All International articles – Page 114
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FeaturesHandmade: Good With Wood
‘All countries have traditions of woodworking, so we see this as a very strong format pitch’
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FeaturesVice Versa: Crusaders
Much has been documented about Scientology in the media, but Jehovah’s Witnesses have largely avoided such scrutiny
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FeaturesFour Hours At The Capitol
‘It is very powerful. It is an action film, but every frame and every word is true’
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FeaturesKiller At The Crime Scene
‘The focus on science means this can reach a different audience as well as your archetypal ‘true-crime’ follower’
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FeaturesWonders Of The Celtic Deep
‘It’s early stages, but we have a strategy in place: we’ll handle the SVoD, AVoD and Fast channels within that, but Mipcom is its moment to shine’
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FeaturesIn Conversation: Manda Levin & Lars Blomgren on the state of scripted
Senior drama figures swap notes on the state of scripted production, from securing funding to working in different territories
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CommentGreat drama can speak to audiences in any language
Foreign-language shows are on the rise as viewers focus on quality of content, not country of origin, says Andrea Scrosati
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FeaturesBismarck: 24 Hours To Doom
‘Those stories, from the sailors and aviators involved in the battle, really bring the entire project to life’
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FeaturesLet The Rest Of The World Go By
‘The story went viral even before the doc came out, which shows there is interest around the world’
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FeaturesEpic Oceans
‘We will be aiming to sell to all territories, but particularly to Europe, Africa and Asia’
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FeaturesThe Ripper Speaks
‘There have been loads of Ripper documentaries, but they have never been in his own words’
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FeaturesBlackout - Tomorrow Is Too Late
‘We see the power go out in homes, the transport is down, and no one can get back to their loved ones’
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FeaturesOsama Bin Laden: The Inside Story
‘What this series does is tell for the first time the whole story of who Bin Laden was, where he came from and how he was radicalised’
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FeaturesForgotten War Stories
‘The Bosnian episode is particularly harrowing, stark and brutal to watch at times’
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FeaturesDan Brown’s The Lost Symbol
‘There is an international texture to the plot – including a back story set in Turkey and the Middle East’
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FeaturesRed Election
‘It fits the premium mainstream positioning that we aim for with all our scripted shows’
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FeaturesHIP (High Intellectual Potential)
‘Strong lead characters, good pace and sense of humour throughout’