Grading work on series two of the comedy remake, creating shape and depth in the interior scenes and pushing different looks for the alternative reality moments.
Grade Halo
Client Objective Productions
Brief Grade series two of the comedy remake, creating shape and depth in the interior scenes and pushing different looks for the alternative reality moments.
How it was done Ross Baker on Nucoda Film Master used vignettes and defocus for the depth and gave Fay Ripley a soft glow to her skin. For UV-protected windscreens in a car scene, Baker used 12 layers of colour correction, combining keying shapes and tracking to bring the shots back.
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