBroadcast Awards 2016: What a year
What a year. 2015 may have seen the end of Never Mind The Buzzcocks, Peep Show and Downton Abbey, but there were more than enough reasons to celebrate as a new wave of outstanding shows emerged.
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CommentWhy Watch became W
Despite some hits, Watch’s identity had become insistent. We needed to refocus on the viewer, writes Steve North
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CommentPublic service TV needs you to help shape its future
Be part of the debate to define the direction television needs to be taking, urges Des Freedman