Post uncovered: Space Digital on Missing You (Netflix)
Halo recruits senior colourist Will Coker
The fall of Technicolor – what went wrong
Post uncovered: Scanline VFX on American Primeval (Netflix)
The Mill US team leaves Technicolor to launch new venture, Arc Creative
Technicolor UK appoints administrator and makes “majority” redundant
Technicolor close to collapse
Forever Audio adds Jez Nelson MBE to board
VFX uncovered: Absolute on Sweetpea (Sky)
Post uncovered: Vine FX on The Rig (season 2)
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Post uncovered: Unit lights up Shoreditch skies with 3D holograms for Samsung
The effects included a blue whale gliding through the sky, displays of the northern lights and flowers blooming to life
Suite unveils leadership changes
The company has recruited a new leadership team, including Chris Evans, formally of The Farm and Picture Shop, joining as managing director
Best post-production house: Envy
‘Envy are an excellent facility and their growth over troubling times is also impressive’
Kanjee & Barrett acquire Picture Shop and reinstate Farm branding
As part of the acquisition of Picture Shop’s London and Cardiff facilities, The Farm branding will return to the UK post-production sector
Navigating post-production as a single mother
Gemma Comber discusses how flexible workplaces are making it possible to balance parental responsibilities and a demanding job
Filmlight reveals remote grading solution
Remote is available as part of Baselight 6.0
The Yard joins UK Screen Alliance
VFX house opened a UK branch last year, expanding on two French facilities
Adobe reveals AI auto-tagging & caption translation for Premiere Pro
Users can now search for objects, locations, camera angles, metadata, and more through natural language search panel
Podcast: The future of AI in post-production
Azimuth head of audio Kate Davis and HHB CTO John Johnson speak about how AI could assist future post workflows
Post uncovered: Space Digital on Missing You (Netflix)
The Salford-based visual effects house explains its work on the Harlan Coben adaption
Post uncovered: Scanline VFX on American Primeval (Netflix)
Over 1,000 VFX shots were produced for western
VFX uncovered: Absolute on Sweetpea (Sky)
Absolute’s Film & TV department delivered 484 shots over six episodes
Post uncovered: Vine FX on The Rig (season 2)
The VFX house established a new USD (Universal Scene Description) pipeline to handle the volume and complexity of the assets
Post uncovered: Unit lights up Shoreditch skies with 3D holograms for Samsung
The effects included a blue whale gliding through the sky, displays of the northern lights and flowers blooming to life
Post-production uncovered: Four Kings (Prime Video)
Director and DP Stewart Kyasimir explains how the boxing docu-series was post-produced at Workerbee