All Indies articles – Page 294
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News
Fincham and Plowman team up for Radio 4 Extra
Interviews with comedy creators is Expectation’s debut radio commission
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Video
The Big Flower Fight, Netflix
Competitive flower-arranging format from Multistory Media presented by Vic Reeves and Natasia Demetriou
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News
UKTV: ‘We’ll work with indies to overcome restrictions’
Commissioning team sets out collaborative approach to post-lockdown shows
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News
ScreenSkills launches £200,000 mentoring pot
Training body kicks off funding round for schemes targeting staff and freelancers
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Behind The Scenes
Police: Hour of Duty, Channel 5
Filming police stories across a single hour poses challenges our crew had never faced before, says Tom Clarke
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News
Atlantic Crossing producers launch Nordic indie
Nevis Productions counts UK’s Nevision as backer
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Comment
A resilient industry will forge new paths
From virtual commissioning to avatars and thermal cameras, TV is finding ways to adapt, says Tara Conlan
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News
Frow puts the ball in indies’ court
C5 chief urges suppliers to ‘go the extra mile’ and make case to resume filming
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News
YACF unveils debut development slate
Projects steered by Emma Cooper and trio involved with This Is England among initial 14 projects
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News
Channel 4 profiles conjoined twins
Barcroft meets Mexican-born siblings battling to stay in Trump’s US
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News
Fox to remake Celebrity Gogglebox
Rob Lowe and Meghan Trainor among names joining hour-long show
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News
Summer of nostalgia beckons for broadcasters
Distributors dig into archives as catalogues run dry
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News
IMG gets to grips with freelance payment problems
Staff face delayed invoices from sports giant
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Comment
Stakes are high as broadcasters seek right answers
Tricky questions in the offing about who should foot lockdown bills
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Comment
Lockdown TV: it’s time for phase two
Right now, viewers want escapism - not self-filmed fodder or coronavirus docs that feel like an endurance test to watch, says Mark Downie
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Behind The Scenes
Trying: the lowdown on Apple TV+’s first UK series
Balancing laughs and emotion in Apple TV+’s comedy series was key to revealing the truth about Britain’s adoption system, says Jim O’Hanlon