Most popular and commented – Page 627
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FACILITIES - DARKHORSE FX OPENS.
Three former BBC Design employees have opened a new vfx company in Bristol. Darkhouse FX is
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FACILITIES - C4'S MOBILE GAMES.
Channel 4 has launched a mobile phone gaming service through 4Interactive, entering a EUR100m (£70m) market.
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FACILITIES - GOLDEN SQ NEW STAFF.
Golden Square Post Production has recruited two new staff. Senior producer Andrew Swepson joins from Pepper,
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FACILITIES - ABSOLUTE FLAME HIRE.
Absolute Post has appointed James Allen as a senior Flame artist. He joins from Glassworks. Allen
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FACILITIES - MPC SALE HITS SNAGS.
Reports of the sale of ITV-owned The Moving Picture Company (MPC) to French technology group Thomson
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Creative briefs - Evolutions posts C4's Auschwitz.
Evolutions Television has finished post on Auschwitz - The Forgotten Evidence for Flashback Television and Channel
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Creative briefs - Frontier's great composers.
Frontier Post has completed post-production on Howard Goodall's 20th Century Greats for Channel 4. In the
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Creative briefs - Blue finishes Tim Marlow series.
Blue has completed the online and audio post on Tim Marlow's Judgement Day. The Seventh Art-produced
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Analysis - Profile - What next for the Corrie queen?
Carolyn Reynolds is packing her bags and getting ready for a new challenge after putting Coronation Street back at the top of the soap charts.
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Analysis - On the box - Shots show a lack of vision.
Will Gould is disturbed by how a limited budget has affected the scenery in North & South and at how reality TV merges into fiction in Edge of Life.
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Analysis - Race for the PSP prize.
With Ofcom holding a hypothetical tender next week for its proposed PSP, and a budget of£300m in the offing, Emily Booth outlines the main issues which will determine what the new service could look like.
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Opinion - In my view - The reality of innovation.
While we all agree that innovative TV is desirable, there is little consensus on what that actually constitutes, writes Simon Shaps.
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Opinion - Comment - Hideously white?
Is your office filled with white faces? Whether by appealing to self-interest or positive discrimination, it's time our industry became more ethnically diverse, writes Lynne McCadden.
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Opinion - American view - The blight side of life.
American television is guilty of ignoring a large and growing section of the population - the poor, writes David Teather.
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US TV: THE CLASSICS AND THE CLANGERS - US IMPORTS - TRASH OR TRIUMPH?
Love them or loathe them, US programmes have been a vital part of UK broadcasting for 50 years. But which have had the biggest impact and does US output still carry the same clout?
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Interview - Let me sell you a story.
Known for his work on commercials and contemporary drama, Brian Percival may not have been the obvious choice for the BBC's current costume drama North and South, but he is unfazed by the challenge.
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Production - Rough Cut - Leave it to the experts.
Leo Carlyon is confident facilities houses will survive the production companies' current fad for buying equipment to edit in-house.
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Production - On location - Teen building exercise.
Producer Donna Clarke found filming a group of disadvantaged teenagers given the chance to work in the construction industry to be a challenging but ultimately worthwhile experience.
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Production - The ethics of creating 'archive'.
Is there a danger that a documentary which has used CGI to manufacture 'archive' footage of Adolf Hitler is crossing the line between fact and fiction, asks Anna Tobin.
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Production - When disaster struck.
A BBC1 doc recreates the night when poison gas escaped from Union Carbide's Bhopal factory.