All Post-Production Uncovered articles – Page 8
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Post-production uncovered: Splice on The First Team (BBC2)
Post-production house reveals its work on the grade and audio post of new comedy series
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Post-production uncovered: Storm on The A-Z of Eurovision (BBC Two)
Storm provided fully remote post-production for BBC’s The A-Z of Eurovision (TX 16 May), including remote collaboration between multiple edits and locations and same-day delivery. The remote services provided by Storm included file ingest, tape ingest, archive management, offline edit, voice-over, audio mix, online edit, grading, graphics, ...
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Post-production uncovered: Flipbook Studio on The Worst Witch (CBBC)
The Manchester-based studio worked on VFX across series four of the kids’ production
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Post-production uncovered: Envy on Too Hot To Handle (Netflix)
The online edit and extensive audio post-production work explained
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Post-production uncovered: Gangs of London (Sky Originals)
Work on the production had to be finished with the post team working from home during lockdown
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Post-production uncovered: Dock10 on The Stranger (Netflix)
Dock10 explains its work on Red Production Company’s 4K Netflix thriller
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Post-production uncovered: Red Dwarf: The Promised Land (Dave)
Outpost Facilities and Axis VFX talk through their work on the feature-length Red Dwarf one-off for Dave
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Post-production uncovered: Britain’s Got Talent (ITV)
Freefolk explains its work on ITV’s launch film for the latest series of Britain’s Got Talent
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Post-production uncovered: In My Skin (BBC3)
Post house Splice runs through its work on BBC drama In My Skin