All Raw TV articles – Page 3
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NewsMother Teresa series tops Sky Docs slate
Minnow Films three-parter among Poppy Dixon’s five projects
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FeaturesBest documentary series: Once Upon a Time in Iraq
‘This was incredible film-making. Intelligent, fascinating, gripping and a powerful human insight into an epic story’
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NewsGreat Scott adds production and development chiefs
Raw TV and South Shore alums join for next stage of growth
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FeaturesIndie Survey Peer Poll: top 10 revealed
Which company does the production sector rate the highest?
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FeaturesStaff welfare takes priority
Consolidators felt the full impact of Covid-19 in their top lines last year, but the pandemic also enabled them to refocus on their employees
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NewsCNN and Raw combine for Three Identical Strangers successor
The Lost Sons follows the story of a kidnapped child
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NewsRecruitment practices in the spotlight
Indie bosses call for far more structured approach to improve conditions for freelancers
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NewsRace Across the World leads All3 China deal
Inaugural agreement with Huanxi SVoD spans 110 hours
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FeaturesChernobyl fuels triumph for Sister
The Sky Atlantic series impressed the producer’s peers, while BBC2’s Giri/Haji and ITV’s Cleaning Up helped to cement its reputation
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NewsC5 scoops Broadcast Awards channel of the year
Broadcaster wins prestigious award for the first time as Studio Lambert lands indie gong
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FeaturesBest documentary programme: Three Identical Strangers
“Three Identical Strangers is a wonderfully crafted and amazing story”
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NewsEd Stafford showrunner joins Asian producer
Rob Sixsmith one of four appointments by Blue Ant Studios firm to grow international footprint
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NewsLion TV hires factual duo
Firecracker creative director and the director of Raw’s Drowning in Plastic join All3Media indie
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VideoMeat: A Threat to Our Planet?, BBC1
Investigation into the impact of meat on our planet. Produced by Raw TV
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NewsBBC ups Jo McClellan and Gaynor Holmes in drama reshuffle
Duo promoted to replace Liz Kilgarriff while Tom Lazenby joins from Raw
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NewsTerms of trade in the spotlight
Senior execs discuss whether the indie revenue framework is fit for purpose in the digital age