All Post Production articles – Page 12
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NewsPodcast: IWD 2022 – How to encourage women into post-production
Goldcrest senior colourist Jet Omoshebi and Envy co-founder Natascha Cadle discuss gender and ethnic diversity within the sector
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NewsPost-production uncovered: One Of Us on Munich - The Edge Of War (Netflix)
One Of Us delivered 215 VFX shots for the Robert Harris thriller
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FeaturesCreative review: Book Of Love, The Tinder Swindler, The Apprentice + more
A look at some of UK post houses’ best recent work
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NewsPost-production uncovered: Cinelab and Goldcrest on The Witcher (Netflix)
Cinelab provided dailies lab services and workflow supervision and Goldcrest handled picture post
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NewsResidence Pictures recruits commercial director Harriet Dale
She joins the soon-to-open picture post-production facility as the final co-founder of the company
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NewsPost-production uncovered: Goodbye Kansas on Alex Rider (IMDb TV)
The VFX house supplied 215 shots and 12 assets for the second series
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NewsMolinare opens Dolby Atmos 4K HDR theatre
Named The Jack Cardiff Theatre, it is the largest room of its kind in London
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FeaturesRapid Pictures & Radiant Post Production
‘We want staff to enjoy coming to work and take pride in what they do, while working to the highest standards’
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FeaturesAsolute Post
‘The bedrock for our growth has always been creating an environment with a family feel, in which creativity can flourish’
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FeaturesCoffee & TV
‘We can’t change the fact that great work is hard work, but we can ensure everyone gets time and space to recharge’
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NewsHarbor to open post-production house in Farringdon
The facility will offer end-to-end services and complement its existing office in Windsor
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NewsPost-production uncovered: Realtime on A Discovery Of Witches (Sky)
Realtime provided around 80 VFX shots for the third series of the show
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NewsPost-production uncovered: One Of Us on The Matrix Resurrections (feature)
One Of Us created over 200 VFX shots for the film
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NewsPost-production uncovered: Goodbye Kansas on The 355 (feature)
It delivered over 400 VFX shots for the film
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FeaturesBest post-production house: Halo
“Halo showed that it values its staff greatly, as well as providing a very high-quality creative service”
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NewsPaul Harrison and Julian Nelson join Residence Pictures
The picture post house opens soon, with Harrison and Nelson both becoming founding partners
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NewsJulia Veidt joins OnSight as head of documentary
She joins from Clear Cut where she was business development manager
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NewsOutpost VFX recruits Kate Warburton for new London office
The Bournemouth-based visual effects house is set to expand into London in the coming months
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NewsUKTV extends partnership with The Farm Group
The companies will continue to work together on UKTV’s in-house post facilities