Union sets out recommended baseline weekly rates to create ‘fair and equal system’
Bectu has published guidance for unscripted pay rates in a bid to reduce the potential for exploitation of freelancers.
The union has set out baseline weekly pay rates for 40 roles as part of a “major step” towards improving pay equality.
Calculated via a survey of over 3,000 freelancers via The Freelance Taskforce and The Time Project, Bectu’s proposed weekly rates include paying a researcher £605-£930, an assistant producer £800-£1125, a producer / director £1380-£1705 and an exec producer £2140-£2465. Production managers should receive £1100-£1425.
The figures are based on a 37.5 hour working week and weighted to account for the length of an individuals’ experience from zero to five years.
Unscripted TV Union chair James Taylor said that previously assessing unscripted pay rates in a comprehensive way had been like peeling an onion: “The further you get, the more layers of complication are uncovered, and ultimately it makes you want to cry,” he said.
Taylor said the guide would prove invaluable to people working in many different roles at every stage of their career.
“It will give thousands of freelancers confidence when negotiating their rates that they are being compensated fairly, which is ultimately all everyone wants,” he added.
Louise Patel, founder and co-director of job share group Share My Telly Job said Bectu’s rate card is a “major step” towards equality in the industry.
“In an industry that is bound by budget restraints, there will always be a push to negotiate rates down, which devalues the skills and experience of its workforce. To create a fair and equal system, rates must be standardised. It demystifies the subject, it removes potential for exploitation and it creates a fair and level base for us all to work from.
“We hope and trust that employers will embrace and respect the new rates guidance. Paying people fairly and without argument for the talent they bring to productions creates a sense of value and commitment, it removes bias and is directly linked to a company’s success,” she added.
The Time Project recently revealed a “broken system” in which freelancers in the TV industry work 14 hours per week more than the national average.
Role | Weekly Rate , £ (0-5 years experience) |
---|---|
Runner | £11.40 p/h |
Logger | 450 |
Junior Researcher | 500-825 |
Shooting Researcher | 550-875 |
Researcher | 605-930 |
Development Researcher | 600-925 |
Casting Researcher | 620-945 |
Senior Researcher | 720-1,045 |
Assistant Producer | 800-1,125 |
Archive Researcher | 720-1,045 |
Data Wrangler | 720-1,045 |
Development Assistant Producer | 720-1,045 |
Casting Assistant Producer | 730-1,055 |
Self-Shooting AP | 900-1,225 |
Location Assistant | 930-1,255 |
DV Director | 1,000-1,325 |
Gallery Producer | 1,130-1,455 |
Archive Producer | 1,130-1,455 |
Producer | 1,140-1,465 |
Casting Producer | 1,160-1,485 |
Casting and Talent Executive | 1,170-1,495 |
Games/Task Producer | 1,200-1,525 |
Senior Producer | 1,330-1,655 |
Producer Director | 1,380-1,705 |
Edit Producer | 1,390-1,715 |
Casting Executive | 1,430-1,755 |
Series Editor | 1,630-1,955 |
Series Producer | 1,760-2,085 |
Series Director | 1,840-2,165 |
Editor - Offline | 1,850-2,175 |
Executive Producer | 2,140-2,465 |
Development Executive | NEGOTIABLE |
Head of Development | NEGOTIABLE |
Role | Baseline Weekly Rate, £ |
---|---|
Production Secretary | 520-845 |
Production Coordinator | 670-995 |
Junior Production Manager | 860-1,185 |
Production Manager | 1,100-1,425 |
Line Producer | 1,250-1,575 |
Production Executive | 1,700-2,025 |
Head of Production | NEGOTIABLE |
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