All HBO articles – Page 12
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Video
Succession, HBO/Sky Atlantic
First look at series two of Jesse Armstrong’s acclaimed dynastical drama.
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News
WarnerMedia eyes autumn SVoD launch
Streaming service will be built around HBO shows and Warner Bros library
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Comment
Winter’s coming for dull drama
GOT has much to teach us – but only if broadcasters are ready to listen, says Steven D Wright
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News
AT&T sells Hulu stake for $1.4bn
Transaction values streamer at $15bn, giving Disney and Comcast more control
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News
HBO: beyond Game of Thrones
An already challenging year for the cable network is set to get tougher still once its biggest hit ends, writes Broadcast Intelligence’s Hannah Bowler
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Features
Anna Symon: Six Feet Under
The humanly flawed characters of Alan Ball’s witty funeral home drama inspired the Mrs Wilson writer’s move from factual to scripted
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News
Chernobyl creator defends English accents and dialogue
Craig Mazin wanted to make factual drama more accessible
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Features
British drama
Helen Mirren’s turn in a Russian period piece and Iraq War thriller Baghdad Central are among the eye-catching UK series heading to Cannes
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Comment
Are PSBs up for the SVoD fight?
As more streaming services launch, broadcasters are learning to push back, says Kate Bulkley
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News
Tranter: support Welsh indies
Bad Wolf chief calls for more incentives to attract producers as it expands Cardiff studio space
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News
Apple snares stars and third-party channels
Apple TV+ will be available from the autumn in more than 100 countries
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Video
Chernobyl, Sky Atlantic
Sister Pictures and The Mighty Mint series on the 1986 nuclear accident
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News
Another HBO veteran departs
Kary Antholis steps down after 25 years to set up crime journalism venture
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News
Leaving Neverland nets global sales
Kew Media Distribution secures 130 deals for controversial Channel 4/HBO Michael Jackson doc
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Comment
Feature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era
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Features
Faith Penhale: The Sopranos
The chief executive and creative director of Lookout Point on a ‘novelistic show bursting with wit, energy and drama’