All Broadcast Digital Awards articles – Page 6
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Features
Best Popular Factual Programme: Together We Rise
‘Important story with brilliant access and talent’
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Features
Best Original Web Channel: LADbible TV
‘It’s really evolved beyond UGC and has come up with some banging formats that range across genres’
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Features
Best Lockdown Programme – Comedy, Entertainment or Scripted: Don’t Hate The Playaz
‘It felt so warm and lively and really got the best out of some great guests’
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Features
Best Factual Channel: Sky Documentaries
‘It has strategically acquired must-see docs and bolstered it with originals that are in line with a punchy vision’
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Features
Best Entertainment Programme: Mel Giedroyc: Unforgivable
‘It’s great to see two female hosts, and Mel and Lou are a joy to watch’
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Features
Best Documentary Programme: Locked In: Breaking the Silence
‘Authentic, moving and painfully honest’
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Features
Best Digital Support for a Strand, Channel or Genre: Fans Reunited
‘BT’s innovative approach kept viewers engaged through a very difficult time’
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Features
Best Digital Support for a Programme: It’s a Sin
‘An impressive campaign raising awareness of both the show and a sensitive subject’
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Features
Best Digital Children’s Content: FYI Investigates – Brazil: Children Caught in the Crossfire
‘I praise it for not patronising it’s audience and for its honesty’
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Features
Best Content Partnership or AFP: Mission Accessible
‘The best example of an innovative tie-up that has editorial and commercial benefits for all parties involved’
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Features
Best Comedy Programme: Meet the Richardsons at Christmas
‘Quite simply made me laugh the most out of all the shows submitted’
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News
Broadcast Digital Awards shortlist unveiled
Live event to take place on 6 October at The Brewery, London
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Features
Multichannel Production Company of the Year: Firecracker Films
Firecracker’s shows have a prominent place across UKTV, BBC Scotland and E4
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Features
Best Factual Channel: BBC4
‘It is not afraid to push boundaries in terms of commissioning experimental shows and mixing genres with its output’