All Post Production articles – Page 3
-
News
IBC2023: Adobe adds AI-powered enhanced speech to Premiere Pro
AI-powered roto brush and a 3D workspace added to After Effects
-
News
Laura Hewett joins Bumblebee hive
Colourist and online editor joins after working freelance for past five years
-
News
Unit recruits online editor Ben North
He joins from Molinare, and has previously held roles at Lipsync and ITN Productions
-
News
Broadcast Tech Innovation Awards 2023 - Deadline Extended
The winners will be revealed at the gala Awards dinner on 29 November 2023 at The Brewery, London
-
News
RunVT opens Charlotte Street facility
The building has a 4K HDR grading suite, 13 offline rooms and two 5.1 audio suites with VO booths
-
News
Point1Post installs Europe first Avid S4 dual-op mixing rig
Avid S4/Pro Tools mixing rig installed by Jigsaw24 Media
-
News
Cutting Room expands & launches ‘elevated finishing’ service
Size of consultants team grows from six to ten
-
News
Bectu open letter slams freelancer working conditions
Union outlines terms and conditions, working hours and invoice payments for freelancers in sound
-
News
Halo bolsters production team
Alice Boreham arrives as senior post producer and Robbie Patterson as post producer
-
News
Callum Donaldson joins Clear Cut as dubbing mixer
He moves from ViaCom, where he led its audio team
-
News
Molinare expands to become Molinare Creative Group
It has acquired Notorious DIT, brought in Pip Studios, and launched two new brands
-
Features
Creative Review: Stormy seas and old masters
UK post houses’ best recent work, from creating CG oceans for No Escape to drawing inspiration from great artists for The Gallows Pole
-
News
Gallery: Broadcast Fives makes successful return in aid of Film and TV Charity
Much-loved industry five-a-side football and netball tournament was contested by 40 teams
-
News
Laurie Goode joins Racoon as re-recording mixer
We will be based at Racoon’s Margaret Street office
-
Comment
Andy R. Worboys: Why I’m quitting as an editor
The industry’s refusal to take a chance on people is making docs look samey - and worse, it’s driving talent out
-
News
Milk VFX owner acquires Dublin’s High Wire
The 25-year-old company delivers high-end post-production services for TV, feature film, commercials and long-form documentaries
-
News
Senior colourist Sonny Sheridan joins Envy
He joins from Picture Shop (formerly The Farm Group)
-
News
BBC launches access scheme for disabled comedy editors
Roughcut, Fifty Fifty and Picture Shop supporting two placements to redress lack of representation in comedy post-production