Sharon Horgan and head of drama Faye Dorn reveal their inspirations
With fewer comedies and more straight dramas, the genre takes its place at the top of this year’s Hot Picks submissions
Already a big hit in the UK and Netherlands, distributor Fremantle is hoping for further success for the format in Spain, Germany and Denmark
Flexibility in terms of content mix, subscriber viewing habits and price points is key to Disney+’s streaming strategy, says the platform’s president
Distributors in our survey report being asked to increase funding to get programmes made, while also dealing with falling demand from buyers
Four leading players from France and Germany discuss the state of the market and the strategies they’re adopting to tackle the challenges ahead
Banijay Rights overhauls BBC Studios to top this year’s distributors table with strong growth despite difficult conditions for the industry
Chief Raney Aronson-Rath unpacks the flagship doc strand’s programming strategy ahead of the Harris-Trump showdown
Le Bureau, La Maison and The Agency creative talks bringing the hit French espionage series to London and pioneering a new era in transatlantic TV
Fox chief exec wants scripted and unscripted worlds to get ‘a bit loose and creative’ and focus less on money
The veteran programming exec talks curation and quality control, his desire for international co-pros and how he’s never turned on a PlayStation
The industry has tied itself in knots trying to discuss the war in the Middle East. Broadcast spoke to 17 individuals about their experiences
As the Hollywood event kicks off, Broadcast pinpoints the eyecatching series for global buyers as book adaptations dominate
Premium drama is set to feature heavily at Mip TV in expectation of a slowdown in the US content pipeline, but factual will still dominate
‘The programmne delivers on so many levels. Everyone will find something appealing in it’
‘The Steal has broad appeal. The US election has worldwide relevance, so we expect this to do well globally’
‘This is about disability equality, but it’s actually about people and human stories’
Playing Nice; Red Eye; Coma; Nightsleeper; Renegade Nell; The Cuckoo; The Jetty; Wolf Hall: The Mirror And The Light
‘This is about disability equality, but it’s actually about people and human stories’
Including Meet The Neighbours; The World’s Biggest Cruise Ship; The Steal; My Family Mystery; Escaping Utopia; The Push; Side Hustlers
‘It’s a really contemporary way of doing history stories and will appeal to a broad audience’