All articles by Robin Parker – Page 44
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News
Kudos development producer joins Sister Pictures
Kudos development producer Naomi de Pear has left the Endemol Shine Group company to be reunited with former chief executive Jane Featherstone at her indie Sister Pictures.
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News
Love’s Muslim doc to explore pluralism
Love Productions’ forthcoming BBC2 constructed documentary series is to place 10 Muslims from a variety of backgrounds into a single house.
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News
Doc/Fest: TV fails to reflect Muslims
Media misrepresentation of Muslims, and fear of reproach from within their communities, are hindering TV depictions of the less “extreme” aspects of Islam, according to leading programme-makers.
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News
C5 keen to 'own' down-the-lens docs
Knickerbockerglory is to apply the ‘down-the-lens’ technique of its Channel 5 documentary I’m An Alcoholic: My Name Is… to five further subject areas.
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The Broadcast Interview
Neil Grant, Films of Record
Films of Record managing director Neil Grant tells Robin Parker about the streak of anarchy and love of provocation and playfulness that have marked his career in groundbreaking TV
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News
E4 strikes second Netflix deal
An E4 comedy horror series from the creator of Misfits has become the broadcaster’s second drama to be co-produced by Netflix.
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The Broadcast Interview
John Hay, C4
Channel 4 arts commissioner John Hay tells Robin Parker why he wants artists to tackle ‘front-half-of-the-paper’ topics. Plus: Pegah Farahmand on supercharging Random Acts
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News
Dancer Akram Khan part of C4 arts slate
Dancer Akram Khan is to create and stage a work in British factories in a one-off Channel 4 documentary from Grayson Perry’s producers.
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Features
Diversity: writing and directing
Tackling the lack of diversity in writing and directing TV needs more than lip service. Robin Parker reports on efforts to get new voices in front of producers and commissioners
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News
Drama indie revenues rocket
The revenues of the UK’s top five drama indies rocketed by a third last year, boosted by global appetite for English-language drama and the flow of inter national money into production.
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Comment
Let’s protect C4’s unique remit
Privatisation is a solution to a problem that does not exist
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News
Indies rally behind Channel 4
The UK production sector has rallied to Channel 4’s defence, warning that privatisation would lead to a homogenised market and destabilise the UK’s “delicate eco-system” of public service broadcasting.
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News
Peter Bowker plots WW2 epic
Peter Bowker is eyeing up a multi-lingual World War II drama as his next BBC project – and plans to go deeper into society’s attitudes toward autism in a second series of The A Word.
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News
Tiger Aspect expands Cavey brief in comedy rejig
Tiger Aspect has restructured its senior comedy team to give Ben Cavey, the managing director of its Cave Bear label, an expanded role.
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Features
Comedy roundtable: keeping comedy fresh
Comedy hits can help to define a channel, but are new ideas losing out to safer bets, ‘funny factual’ and an inflated drama slate? Robin Parker asks five leading comedy producers
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News
Sharon Horgan pilot to spearhead BBC comedy strand
The BBC is lining up a contemporary comedy from Catastrophe co-creator Sharon Horgan and The IT Crowd writer Graham Linehan as a counter to its season of sitcom revivals.
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The Broadcast Interview
Sally Woodward Gentle & Lee Morris, Sid Gentle Films
The duo behind drama indie Sid Gentle Films tell Robin Parker why they’re seeking out leftfield talent - and what this means for diversity in the industry
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The Broadcast Interview
Susanne Bier, The Night Manager
Acclaimed Danish film director Susanne Bier waited 25 years to make her TV debut - with a thriller that had taken almost as long to get to the screen.
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Features
Employee satisfaction: The key to a happy company
Job satisfaction, the ability to make decisions and, most of all, having fun are vital elements in keeping TV staff happy and motivated, according to our survey. Robin Parker reports
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News
C4 orders Israeli drama remake
Channel 4 is eyeing up an adaptation of a drama dubbed the Israeli Entourage as a potential successor to comedy-drama Fresh Meat.