All RTÉ articles – Page 4
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RatingsWorld On Fire outguns Doc Martin
BBC1 WWII epic was the biggest drama launch of the week, beating the return of an ITV staple
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NewsCBeebies’ Pablo extends global footprint
Cake sells animation into territories including Brazil, Norway and Portugal
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FeaturesThe changing rights landscape
Buyers for six major UK & Irish broadcasters talk about the complicated rights situation and what they want for their channel portfolios
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NewsBroadcasters braced for US content drought
Hollywood studios set to ‘curtail’ programme sales after launching SVoD services
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NewsAcorn TV passes 1 million subscriber mark
AMC-owned platform has built strong arsenal of UK original and acquired programming
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NewsITG buys into Merman
Sharon Horgan indie creates ad joint venture as talent agency investment arrives
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NewsBBC Northern Ireland names commissioning chief
Head of content production Eddie Doyle promoted to senior role
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SponsoredHow will a no-deal Brexit impact broadcasting?
The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods
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RatingsWinning run for Sky cricket
England’s thrilling World Cup victory drew viewers to three Sky channels
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NewsC4 drama exec joins Normal People producer
Element Pictures hires Jonny Richards to head TV development slate
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NewsLuther creator pens debut ITV drama
Neil Cross adapting one of his own novels for Euston Films’ thriller Because the Night
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FeaturesNicole Taylor & Sarah Phelps on the pleasure and pain of writing
Scriptwriters discuss their love/hate relationship with the creative process and why panic is an essential part of the job
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FeaturesUK ratings 2006 - 2019: the changing shape of audiences
Stephen Price explores the decline of the soaps, but finds a raft of old entertainment juggernauts still going strong
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NewsAlex Gardiner takes reins at Rare TV
Former managing director of ITV Studios’ Multi Story Media boards newly-created indie
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VideoDublin Murders, Starz/BBC1/RTE
First look at Killian Scott and Sarah Greene in Sarah Phelps’ eight-part adaptation of Tana French’s crime novels. Produced by Euston Films
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