All Post Production articles – Page 8
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Richard Lee, dubbing mixer at Dock10 has died
He had 30 years of experience, with credits including Heartbeat, Waterloo Road and Dodger
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Deadline extended for Broadcast Tech Innovation Awards 2022
Deadline for entries for this year’s Awards is now Friday 30 September
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Gravity Media to open London Production Centre White City
The media hub is made up of production, post-production and live studios
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Broadcast Tech magazine - Autumn 2022 issue out now
A roundtable debate with six female UK broadcast tech leaders, the key tech trends of 2022, behind-the-scenes on virtual production shoots, IBC highlights, an MPTS review, and much more inside
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Molinare completes major Picture expansion
It has doubled its Flame capacity and made seven hires
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Post-production uncovered: Untold & One Of Us on The Sandman (Netflix)
One Of Us provided 240 shots, while Untold supplied over 360 for Neil Gaiman adaptation
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Owen Hulme joins Residence Pictures as online editor and partner
His credits include Utopia, The Serpent and I May Destroy You
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Damon Tai joins Envy as senior online editor
He had spent 18 years at The Farm as an online and offline editor
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Zinc launches post service Bumblebee
It aims to go nationwide by utilising Zinc’s existing locations
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Mark Slobodian joins Evolutions as senior colourist
Evolutions has taken on Mark Slobodian as senior colourist. He has previously worked at MPC and Splice and has built up a strong reputation and client base across multiple genres. His recent credits include Saved by a Stranger, The Ken and Barbie Murders, and Made in Chelsea. ...
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Post-production uncovered: Goodbye Kansas on Locke & Key (Netflix)
VFX house delivered 65 shots over three episodes for final series
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Stone Dogs launches colour facility
Development includes three client-focused rooms alongside a central production and quality control area
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Broadcast Tech Innovation Awards 2022 - Enter now
The categories focus on the creative use of technology in production and post-production
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Picture Shop unveils management team changes
Streamland Media’s picture department, Picture Shop, has announced a series of promotions and appointments for its UK facilities
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Post-production uncovered: Goldcrest Post on The Baby (HBO/Sky)
Goldcrest completed the grade, conform and finish for the HBO Original horror comedy series
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Warner Bros De Lane Lea relocates to purpose-built Soho facility
The new office is spread across three floors of Ilona Rose House on Greek Street
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Post-production uncovered: MPC on Prey (Disney+)
MPC provided over 600 VFX shots for the 20th Century Studios production
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Jellyfish recruits Elena Wurlitzer for Originals wing
She has been appointed as development producer – animated series and features
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Chris Coy joins Clear Cut as post-production operations manager
Coy joins the company after 17 years at Evolutions