All Love Productions articles – Page 2
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Video
Trail: The Piano, Channel 4
Love Productions format where a group of amateur pianists compete, without their knowledge, for a chance to play at London’s Royal Festival Hall
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News
MPs accuse Dorries of trying to trash C4’s reputation
DCMSC finds no truth in former culture secretary’s Tower Block of Commons fakery claim
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News
Love tunes up C4 street piano format
Claudia Winkleman to front series inspired by train stations’ public instruments
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News
C4 and Love scrap Kids In the Wild in pre-production
Ambitious Contestable Pot commission shelved four months after being announced
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News
C4: no truth to Dorries’ Tower Block of Commons claims
Investigation by Love Productions rejects culture secretary’s ‘paid actor’ claims
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News
Love lands C4 Contestable Pot show
Kids in the Wild format follows nine to 11 year olds as they fend for themselves
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News
Bake Off looks set for 21 September launch
Love format expected to air in line with last year’s Covid-delayed show
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Features
Best independent production company: Talkback
‘In Covid-straitened times, with hordes of youngsters unable to get within two metres of each other, Too Hot To Handle felt prescient’
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Features
Best popular factual programme: Race Across The World
‘Completely compelling – I cared so much about these people. It was talked-about TV, made with ambition and panache’
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Sponsored
Best Indie nominees: Love Productions
Love Productions quickly pivoted during lockdown to create innovative, Covid-safe versions of hits such as The Great British Bake Off
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Features
C4: Covid crash prompts plenty of challenges
Broadcaster praised for the speed it commissioned in response to the pandemic
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Video
The Great British Sewing Bee: Celebrity Christmas Special, BBC1
Festive edition of Love Productions’ sewing format
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Features
Glued to the Screen: The Great British Bake Off
Ninder Billing finds C4’s ‘tent of tension and delight’ exactly what she needs in Lockdown 2.0
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News
Extra Slice exec: cooking up a comedy atmosphere
Love’s Jo Bunting grapples with impact of government’s shifting goalposts on live audiences
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