All Post Production articles – Page 8
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Gravity Media to open London Production Centre White City
The media hub is made up of production, post-production and live studios
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Broadcast Tech magazine - Autumn 2022 issue out now
A roundtable debate with six female UK broadcast tech leaders, the key tech trends of 2022, behind-the-scenes on virtual production shoots, IBC highlights, an MPTS review, and much more inside
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Molinare completes major Picture expansion
It has doubled its Flame capacity and made seven hires
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Post-production uncovered: Untold & One Of Us on The Sandman (Netflix)
One Of Us provided 240 shots, while Untold supplied over 360 for Neil Gaiman adaptation
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Owen Hulme joins Residence Pictures as online editor and partner
His credits include Utopia, The Serpent and I May Destroy You
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Damon Tai joins Envy as senior online editor
He had spent 18 years at The Farm as an online and offline editor
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Zinc launches post service Bumblebee
It aims to go nationwide by utilising Zinc’s existing locations
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Mark Slobodian joins Evolutions as senior colourist
Evolutions has taken on Mark Slobodian as senior colourist. He has previously worked at MPC and Splice and has built up a strong reputation and client base across multiple genres. His recent credits include Saved by a Stranger, The Ken and Barbie Murders, and Made in Chelsea. ...
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Post-production uncovered: Goodbye Kansas on Locke & Key (Netflix)
VFX house delivered 65 shots over three episodes for final series
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Stone Dogs launches colour facility
Development includes three client-focused rooms alongside a central production and quality control area
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Broadcast Tech Innovation Awards 2022 - Enter now
The categories focus on the creative use of technology in production and post-production
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Picture Shop unveils management team changes
Streamland Media’s picture department, Picture Shop, has announced a series of promotions and appointments for its UK facilities
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Post-production uncovered: Goldcrest Post on The Baby (HBO/Sky)
Goldcrest completed the grade, conform and finish for the HBO Original horror comedy series
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Warner Bros De Lane Lea relocates to purpose-built Soho facility
The new office is spread across three floors of Ilona Rose House on Greek Street
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Post-production uncovered: MPC on Prey (Disney+)
MPC provided over 600 VFX shots for the 20th Century Studios production
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Jellyfish recruits Elena Wurlitzer for Originals wing
She has been appointed as development producer – animated series and features
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Chris Coy joins Clear Cut as post-production operations manager
Coy joins the company after 17 years at Evolutions
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Racoon takes on editors, Nick Dixon and George Winfield
Both are based outside London and have access to physical space for edit, collaboration and review in London and with regional partners of Racoon
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Simon Kanjee leaves Evolutions, Jonathon Kemp becomes CEO
Big changes at the top for one of London’s biggest post-production houses