All Technology articles – Page 437
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FeaturesStephen Tompkinson’s Australian Balloon Adventure
A graphics package and post-production work for a 3x60-min series documenting a journey by actor Stephen Tompkinson in a hot air balloon over Australia.
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NewsAscent 142 targets docs and LE with Clarke appointment
ITFC sales and marketing manager Liz Clarke has joined the sales group at Ascent142 as the company continues to go after different markets.
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NewsPanalux takes a slice of The Pie Factory
International lighting firm Panalux has opened an office within The Pie Factory at MediaCityUK in Salford.
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NewsSky 1 music show to benefit from Forbidden innovation
Princess Productions is making use of Watch Folder, a new innovation within Forbidden Technologies’ FORcene cloud-based editing platform, for production of Must Be The Music which starts this week.
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NewsIridas adds stereo 3D worflow for Alexa
Iridas has developed a native stereoscopic 3D workflow for films and TV programmes being shot using the Arri Alexa digital film camera.
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NewsSalford Uni unveils MediaCityUK course options
The University of Salford will run courses in Digital Broadcast Technology and Audio Production at MediaCityUK when its new facility opens there in time for the academic year 2011/12.
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NewsSIS to relocate London operation to Salford
Satellite Information Services (SIS), the owner of outside broadcast company SIS LIVE, is to relocate its London operation to MediaCityUK at Salford Quays in a phased move that will be completed by 2013.
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FeaturesSherlock - The Science of Deduction
In updating Sherlock Holmes for the modern age, BBC series Sherlock adds a new dimension to a classic story with its characters’ use of modern technology.
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NewsOfcom spells out PMSE compensation plan
Ofcom has published a statement setting out how Government funding will be made available to the Programme Making and Special Events (PMSE) sector to support its migration from channel 69 to channel 38.
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FeaturesPixel Farm PF Matchit
A 2D and 3D camera-tracking and matchmoving technology for desktop-based visual effects work.
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NewsThe X Factor in production revamp
ITV’s The X Factor has been given a technical production overhaul for series seven, with the auditions, bootcamp and judges’ houses stages of the show being shot in HD using a flypack OB-type set-up and fibre connectivity.
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NewsRaceTech boosts OB facilities with new HD trucks
RaceTech has commissioned three new HD trucks, which it will use to provide OB facilities for horseracing broadcaster Racing UK.
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NewsFuture plans £1m Pepper fund
Financing and production company Future Films will invest £1m in Pepper Post after acquiring the business and assets of the Soho firm in a pre-pack administration deal.
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FeaturesDisney XD Games Vault
A creative solution for promoting new online games, including scripts, visuals and music
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FeaturesSea Patrol UK
Titles, maps and scenes that reflect the powerfully shot sequences and detailed information of the series.
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NewsSharp Project secures Shine kids show
Manchester digital content hub The Sharp Project has been chosen as the production base for a new BBC children’s series being made by Shine TV.
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NewsCinesite expands for stereo 3D push
London visual effects facility Cinesite is to undergo a major expansion that will include the launch of new stereo 3D services, a huge recruitment drive and the addition of both floorspace and extra data storage.
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NewsMovietech orders more Alexas
Camera rental firm Movietech has ordered five Arri Alexa digital film cameras after its first unit proved a huge success.
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NewsPrime Focus adds to commercials team
Prime Focus has added executive producer Kristy May Currie and flame artist Dave Clifton to its commercials division.