The fall of Technicolor – what went wrong
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next
The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
IWD 2025: Encouraging opportunities for women in technology
Grace Boswood, technology & distribution director at Channel 4, explains how the broadcaster is seeking to accelerate change in the industry
IWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
IWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
The Basics: What is a green screen studio and how does it work?
Michael Lodmore, duty technology manager at dock10, explains everything you need to know about green screen studios
The fall of Technicolor – what went wrong
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next
The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
The remarkable history of The Moving Picture Company (MPC)
IWD 2025: Encouraging opportunities for women in technology
IWD 2025: How to make tangible steps towards lasting change
IWD 2025: Championing diversity and inclusion in the creative industry
The Basics: What is a green screen studio and how does it work?
The fall of Technicolor – what went wrong
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Comment: The importance of improving audience measurement
Didier Van der Coelden, CFO at Mediagenix, looks at how creative and commercial teams could work together more closely
Navigating post-production as a single mother
Gemma Comber discusses how flexible workplaces are making it possible to balance parental responsibilities and a demanding job
Will Apple Smart TVs redefine home entertainment?
Claire Huxley at Design Bridge and Partners on Apple’s much-rumoured potential entry into the smart TV market
Why hybrid editing is crucial for the survival of the post house
John Rogerson explains why a massive cull of Soho offline suites is essential to ensure a healthy future for the post sector
Comment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
Why & how VFX could use the tax rebate to boost diversity & inclusion
Simon Devereux, director and founder of Access:VFX, gives the case for using the money raised to encourage underrepresented talent into the industry
What’s in store for the future of graphics?
Solution flexibility and ease of use will be key to the future of graphics, believes Kieran Hosking, Ross Video business development manager for graphics in EMEA
How to make AI a force for good
Self-regulation from within the sector is key, says Papercup’s Jesse Shemen
Do you find it difficult to find something to watch?
Stuart Green at Accenture explains how UK media companies can improve the consumer experience as well as their bottom line
What changes, and stays the same, when editing music videos & films
Lucas Moesch, editor at Bandit, gives his advice on moving between formats
Can X’s TV app be a success with audiences?
Sam Drury, UX director at UIC Digital explains why X TV has its work cut out to stand out from existing platforms
What is End-to-End and Why Does it Matter?
Bleuenn Le Goffic at Accedo explains why the much used term “end-to-end solution” is rarely a truly accurate description
HDR – What You Need to Know
Zeb Chadfield at The Finish Line provides an easy-to-follow guide outlining what to consider when finishing in High Dynamic Range
8 Top Tips to shift your podcast from audio to video
Michael Olatunji of Outset Studio offers eight tips to make the most of the possibilities of taking your podcast from audio to video
Why the industry is in danger of data overload
Martin Riley at 7FiveFive explains how to control costs and optimise workflows while keeping growing data requirements under control
Should music libraries accept GenAI compositions?
Jenn Anderson-Miller of Audiosocket discusses how to ensure AI is used responsibly, ethically, and has equitable outcomes for all
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IWD: When will grading with a woman stop feeling like a novelty?
Emily Russul Saib at OnSight on the difficulty in making yourself heard, the fear of imposter syndrome and having to advocate for yourself that bit harder
IWD: Cinesite discusses its menopause policy
Sashka Jankovska explains how the company is ensuring staff understand what menopause is, and are able to talk about it openly and without embarrassment
IWD: The importance of female mentors in our industry
Christine Kelly at Gorilla explains why she believes it’s essential to mentor and inspire other women, and help them navigate male-heavy environments
IWD: Enabling diversity in the workplace
Rowan Bray, MD, Clear Cut Group explains how the post-production sector is working hard to establish a more diverse workforce