Latest – Page 465

  • News

    New tax breaks for film industry

    2005-12-15T08:30:00Z

    The UK film production industry has welcomed the government's announcement last week of a long-awaited new tax credit system, geared to allow producers to offset certain production costs against tax.

  • News

    Kodak hit by Hemel oil explosion

    2005-12-15T08:30:00Z

    Kodak Film Supplies' headquarters has been badly damaged by the oil explosion and consequent raging fires at Hemel Hempstead.

  • News

    Soho Editors expands worldwide

    2005-12-15T08:30:00Z

    Post-production talent agency Soho Editors is to plough around£4m into expanding its business worldwide, to cover the Middle East, West Coast USA, South Africa and Ireland.

  • News

    Feeney to Golden Sq

    2005-12-15T08:30:00Z

    Golden Square has taken on freelancer Sean Feeney as senior producer. Feeney worked at MPC for seven years, working his way up to senior VFX producer. He then moved to Jim Henson's Creature Shop to become head of animation and post-production. At Golden Square, he will be helping to build ...

  • News

    Baselight for Envy

    2005-12-15T08:30:00Z

    Start-up post house Envy has spent£225,000 on Filmlight's Baselight Four grading system for colour grading and finishing. It will be used for high-end grading for film and broadcast work and will be installed in the facility's grading suite.

  • News

    Fuji row settled

    2005-12-15T08:30:00Z

    Fujifilm and media supplier First4media have settled their dispute which erupted earlier this year (Broadcast, 16.6.05). The fallout saw Fuji's broadcast divisional manager, Eric Mould, and the directors of stock supplier Transco Group plc - which trades as First4media - taken to court by Fuji over alleged trading irregularities. The ...

  • News

    Edifis for Clear Cut

    2005-12-15T08:30:00Z

    Post-production house Clear Cut Pictures has splashed out£200,000 on an Edifis f/stop grading and colouring system as part of its drive into feature film post. It will be installed in January and used for colour correction, to create 2k, HD, PAL and NTSC deliverables, grade across Final Cut Pro material ...

  • News

    BDA rebrands ESPN

    2005-12-15T08:30:00Z

    Design company BDA has rebranded the ESPN Classic sports channel, with new idents and on-air elements. Senior designer Andrew Olley created the new look, using Clarity Pixel Promo. The new on-air design airs early next year.

  • News

    Thomson IPTV move

    2005-12-15T08:30:00Z

    Media giant Thomson has acquired French IPTV platform provider Thales Broadcast & Multimedia for around£87.7m. The deal will give the Thomson group end-to-end products and services in the IPTV, mobile TV and digital terrestrial transmission (DTT) markets. It is the second acquisition made by Thomson this month, after it bought ...

  • News

    BBC HD doc finished

    2005-12-15T08:30:00Z

    BBC Resources has secured the editing and grading work on the three-part HD documentary Galapagos for BBC Natural History and the National Geographic Channel. BBC Post Production Bristol is providing the HD tapeless post-production solution to support the series, which explores the history, landscape and wildlife of the islands, and ...

  • News

    Studio AKA does Nick Jr idents

    2005-12-15T08:30:00Z

    Studio AKA has created the channel idents for Nickelodeon UK's Nick Jr channel. The idents, directed by AKA's Mic Graves, depict a pop-up world featuring cut-out animals in festive mode. Ben Boquelet, Emilie Boyard, Boris Kossmehl, Rob Latimer and Fabienne Rivory animated in 3D using Softimage XSI. James Gaillard rendered ...

  • News

    Evolutions grades Snow Queen

    2005-12-15T08:30:00Z

    Evolutions has completed the mastering and grading of Intro's first film venture, The Snow Queen, a 56-minute film based on the Hans Christian Andersen fantasy story combining music by composer Peter K Joyce and poetry. Evolutions senior editors Nick King and Owen Tyler conducted the mastering using a digital tape ...

  • News

    Pepper finishes Life on Mars

    2005-12-15T08:30:00Z

    Pepper has completed the post-production on BBC Production's Life on Mars, a 6 x 60-minute drama series about a detective who wakes from an accident to find himself living in 1973. Shot on super 16mm Kodak stock, the grade was designed to give a 1970s film effect. Senior colourist Jet ...

  • News

    Studios' year rises above gloom

    2005-12-15T08:00:00Z

    Despite a flurry of bleak news stories, the studios sector has had a reasonably good year and, by increasing flexibility and preparing for HD, should be in a strong position for 2006. By Andy Stout.

  • News

    Listening to the voice of VoD

    2005-12-15T08:00:00Z

    When is a TV programme not a TV programme? That is the big question troubling Ofcom, which last week was forced to postpone its long-awaited Television Production Sector Review as it struggled to work it out.

  • News

    Downloading the revolution

    2005-12-15T08:00:00Z

    David Docherty on a year in which digital technology made huge advances with podcasting, VoD, PVRs and mobile TV - helped by the rise and rise of the citizen reporter.

  • News

    Keeping us posted

    2005-12-15T08:00:00Z

    Our end-of-year round-up finds facilities struggling to find the cash to invest in HD while at the same time the advent of desktop editing is putting pressure on them to cut their rates. By Simon Meek.

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    News

    BSkyB: no plans to follow NTL into mobiles

    2005-12-09T07:59:20Z

    BSkyB is not planning to offer mobile phones as part of its package anytime in the near future, Jeremy Darroch, chief financial officer has said.

  • News

    Cadle Hunts Soho for Envy talent

    2005-12-08T08:30:00Z

    Former Blue managing director, Dave Cadle is poaching 45 staff from around six Soho facilities for his new£5.6m post-production facility Envy which opens in the middle of February.

  • News

    Industry plays down threat of in-house editing

    2005-12-08T08:30:00Z

    Broadcasters, facilities and key independents thrashed out the issues of desktop editing and in-house production at Broadcast's first post-production forum last week, held at London's Vinopolis.