All Comment articles – Page 10
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CommentGwenda Carnie: Deal-making tips for creative people
Ahead of the Sheffield Doc Fest, here are some helpful hints for a moment creatives anticipate and dread in equal measure
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CommentJohn Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
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CommentThe Future of sustainability in the broadcast sector
With World Environment Day encouraging action for the protection of the environment, Adrian Pennington talks to tech companies about their sustainability plans
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CommentStephen Arnell: Never mind the optics, show me the money
It’s an arrogant mistake to award sizeable bonuses to C4’s top team shortly after cost-cutting measures left producers in the lurch
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CommentFaraz Osman: Under-representation persists but there is cause for optimism
Younger generations are exploring their identity on their own terms and the way they support each other is inspiring
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CommentFatima Salaria: Taking time out has given me a fresh perspective
The value of journalism and the challenges that women and people of colour face have been brought into focus, says Fatima Salaria
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CommentTraining needs to adapt to TV’s specific needs
Seetha Kumar: Government-backed apprenticeships have given emerging talent a break, but they have exposed faultlines in the system
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CommentSchedules and familiar shows take us back to the future
Clear release patterns and even clearer programme concepts appear to be the order of the day
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CommentRescue the relationship between public service content and young people
Reach audiences where they are, rather than where we think they should be, says Emma Scott
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CommentHow pots of funding can help middle ground indies
Candour Productions director of development Hannah Demidowicz on the vital support available to indies
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CommentComment: unpicking the slowdown with Talent Manager data
The volume of jobs being advertised is well down on pre-pandemic levels, says Sarah Lee
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CommentThe growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
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CommentHow we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
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CommentSara Putt: While we celebrate our industry’s excellence, let’s remember tomorrow’s talent
We must level the playing field if we want the best creatives, says the deputy chair of BAFTA and chair of the BAFTA TV Committee
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CommentThe creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content
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CommentNick Swimer: The Media Bill could lay the foundations for regional indie growth
The opportunities this legislation presents for out-of-London production are in danger of being overlooked
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CommentThe rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
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CommentScott Bryan: Even in the streaming age, there’s plenty of life in live
The industry and the audience would both be worse off if the rise of streaming makes live shows a thing of the past
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CommentMike Darcey: BBC is betting goodwill holds key to licence fee debate
Viewers struggling with the cost of living may decide not to pay the licence fee despite using a plethora of free services
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CommentLeo Pearlman: The industry overlooks the north east at its peril
The TV sector stands to reap significant benefits if it follows Fulwell 73’s lead and invests in this incredible region