All Kids articles – Page 24
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FeaturesChannel Of The Year: BBC4
‘Sketch-show impressions of BBC Four as a stuffy channel filled with academics shouting in fields were consigned to history’
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FeaturesBest Digital Children’s Content: Secret Life Of Boys
‘A complete vision that was executed perfectly for its target audience. It lifted the profile of CBBC’
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FeaturesBest Specialist Channel: Sky News
‘It is the default news channel and market leader and it is owning the most important genre by some distance’
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NewsCommercial PSBs outline kids’ plans
ITV, Channel 4 and Channel 5 commit to future of genre in submissions to Ofcom review
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NewsWarner orders Gremlins prequel
Amblin Television animation cued up for forthcoming SVoD service
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NewsCBBC adapts Enid Blyton’s Malory Towers
King Bert and DHX Media’s 13-part series heads BBC children’s slate
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NewsCITV opens pitches for BFI fund shows
‘Brand-defining’ craft format, live-action scripted and a physical game show are in broadcaster’s sights
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NewsWalliams pens Cinderella sequel for Sky
Christmas family comedy is author’s first original screenplay for the channel
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NewsSony promotes kids channel exec
Craig Hunter to lead UK kids networks following Sarah Muller’s move to BBC
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![Bluey S2 key images[1]](https://d11p0alxbet5ud.cloudfront.net/Pictures/100x67/4/6/5/1304465_blueys2keyimages1_723935.jpg)
NewsDisney+ acquires BBCS animation
Forthcoming SVoD service picks up Bluey and orders Chip ‘n’ Dale reboot
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NewsMackenzie Crook revives Worzel Gummidge for BBC1
Detectorists creator to adapt and star in two-part Christmas family comedy
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NewsHello Halo launches kids’ division
Greenbird indie sets up dedicated unit after securing second CBeebies commission
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NewsC5 doubles Milkshake spend
Viacom eyes more live-action, puppet shows and regional content with seven-figure investment boost
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NewsBelieve and Rockhill forge kids content partnership
ITV-backed animation specialists and Nickelodeon alumnus plot global franchises
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NewsBBC strategy chief attacks Netflix
By eschewing standard audience measurement, the SVoD is not competing on an even playing field, Becky Marvell argues