Provide cameras and post for the returning comedy

Post Onsight

Client Grant Naylor Productions

Brief Provide cameras and post for the returning six-part comedy.

How it was done Shot on Red Epics with a mixture of Angenieux Optimo, Arri Alura and Ultra Prime zoom lenses, Onsight’s SGO Mistika systems were used to handle the large amount of data, with high-resolution files used in the post process.

Onsight’s lead VFX editor, Miguel Caamaño, built background imagery such as planets and moons using Mistika and The Foundry’s Nuke.

Watch it Thursdays, 9pm, Dave

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