All Rare TV articles
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News
Studio Ramsay development producer heads to Rare
Bronson Payne to join Digging for Britain indie as editor
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Features
Rare Television
‘We believe in taking collective responsibility, which is repaid in loyalty and everyone having a sense of ownership of our output’
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News
Rare TV lands further extreme airport series for Smithsonian
Extreme Airport Africa marks first foray into wildlife programming for Digging for Britain indie
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News
In brief: The Australian Wars; Pokémon; Bluey; RTS Craft & Design Awards
Australian war drama set to air on BBC4
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News
Ex-Studio Ramsay creative director resurfaces at Rare TV
Fernando De Jesus takes post at Expert Witness indie
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News
True crime indies launch association for best practice
Members include ITN Productions, Rare TV and Woodcut Media
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News
Rare TV appoints Discovery alum as first US showrunner
Greg Chivers takes up international role as Abigail Keyes joins Belfast development team
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Features
Best daytime programme: Moneybags
‘Moneybags stands out due to its sheer originality, ingenuity, casting, cunning format twists and effervescent host’
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News
Rare TV heads back to Alaska
Chronicles lives of residents on the Aleutian Islands for US pay-TV operator Outdoor Channel
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Features
Krizzah Policarpio
‘Krizzah is someone really going places and we just hope we can hang on to her coat tails’
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News
ITVBe unveils female-focused health series
Rare TV, Twenty Six 03 and Monkey among indies producing celebrity-fronted docs
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News
Yesterday returns to Hornby HQ
Rare TV steams ahead with second series examining model railways
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News
Rare explores Michael Jackson’s zoo for ITV
Marks indie’s first major project for the broadcaster
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Features
Cops On the Rock
‘Yes, it’s true crime, but it feels premium factual because of the nature of the programming and the way that Rare sells things’
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News
Yesterday constructs Hornby doc
Rare TV secures access to ’quintessentially British’ modelmaker
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Behind The Scenes
How BBC2’s Mountain Vets avoided Covid-19
We thought shooting the second series had been a challenge - then Covid turned up during the edit, says Edward Hart