All Indies articles – Page 184
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NewsDisability report demands recruitment overhaul
’Non linear’ career paths putting talent at a disadvantage when seeking senior roles
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NewsMensah urges indies to be ‘honest’ about ability
Netflix commissioner calls on smaller producers to collaborate to deliver shows of scale
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CommentWill this (finally) be disability’s breakthrough moment?
Scattered Pictures boss Kim Tserkezie is hopeful Jack Thorne’s MacTaggart Lecture will bring meaningful change in the industry
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NewsFreddie Flintoff to assemble cricket team for BBC1
Cricketing icon to bring together teens from underprivileged backgrounds in South Shore three-parter
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CommentTV should not be afraid to tackle class issues head-on
The sector should think hard about which definition it opts for, says Elsa Sharp
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NewsUKTV lends ‘credence’ to BHM with Doc Hearts order
London indie to produce 16 interstitials for Dave and Drama channel owner
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Behind The ScenesThe Wimbledon Kidnapping, Sky Documentaries
Producer Joanna Bartholomew on revisiting an intriguing case of mistaken identity and bungling ineptitude
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The Broadcast InterviewPeter Langenberg: ‘Banijay needs to get bigger’
The group’s chief operating officer on why the super-indie is not resting on its laurels
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The Broadcast InterviewBanijay UK: reaping the benefits of scale
Lucinda Hicks and Peter Salmon on the ESUK merger’s advantages and their plans to supersize development and the indie roster
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Features9/11: the day that changed everything
Arthur Cary, Dan Reed, Daniel Bogado and Adam Wishart discuss their approach to their docs on the 20-year anniversary of the tragedy
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Behind The ScenesTonight With Target: black culture takes centre stage
BBC3 music format aims to reinvigorate the genre by putting a new generation of black British artists in the spotlight
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NewsMark Bonnar to front BBC Scotland art doc
Actor will explore works from new Scottish towns, inspired by his father’s Glenrothes Hippos sculpture
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FeaturesDavid DeHaney, Proper Content
‘The main reason I’m concerned about privatisation of C4 is the potential loss of risk-taking. C4 is the primary terrestrial incubator of innovation’
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FeaturesJimmy Mulville, Hat Trick Productions
‘I’m open-mouthed that this Tory government thinks it’s a good plan to flog off this unique institution like some secondhand Volvo’
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CommentResisting privatisation doesn’t mean keeping the status quo
There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership
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FeaturesNeil Crombie, Swan Films
‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’
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FeaturesKate Little & Claire Poyser, Lime Pictures
‘C4’s dedication to providing content to minority audiences is critical to ensuring that UK broadcasting includes the widest range of voices’
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FeaturesAndy Harries, Left Bank Pictures
‘If Channel 4 had not rescued The Deal, it is almost certain The Crown would not have existed’
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FeaturesIndie sector speaks up to save Channel 4
Six indie bosses offer passionate defences of C4 – recalling how it boosted their careers &, kickstarted the independent production sector