All Features articles – Page 170
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FeaturesSitcom revivals: bringing back the classics
Is the apparent appetite for reviving sitcoms a sign of a dearth of new ideas or risks – or a legitimate way to celebrate our comedy heritage? Paul Whitelaw investigates
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FeaturesHigh Dynamic Range: Stepping out of the shadows
HDR promises to take 4K footage to a ‘whole other level’, capturing TV images that offer unprecedented detail and texture even in the shadows. Adrian Pennington reports on the adoption of the technology
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FeaturesTechnology start-ups: Daring to be disruptive
Entrepreneurial spirit may abound in television, but successful technology start-ups are few and far between. Will Strauss talks to three that are attempting to buck that trend and break into the industry
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FeaturesInterview: Nevion's Geir Bryn-Jensen on the shift to IP
Norway-based Nevion plans to help broadcasters face the future by transitioning them to a virtualised media production workflow.
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FeaturesBehind the scenes: The Secret Life of the Zoo
For its latest C4 fixed-rig series, production company Blast Films! called on the expertise of rig specialist Minicams to help it get up close and personal to the animals at Chester Zoo.
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FeaturesHer Story: the Female Revolution, BBC World News
Films of Records’s Neil Grant on partnering with advertising agency JWT Entertainment.
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FeaturesDiamond: the indie verdict
The latest industry diversity initiative is piling pressure on indies already juggling broadcasters’ targets, reveals Broadcast’s Indie Survey
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FeaturesGrantchester
Create a rich, authentic and elegant look and feel for a new series of the 1950s detective drama.
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FeaturesDoctor Thorne
Give a ‘fairytale’ touch to the 3 x 60-minute adaptation of the Anthony Trollope novel.
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Features4 O'Clock Club
Provide full picture and sound post on series five of the CBBC musical comedy set in school, continuing its pop video look and creating a rich sound scape to make a believable school environment.
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FeaturesLight entertainment feels the squeeze
With the likely closure of Fountain Studios, shiny-floor shows could struggle to find space within the M25, but expansion elsewhere should ease the problem.
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FeaturesThe Last Leg, C4
Create an epic new title sequence for The Last Leg in which the presenters battle through a fierce storm to make it to the studio.
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FeaturesStag, BBC2
Provide full post-production for a 3 x 60-minute dark comedy about a deer-stalking expedition in the Scottish Highlands.
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FeaturesFight Night London: UFC Breakdown
Complete grade, audio and online on a 1 x 60-minute show previewing an upcoming UFC bout between Anderson Silva and Michael Bisping.
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FeaturesBVE: the must-attend conference sessions
Our pick of the best panels, presentations and keynotes
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FeaturesBVE expands horizons
Audiovisual and live-event specialists will join the broadcast crowd at this month’s trade show, featuring 260 exhibitors, 120 hours of seminars and plenty of networking opportunities.
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FeaturesBBCW's Paul Dempsey on Sherlock and Top Gear's global plans
BBC Worldwide is the largest TV distributor outside of the US. President of global markets Paul Dempsey discusses the global challenges for the firm and talks about the international success of shows including Sherlock and Top Gear.
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FeaturesPromoting UK creativity in Miami
Patricia Arias, founder of the Miami Media and Film Market, plans to shine the light on the UK’s creative industries.
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FeaturesThe Night Manager
Encore London was responsible for the grade and online edit of the six-part series based on John le Carré’s 1993 novel of the same name.
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FeaturesThe story behind The Night Manager
John le Carre’s sons and The Ink Factory founders, Stephen and Simon Cornwell, discuss the 23-year journey of The Night Manager from page to BBC1.