All Visual FX articles – Page 3
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News
BlueBolt adds senior team to board of directors
Managing director Tracy McCreary, VFX supervisor Henry Badgett, and head of 3D Nic Birmingham join the co-founders on the board
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VFX house Lightrunner Studio opens in London
The company is the UK offshoot of Indian visual effects house Basilic Fly
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DNEG agrees to acquire Prime Focus Technologies
Both companies are owned by parent company Prime Focus
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Outpost appoints Dan Zelcs and Oliver Dale to UK creature team
Zelcs and Dale both join the company from MPC
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Post-production uncovered: Goodbye Kansas on Carnival Row S2 (Prime Video)
VFX house provided 123 shots and over 50 character and environment assets for second series of fantasy show
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Revealed: first image from film made entirely in Unreal
Framestore and Inflammable Films are co-producing the experimental short film
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Freefolk internship scheme returns for sixth year
Futurefolk scheme offers one-month paid internship to pre and post graduate, or non-university VFX students
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Post-production uncovered: ILM on Andor (Disney+)
Production VFX supervisor Mohen Leo and ILM VFX supervisor Scott Pritchard reveal the work behind the Star Wars series
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Union opens first international facility in Montreal
UK headquartered VFX house currently recruiting technical, creative and production roles across all levels for expansion
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AI-assisted Maya among Autodesk updates
Company is working with Microsoft on Maya Assist, which is now in private beta
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Comment
Making the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
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IWD2023 - Life as a female leader in the VFX industry
Tracy McCreary of BlueBolt talks about a lack of female role models, balancing childcare with work and fostering a caring, inclusive working environment
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Post-production uncovered: Goodbye Kansas on See (Apple TV+)
VFX house provided 50 shots for third series of Jason Momoa drama
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Primary more than doubles size with new studio
Base in Finzels Reach, Bristol, is specifically designed for hybrid working
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NVIZ expands senior VFX team
It has made a wide range of hires to strengthen its varied VFX services
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DNEG Animation promotes Philippe Denis to creative director
Denis served as VFX supervisor on DNEG Animation’s debut feature Ron’s Gone Wrong
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Union overhauls CG pipeline and makes double hire
Sam Hiscock arrives as FX supervisor and Jonas Vonk as lighting supervisor.
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Coffee & TV makes double senior VFX hire
VFX producer Clare Cheetham and executive VFX supervisor Jonathan Cheetham will lead film & TV visual effects department