Comment
Comment: It’s time to bring more influencers into sport broadcasting
Alma Fabiani, head of content at Screenshot Media
Comment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
Comment: AI & automation are key to the future of sport broadcasting
Spiideo co-founder and CEO Patrik Olsson believes AI can save budgets and allow for lower-tier leagues to boost quality
Why & how VFX could use the tax rebate to boost diversity & inclusion
Simon Devereux, director and founder of Access:VFX, gives the case for using the money raised to encourage underrepresented talent into the industry
Jack Thorne: let's think twice about using ‘showrunner’
Writer urges industry to take Tim Davie’s concerns about the term ‘talent’ a step further
The opportunities for podcasts in women’s sport
Louise Gwilliam, talent director at podcast production house Crowd Network, outlines how brands and teams can take advantage
James Durie: How a Leonard Cohen biopic became a case study in co-pro
For So Long, Marianne, Cineflix had to bring on board 16 different funding partners to get the project over the line
What streaming platforms can learn from the year of sport
Anil Malhotra, CMO at Bango, looks at how UK streamers could learn from the US
Park the horror and hype and get hands on with AI
Artificial intelligence is a divisive subject, but in times of great change, it’s essential to keep an open mind, says Roy Ackerman
Alex Connock: The key AI battlegrounds that will transform the industry
From finding an audience to copyright, the arrival of AI throws up numerous issues that need to be addressed
Get ready for a ruckus about AI - the rules need to be settled soon
The industry’s big players need to collaborate on a framework to harness the potential of AI rather than let it run wild
Adapting to Gen Z’s social viewing habits
Shaki Prasanna, Atomos creative collaboration director, looks at how broadcasters and production companies can keep up with new forms of content
What snooker can learn from other sports’ sonic branding
Paul Reynolds, SVP of global creative services at MassiveMusic, examines how the sport could improve its audio experience
How to create the right conditions for creativity
Psychologist Janet Evans explains how to create the right environment for development
How AI is enhancing the video experience
Stefan Lederer of Bitmovin lays out several areas where AI is currenly excelling in saving time and money in the media industry
Safety first in a new era for scripted
International editor John Elmes highlights the programmes likely to make the biggest splash in Cannes
The Basics: A brief history of lighting in entertainment
Oliver Howe, duty operations manager at dock10, looks at the past and future of lighting in TV and film
How next gen audio is transforming live sport
Yannick Olivier, lead broadcast engineer, France Télévisions, and Costa Nikols, strategy advisor, M&E, Telos Alliance, look at the future of sport audio
Down to the wire: broadcast-IP & sport rights negotiations
Paul Calleja, CEO of GlobalM, looks at how last-minute rights deals can complicate distribution
What do visualised podcasts mean for fiction?
To make audio fiction work financially, you have to understand its value & the challenges it poses, says Goldhawk Productions’ John Scott Dryden
Ally Castle: Ditch the disability doom and gloom
While we are not where we ultimately want to be, let’s not forget the advances made when it comes to disability
What can broadcasters learn from sport podcasts' theme music?
Rick Sellars, head of creative direction at MassiveMusic, looks at how sport podcasts have sonically innovated
The decade-long friendship at the heart of Living Every Second: The Kris Hallenga Story
Neil Bonner on a relationship that began when he was a debut director and culminated in a new celebration of the breast cancer campaigner’s life
Danny Brocklehurst: There’s still a need for drama with a distinctly UK flavour
Shows with specifically British themes may lack global appeal, but it is vital that we keep making them
Comment: How AI can be used to improve sport content
Aaron Edell, SVP of AI at Wasabi, explains how the combination of cloud object storage and AI is affecting sports content production
Q&A: My company is struggling – what should I do?
Executive search and coaching company Quicksmith (and some friends) explain the best approach to running a business under pressure
A battle to come through hard times
“Many report that there is now an expectation for distributors to plug big financing deficits, particularly for scripted programming”
Making the jump from headmistress to director
Waterloo Road’s Angela Griffin on how she realised her ambitions to direct after three decades in front of the camera
Scale is smashing, but has it got out of hand in drama?
The scripted arms race has catapulted the genre into new territory – but the funding model is creaking, writes Chris Curtis
What’s in store for the future of graphics?
Solution flexibility and ease of use will be key to the future of graphics, believes Kieran Hosking, Ross Video business development manager for graphics in EMEA
How technology is moving the goalposts for football fans
Steve Knight, CEO of UIC Digital, looks at how technology could bring fans at home closer to games
Setting a gold standard for live sports broadcasting
Greg Doggett, SVP of global channels and sports at Telestream, looks at how technology can help sport broadcasters
Bringing influencers and social media to Paralympic broadcasting
Anne-Marie McShane, director, EMEA sports & sponsorship lead at EssenceMediacom, looks at how social media is key to promoting the Games
British and Irish co-pros just make sense
As neighbours we already have so much in common - and there’s never been a better time to collaborate, says Julianne Forde
When dealing with tricky personalities, a little psychology can be a very useful thing
In an industry we’re all passionate about, it can be hard not to take conflict personally - but psychologist Janet Evans suggests taking a step back
How podcasts are transforming sport coverage
Crowd Network head of Crowd Sports Rob Roberts-Facey discusses how audio content is changing how audiences interact with major competitions
What can indies do to survive and thrive in late 2024 and beyond?
Victoria Powell offers advice on how to get through the next difficult few months
How to retain subscribers from major events such as the Olympics
Lina Tonk, CMO at Recurly, looks into how recent subscribers can be catered for
Continuing drama is key to addressing TV’s class challenge
The talent working on soaps and long-running drama is right under the industry’s nose - and it is routinely ignored, writes Jon Sen
Edinburgh 2024: a tale of class and company closures
Economic challenges make the urge to open up the industry even more compelling – but much harder, writes Chris Curtis
Fatima Salaria: Why I wanted to be part of factual drama’s golden age
A move into new territory was daunting, but I’m relishing the chance to tell under-represented, real-life stories,
Patrick Holland: We must enable working class voices to succeed
Telly was at the core of my upbringing, and if we want to reach the widest possible audiences we have to be open to all
TV’s anti-Muslim bias has real-world implications
Hostility towards Muslims in broadcast media contributed to the riots and is driving journalists away, says Tamanna Rahman
Ian Katz: C4’s future is bright as spend returns to pre-covid levels
Chief content officer says tough decisions had to be taken, but the broadcaster is now in a stronger position to support indies
Scott Bryan: Broadcasters must be bolder with their digital ambitions
More original content on platforms such as YouTube and TikTok is the only way to attract younger audiences
Streaming is reshaping the indie sector, as it did viewing habits
The biggest SVoD shows now rival their traditional counterparts and the battle for tentpole titles is polarising production companies
AI & new tech’s promise for athletics
Alvina Chen, CEO of Feldspar, on how AI and new technologies could improve the viewer experience of athletics
Fraser Ayres: We must ask whether our industry contributed to the riots
Failure to normalise inclusion on and off screen has a real world impact - we cannot brush it under the rug again
Rachel Corp: Public service broadcasting is vital in these troubled times
ITN chief executive says misinformation-fuelled violence has highlighted the importance of trustworthy, accessible reporting
The 5G frontier for sport broadcasting
Eric Bolten, VP of strategic account development at Zixi, explains why he believes sport should embrace 5G
Why AI is becoming the MVP of the summer sport season
Bob Skinstad, partner at consultancy Elixirr and former South Africa rugby captain, explains how AI is impacting the summer’s sport
The Basics: What is the difference between a sound stage and a TV studio?
Sam Handsley, studio manager at dock10, explains the differences for the uninitiated
Why lifting the 3pm blackout can shine a light on women’s football
Anna Reynolds, consultant at Yonder Consulting, gives her case for playing women’s football during the 3pm blackout
Top tech tips for live sport streaming
Andre Reitenbach, CEO of Gcore, gives his advice on the sector
How AI could make the Olympics even more accessible
Jesse Shemen, CEO of Papercup, believes AI could make the competition more widely available
How media companies should manage AI partnerships
Jose Puga, CEO of Imaginario, gives his advice on working with AI service providers
The media’s role in shaping the Olympics’ gender equality narrative
Eva El Khoury, account manager at The PHA Group, explains the state of play for gender equality at Paris 2024
Prash Naik: Doc makers need to get to grips with editorial ethics
Questions about moral responsibilities have ramped up following the death of a contributor to Retrograde
Q&A: How do I survive redundancy?
In the first of a new series, Broadcast asks executive search and coaching company Quicksmith to offer advice on common industry challenges
Hollywood on trial: What can UK producers learn from the Alec Baldwin case?
Legal expert Mary Lawrence asks whether the case against Alec Baldwin was unique to filming in New Mexico or are there wider lessons to be learned?
Why live blogs & broadcast content are a winning combination
Naomi Owusu, co-founder and CEO of Tickaroo, believes live blogs with video content are vital to growing broadcast audiences
Are we entering a new era of sonic sport brands?
Gus Nisbet, head of creative strategy at MassiveMusic, looks at what’s next for music and sport programming
Why context is key for streaming platforms
Toby Richards, strategy and planning director at Once Upon A Time, explains where streamers can target advertising and partnerships
How FAST can help niche leagues & lower league teams
Tom Buffolano, head of business development at Tata Communications, sees FAST unlocking new audiences for smaller sports organisations
Proven IP vs new ideas: the fight for the future of children’s animation
Eaglet’s Massimo Fenati challenges the kids sector to be bolder in its search for new hits
Kate Bulkley: Why it’s not simply a case of either linear or streaming
Success for broadcasters depends on effectively using linear as a means to support a digital-first strategy
Karl Warner: Commissioning, The Third Way
If social has become the third priority for broadcasters after linear and on-demand, is it time to commission differently?
How to utilise the summer of sport for brand building
Calum Hollington, media executive at Wake The Bear, gives his advice on reaching sport fans this summer
Three ways sport will conquer FAST
C15 Studio president and co-founder Amory B. Schwartz gives his reasons why sport will be key to FAST channels
Faraz Osman: We need clear rules on the use of AI in programming
To avoid future scandals over fakery, broadcasters must set out exactly what is and isn’t acceptable with this new technology
How to make AI a force for good
Self-regulation from within the sector is key, says Papercup’s Jesse Shemen
Michael Mosley proved there’s talent out there – just make sure you’re open-minded
Michael Mosley is testament to the fact that you don’t have to follow traditional paths to find true stars
Hot Shots’ talent continues to shine
‘At a time of exceptionally tough market conditions, one thing is certain: the talent we need to continue making brilliant telly exists in spades’
Marcus Ryder: The most important survey in film, TV and cinema needs your help
Representation of all kinds matters if we want to make change - so complete the Looking Glass Survey on industry mental health
Broadcasters must adjust their talent setting to snag online viewers
Online creators know what audiences want and are reaping the rewards - telly needs to attract this talent if it hopes to keep up
How broadcasters can win on social media in the summer of sport
Jack Edwards, account director at The Goat Agency, gives his tips on approaching social content
Talk of the ‘old boy’ problem is missing from our EDI conversations
The dominance of the privately-educated in TV means the industry is missing out, says one anonymous writer
Top tips for engaging Gen Z during the summer of sport
Shira Jeczmien, founder and CEO of Screenshot Media, gives her advice on targeting younger viewers
Opinion: John Balson wanted the industry to know freelancers are not 'expendable'
The Talent Manager’s Sarah Lee calls for the industry to reset its freelancer relations
How cricket can attract & engage new audiences
Vinayak Shrivastav, CEO and co-founder of Magnifi by VideoVerse, believes real-time highlights are key to the sport’s future
Peter Williams: how I secured the crowning moment of my career
The inside story of how TV journalist legend Peter Williams, finally retiring aged 90, achieved the unthinkable by interviewing The Queen
Energy and empathy: a personal tribute to Michael Mosley
BBC Studios head of science unit Andrew Cohen describes three decades of friendship with the outstanding producer-turned-presenter
Camilla Lewis: When you hire female-led teams, the results speak for themselves
Women are often employed on docs tackling traditionally female subjects, but doing things differently can create powerful, exciting films on any topic
Do you find it difficult to find something to watch?
Stuart Green at Accenture explains how UK media companies can improve the consumer experience as well as their bottom line
Remembering Presteigne – advancing people and technology
Founder Mike Ransome, who led the dry hire company for almost 30 years before leaving, remembers it after it closes its doors
What changes, and stays the same, when editing music videos & films
Lucas Moesch, editor at Bandit, gives his advice on moving between formats
Can X’s TV app be a success with audiences?
Sam Drury, UX director at UIC Digital explains why X TV has its work cut out to stand out from existing platforms
How can companies keep up with the evolution of sport?
Rosie Garschina, executive creative director at Trollbäck+Company, discusses how production companies, broadcasters, and brands can evolve with sport
Mike Darcey: If only there was a way to combine streamer watch lists
There is more choice than ever but the proliferation of platforms makes it hard to remember what you wanted to see
Why our comedy roundtable was a serious business
Re-establishing the genre’s place in the mainstream was a key topic of discussion at our decent debate sponsored by Pinewood TV Studios
Danny Sanz: The international production industry sees this election as an opportunity
From an international perpective, it would be great for TV to play a role in the return of Cool Britannia
How DAZN aims to combat media fragmentation
Chief commercial officer Marc Watson outlines the broadcaster’s strategy
Matt Risley: Ignore the possibilities of YouTube at your peril
Using the video platform requires new language and insightful reading of the data - but will pay dividends
Why do some sport docuseries fail?
Tom Inskip, head of sport & fitness at the PHA Group, gives his view on why some series struggle
Small indies call for solutions to market turbulence
Victoria Powell outlines a number of measures that producers believe could sustain the sector during the slowdown
Philippa Childs: Why is sustainable progress on EDI so painfully slow?
It’s not enough to set targets - the departure of senior EDI figures in the UK suggests we need to commit to making real change
Henry Birkbeck: The government must follow through on Independent Film Tax Credit
Done properly, the IFTC, in concert with the AVEC and VGEC, has the potential to meaningfully move the dial for film and television
Andrew Fremlin-Key: What are the potential legal ramifications of Baby Reindeer?
Baby Reindeer was a great show, but is ringing serious alarm bells for lawyers
AI FOMO: Fear Of Missing Out, or Future Of Massive Opportunity?
Two Circles lead consultant Jamie Dos Anjos considers what has changed as a result of the rapid rise in use of artificial intelligence in sport
Liz Tucker: Why are there still so few women on comedy panel shows?
Despite efforts to create gender balance, we’re still not there - and it’s not good enough to blame the unwelcoming atmosphere
Barrington Paul Robinson: We must open the doors to new talent
The Responder creative producer explains how early career support can make all the difference
The immersive content coming to football stadiums
Extreme Networks’ CTO of EMEA, Markus Nispel, reveals how he believes AR, VR, and more will be used in stadiums
The Basics: The geography of a TV studio gallery
dock10 studio manager David Blake explains how a TV studio gallery is set up
The GenAI opportunities & challenges for the streaming industry
Maureen Kerr, partner and head of media & entertainment at UK Arthur D. Little, explains what it could mean for the sector
What is End-to-End and Why Does it Matter?
Bleuenn Le Goffic at Accedo explains why the much used term “end-to-end solution” is rarely a truly accurate description
Adam Jacobs: Why it might be time for guerilla commissioning
The creative director of Quintus Studios on getting unscripted ideas greenlit in difficult times
Why the truth about climate change is a fiendish challenge for broadcasters
The deeply political nature of the issue must be confronted head on, writes Alf Lawrie
May The Fourth: How streaming has powered the return of the jedi
Guy Meyers, regional director of customer success at Recurly explains how older franchises such as Star Wars have benefitted from streaming platforms
What filming the NT has taught us about capturing the stage
Vivid Broadcast founder and director Rory Springthorpe explains how they capture the stage for cinema
How to produce live sport sustainably
IMG head of engineering, studios, Brian Leonard gives advice on how to approach live production without damaging the environment
Neil Thompson: GMB’s commitment to live TV is key to success
A decade of being topical and ‘in the moment’ has transformed our breakfast news bulletin into a global brand, says the Good Morning Britain editor
Fatima Salaria: When TV gets representation right, it can be inspirational
Programmes like This Town and Defiance show the power of great storytelling to challenge, provoke and inspire
Q&A: Top tips on launching a FAST channel
To mark the launch of Staccs TV in the UK today, CEO Robert Kviby gives his advice on how to approach FAST
What does the Paralympics mean for representation in broadcast?
Purple Goat global client director Dom Hyams has been impressed by Channel 4 but thinks more needs to be done
HDR – What You Need to Know
Zeb Chadfield at The Finish Line provides an easy-to-follow guide outlining what to consider when finishing in High Dynamic Range
Humble winners are a cause for optimism in tough times
The 1% Club and Baby Reindeer couldn’t be more different – but these relatively modest British shows are both smashing it
Dan Li: Red Eye’s representation of South East Asians is long overdue
SE Asian actors are too often confined to minor, stereotyped roles - but mercifully things are starting to change
Lucy Pilkington: Co-pros aren’t scary - think of them as dating
Co-production can be a quick fling or a long-term thing - but the right partnership can be a win for everyone involved
Autism is not an on-screen entertainment fix
To mark Autism Awareness Month, Talisha ‘Tee Cee’ Johnson urges the industry to reflect different experiences of those on the spectrum
Camilla Arnold: Start bringing deaf talent into your team
To mark Deaf Awareness Week, the chief executive of the British Sign Language Broadcasting Trust outlines the organisation’s achievements
It’s time to bridge the gap in women’s sport data
Pixellot VP of sales, coaching and analytics division, Kristen “Kiki” Enderle on why its vital data and analytics are brought to women’s sport
How AI could transform sport viewing
Infinite Athlete VP of product, Felicia Yue, on what the fast-developing technology could mean for the industry
Sector shows resolve amid the downturn
‘The current downturn is the most acutely felt, but is helping producers and distributors laser-focus on their strengths’
8 Top Tips to shift your podcast from audio to video
Michael Olatunji of Outset Studio offers eight tips to make the most of the possibilities of taking your podcast from audio to video
Scott Bryan: continuity announcers are television’s unsung heroes
The role could be at risk in the age of streaming, but their empathetic and skilful contributions would be sorely missed
Kate Bulkley: Big sporting events are key in ‘challenging’ ad market
Euro 2024 will provide a much-needed boost to ITV’s coffers during a difficult period for the commercial broadcaster
Why the industry is in danger of data overload
Martin Riley at 7FiveFive explains how to control costs and optimise workflows while keeping growing data requirements under control
How we marketed The Hundred
Contented executive creative director Paul Reid reveals the thought process behind the cricket competition
Drama co-pros feel the pinch, leaving projects in limbo
Even the best-funded genre is under pressure as market conditions prompt a rethink
How can brands approach the summer of sport?
Paul Briggs, SVP Europe at Silverpush, looks at possible strategies for brands over a busy summer
A painful reshaping of the indie sector
‘A leaner British indie community may emerge in the coming years, one that is more robust for having ridden out such challenging conditions’
How broadcasters must evolve for Gen Z
Steve Norris, director of production & content at EMG/Gravity Media, on what he thinks broadcasters should prioritise to capture younger audiences
Should music libraries accept GenAI compositions?
Jenn Anderson-Miller of Audiosocket discusses how to ensure AI is used responsibly, ethically, and has equitable outcomes for all
Derek Drennan: Is unscripted the forgotten child?
Last week’s budget had great news for HETV, but other areas of the industry are feeling a little neglected
The ethics of collaborating with documentary ‘story holders’
Genuinely working with contributors, rather than just filming them, is a powerful tool, writes Anna Keel
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IWD: When will grading with a woman stop feeling like a novelty?
Emily Russul Saib at OnSight on the difficulty in making yourself heard, the fear of imposter syndrome and having to advocate for yourself that bit harder
IWD: Cinesite discusses its menopause policy
Sashka Jankovska explains how the company is ensuring staff understand what menopause is, and are able to talk about it openly and without embarrassment
IWD: The importance of female mentors in our industry
Christine Kelly at Gorilla explains why she believes it’s essential to mentor and inspire other women, and help them navigate male-heavy environments
IWD: Enabling diversity in the workplace
Rowan Bray, MD, Clear Cut Group explains how the post-production sector is working hard to establish a more diverse workforce
Directors UK chief: ‘It’s hard to see how directors can sustain a career’
Andy Harrower warns a steady stream of programmes cuts means the industry is haemorrhaging talent
How athletes can bring authenticity to content
Jon Dyson, head of sport at Formidable, explains the value of authenticity
Exploring the growing appeal of Asia
Documentary agent Moray Coulter shares his experiences of a trip to Asia TV Forum
Sarudzayi Marufu: Producers must embrace private equity lifeline
It might not be a silver bullet, but it’s vital that the industry finds a way to diversify its funding
Hannah Cheers: Reducing Hollyoaks hours will allow us to do our stories justice
The Hollyoaks executive producer explains why dropping from five eps a week to three will help the show better serve its audience
Kerene Barefield: It’s time for a new way of doing business
As the freelancer crisis continues, the industry needs to create new ways to keep the door open for those who are struggling
Roy Ackerman: Development should be a joy not a costly barrier to creativity
The demands being placed on producers before a project is even greenlit are creating unnecessary hurdles
Capital gains: The UK welcomes the world
The London TV Screenings has cemented its place in the industry’s calendar
Is the motorsport docuseries market overcrowded?
Simon Hinchliffe, Prism Sport and Entertainment head of motorsport, looks at whether the cluttered landscape of behind-the-scenes motorsport series is it makes it hard for new entrants to succeed
What traditional broadcasters can take from Netflix’s sport strategy
Luke Boyle, chief growth officer at UIC Digital, gives his recommendations to the likes of the BBC & ITV
Bronagh Monahan: YouTube isn’t a threat - it’s an untapped resource
The video platform offers a pipeline for talent who can really shine on linear
Take a deep breath and keep the faith through tough times
The short-term outlook may still be gloomy, but viewers haven’t lost their appetite for quality TV
Why broadcasters need to get off the sidelines to grow women’s sport
Anna Reynolds, consultant and Yonder Consulting, believes broadcasters could miss the opportunity available with women’s sport
Why I believe the entertainment industry mustn’t fear AI
Tim Levy, CEO of digital twin creator Twyn, gives his pitch as to why the media industry should embrace AI
Channel 4’s digital-first lesson for broadcasters
James Reeve at UIC Digital on the need for broadcasters to innovate, or eventually get left behind
This Super Bowl, Gen Z are voting for spectacle over sport
Tom McGirr, executive director of strategy and creative at The Wild By Jungle, on how American sport is attracting younger viewers
Honoring the best of British TV
‘Big events, big shows and big brave programming bets have never felt so vital’
Rukhsana Mosam: RIP RDF
The 30-year-old indie was past its prime - but that prime was something rare and special, says Ten66 Television’s creative director
Why augmented streaming could be key for sport
Sportradar SVP of audiovisual, Patrick Mostboeck, gives his 2024 predictions for augmented streaming
The right business model is key to company valuation
Some major media firms are up for sale but what they are worth depends on how you see the market developing
Will Hanrahan: Midlands indies welcome BBC’s return and fund support
FirstLook TV’s creative director on the importance of the Small Indie Fund
Sarah Lee: Signs of recovery in the TV jobs market, but industry must collaborate
This January has seen more jobs advertised than in any month since September 2023
Ian Rumsey: Collective effort is needed to weather the storm
The production industry can emerge from the slowdown in a good, if different, place
Busting cloud content security myths
David Rosen, VP of cloud applications – imaging solutions, at Sony, gives his tips on cloud security
Navigating the Ethical Challenges of AI
Jesse Shemen at Papercup discusses what AI companies can do to ensure AI and human creativity can coexist
Senior figures can be bullied too: a director speaks out
The devastating impact of bullying can be magnified by the pitfalls of informal referencing, writes an anonymous director
Best firms shine for staff in tough times
‘The 45 firms on our list have managed to keep morale high and workers feeling valued’
John McVay: The evolved Terms of Trade will help indies continue to thrive
The Terms of Trade had a revolutionary effect on the industry - and the changes in the Media Bill will safeguard their future
Stuart Pender: Podcasts can enhance TV documentary storytelling
Simultaneous commissions of podcasts and TV docs offer an efficient way to enage audiences and dig deeper into your subject
Big bets and clever commissions kick off the new year in style
Linear is far from dead – but there’s more to Gladiators and Mr Bates’ success than a slot in the schedule
Open letter to Tim Davie: 10 ways to survive 2027
BBC expert John Mair lays out his thoughts for the director general as the BBC prepares for the future funding debate
Mark Webb: Why The Traitors’ inclusion of disability has been pitch perfect
The disability advocate outlines how the BBC1 format helps disabled people feel seen
Three big tech themes for post-production in 2024
Chris Bailey, head of innovation at Jigsaw24 Media, reveals what post-production houses should be prioritising in 2024
How to ditch legacy workflows and start afresh
Tim Burton at 7fivefive explains how cloud economic models can deliver a plethora of long-term benefits
How to raise the quality of sport broadcasts
Greg Doggett, sales director for sports at Telestream, writes about how sport can continue to raise the quality of broadcasts
Top 10 comment articles of 2023
Including Rebecca Thompson, Andy R Worboys, Scott Bryan and Ash Atalla
Seetha Kumar: assessing eight years at ScreenSkills
Outgoing chief executive discusses the successes and challenges of navigating skills policy in our sector
Why broadcast & streaming need standardised sustainability metrics
Johan Bolin, chief business officer of media & broadcast at Agile Content, calls for collaboration across the industry
How to win the fan engagement war in 2024
Snap’s senior manager of international sports partnerships, Kahlen Macaulay, reveals why a mix of tech, celebrity stardust and access-all-areas experiences could be key
Philippa Childs: Now is the time to stand up for the BBC
If we allow the BBC to be undermined, our cultural landscape and democracy will be fundamentally weakened
Danny Brocklehurst: ‘Real life’ drama should always be rooted in truth
Writers getting a little creative with the facts is one thing, but we don’t want Arthur Scargill on a motorbike
Scott Bryan: The industry should follow these new year resolutions
Let’s do away with the pointless rebrandings, invasive personalised ads and meaningless figures and support our staff
Provocative language and antisemitic tropes don’t help the industry come together
Suggesting people are scared to speak out against Israel implies the old trope that Jews control the media, writes Fulwell 73’s Leo Pearlman
BBC’s future up for grabs, even as good sense prevails with chair
Samir Shah breaks the mould, but faces plenty of challenges as licence fee review kicks off in earnest
Fear of backlash stifles open exchanges on Israel/Gaza
Fatima Salaria hands her column to an anonymous colleague to explore why discussing the Middle East is so challenging
Mike Darcey: Netflix is the clear winner of the streaming wars
While the US streamer’s strategy is paying off, rivals are in a sorry state and need to reassess their business models
Studios should take the lead on clean energy
Bottle Yard’s business operations manager and sustainability lead Katherine Nash on how community energy could spell new opportunities for studio solar installations
Buyers have their say on slowdown
70 buyers from across the industry reveal their views on the current industry landscape and how they’re navigating the slowdown
Indies desperate for clarity as brutal year draws to a close
Uncertainty over Channel 4 commissioning patterns has been a factor for much of the year
Richard Wallis: A Sustainable Future for Skills report offers a welcome vision for developing talent
Georgia Brown’s taskforce offers us a way forward - it’s vital that we act on it
Media giants look to the past to build models for the future
Advertising tiers, windowing and licensing are all making a comeback as studios return to old formulas for success
Lucy Frazer: The Media Bill will unleash the full potential of our PSBs
Culture secretary praises broadcasters but says ‘success today is not a guarantee of success tomorrow’
Why our Glasgow indie now has desks in London and friends in Europe
Commissioners still want to talk in London - but Ofcom rule changes would help to shift that
Why we shot our JFK doc on film
Producer director Sarah Hunt explains the joys and challenges of taking modern-day Dallas back to the 1960s using Super 8
What sport broadcasters get wrong about Gen Z
Andrew O’Neil, head of sports (EMEA and APAC) at Vizrt, explains how broadcasters should approach the younger generation
The Basics: Everything you need to know about "shiny floor" studios
Paul McGavin, studio turnaround manager at dock10, explains why shiny floor shows are called just that
Dan Walker: TV can still be a powerful tool to make a difference
Programmes which touch people’s lives are public service broadcasting at its finest
On-the-ground journalism can illuminate humanity across the divides of conflict
Channel 4 commissioning editor Nevine Mabro on the broadcaster’s commitment to international investigations
Comment: Here’s why the Netflix Cup should and must fail
Alexey Milovanov, global executive expert known for work at the last two men’s World Cups, doesn’t believe the event will be a success
Silence from colleagues is a terrible sound for our industry’s Jews
Documentarian Neil Grant issues a plea for understanding as antisemitic incidents escalate in the UK
Why women’s sport coverage needs to catch up with public interest
Duncan Maud, associate partner at OC&C Strategy Consultants explains why now is the time to invest in women’s sport
Lorraine Heggessey: Talent’s bad behaviour has been indulged for too long
The industry has to commit to stamping it out and creating an environment where people feel heard
Roy Ackerman: A good old co-pro may hold key for future of indie docs
Streamer interest may be waning and budgets getti ng smaller but co-pros with PSBs offer a route to success
Race for scale amid tough times points to reshaped indie sector
The bigger players are competing for mega-budgets, while smaller producers get resourceful
Paul Epstein: We still need to be vigilant about AI in writers’ rooms
AI will bring opportunities to the industry, but it cannot replace human ingenuity
Alexander Jacob: Doctors cancellation puts a generation of talent at risk
Director warns loss of a key training ground could have huge impact, and urges greater investment in continuing drama
Sunshine Jackson: You don’t have to be #*@! to work here, but it helps
Many filmmakers thrive in a high-pressure environment - but if we want to make the industry more accessible, we have to accept it’s not healthy
Ria Hebden: Let’s realise the true value of mentorship
The TV industry has some truly brilliant mentors - with greater commitment we could make their expertise available to everyone
Content distribution tips for federations
Colin Moran, VP of production products at LTN, takes a look at the options for mid-to-lower tier sport competitions
Comedy and local content out in force
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
Stuart Prebble: Don’t lose faith in the power of telly
It can be frustrating when shows don’t capture the public imagination but the moments when they do make it all worthwhile
The legal issues surrounding deepfakes & AI content
Oliver Lock, reputation management expert at law firm Farrer & Co., gives an overview of the risks and possibilities around AI-created or edited content
The future of AI in TV
dock10 head of production innovation Richard Wormwell gives his thoughts on the current buzz topic
Innovation Takes Centre Stage at IBC
Andy Walker at Accenture provides his opinion on the main themes to emerge from IBC2023
Kate Bulkley: It’s all change as media firms rethink their business models
Broadcasters are reviewing how their programming is curated and packaged in a hyper-competitive market
A great year but challenges ahead
“Many report that there is now an expectation for distributors to plug big financing deficits, particularly for scripted programming”
Danny Brocklehurst: Working-class kids need to see there’s a place for them
Making the industry more reflective of the viewers we serve will lead to better programming
How to translate data into a compelling visual story
Ash Potterton at Arrow Media on bringing the data component in stories to life in on-screen graphics
Culture is as important as process in weeding out behaviour
The sector must close the gap between the rhetoric of zero tolerance and the reality of working life for freelancers
Why Netflix should become a channel distributor for its streaming rivals
The end of the streaming wars is in sight, and streamers should grasp the opportunities that it presents
Caroline Norbury: The whack-a-mole approach to bad behaviour isn’t working
It’s time for the whole industry to step up to take collective action on harassment and bullying, the Creative UK chief executive says
Richard Wallis: The Russell Brand revelations are a call for reform
Wholesale cultural changes to tackle sexual impropriety, harassment and bullying must now become a priority
Securing free-to-air services in broadband homes is crucial
Everyone TV boss Jonathan Thompson explains why Freely is an important step in securing the future of the PSBs
How Data Is Empowering Innovation
Skip Levens explains how building modern technology infrastructures will aid the growth of AR, VR and VFX
Adam Jacobs: Digital commissioning could offer freelancers hope in uncertain times
Traditional TV is struggling, but the digital content space is open for business - and it still needs freelancers
Nick Swimer: There are some silver linings for PSBs in the Ofcom Media Nations Report
People are still watching PSBs’ content - but a long-overdue update to the due prominence rules will help to secure their position
Why TV composers need to make Atmos their norm
Sefi Carmel, CEO of SphereTrax, on the benefits of the format
How to keep subscribers during off-season
Vijay Sajja, founder and CEO of Evergent, reveals the strategies that D2C platforms can use to keep viewers signed on
Julie Fernandez: We are making progress on accessibility, but there’s still work to do
Disability access co-ordinators are vital if the industry wants to make real, sustainable change
Scott Bryan: This year’s Edinburgh was fascinating, but not for the reasons you’d expect
Nobody seems to have the answers, Broadcast’s columnist concludes from a surprisingly downbeat TV Festival
Fatima Salaria: Who are we to judge the choices that people make?
Whatever the reason for women stepping away from the industry, we need to do more to help them return to work
British Basketball League's strategy to ‘revolutionise’ the UK game
Joe Edwards, head of marketing at the British Basketball League, reveals its plans for the 23/24 season and beyond
Alex Connock: AI isn’t going to replace the human touch any time soon
The technology has upsides and downsides, but human insight and sensibility cannot be easily replicated
Ash Atalla: Bad behaviour isn’t justified – no matter who you are
It’s time the industry held ‘stars’ to account – and acknowledged that everyone involved in a production has ‘talent’
Is the sector nurturing the next generation of creative leaders?
Experience has been key to dealing with industry challenges, but should we be bedding in execs’ successors?
How women’s football content is leading the way in inclusivity
Yoni Weisberg, director at Chief TV, believes it can go even further show diversity
How women’s football can take the next step
Simon Richardson, strategy director at Amplify, looks at how brands can work with women’s football
How sports streaming can keep up with growing audiences
Shira Kadmon, program manager at Qwilt, looks at how live streaming can improve reliability
My Top Tips for using AI-based VFX tools
Social media influencer Brandon Baum, founder and CEO of StudioB, explains how he uses a range of AI tools in his VFX work
Back of the net: how FAST can score with women’s sport
Jennifer Batty, European head of content acquisitions, Samsung TV Plus, speaks about how FAST could be important to the rise of women’s sport
Diamond Data 6th Cut: why have we not made better progress?
The results are in and frankly they could be better, says Mel Rodrigues
Insensitive true crime titles risk undermining important filmmaking
As channels rush to attract audiences with provocative titles, grieving families can be left feeling traumatised and powerless
Accommodations for neurodiverse staff can benefit the whole industry
Runner Hassaan Mohammad reflects on how his experiences show that a little flexibility can go a long way
Scott Bryan: There’s nothing wrong with a relaxed take on copyright
Stopping viewers from sharing footage on social media risks losing the buzz created by great TV moments
Mike Darcey: The industry must not repeat the mistakes of newspapers
Broadcasters and streamers need to face up to the fact that the problems they face may be structural rather than cyclical
Hot Shots continue to raise the bar
‘This year’s cohort are not just brilliant at their jobs, they are also people who have made a difference’
The Rosie Jones doc: Why I advised Channel 4 to go with that title
Channel 4 disability consultant Ally Castle explains the thinking behind the controversial name
What’s in a name? Provocative titles in the spotlight
Broadcasters are attempting to balance the need to stand out with the possibility of upsetting contributors or the public, says Chris Curtis
Only eyewitness journalism can solve the case of Schrödinger’s War
The necessity of on-the-ground reporting has never been more apparent, argues Sky News chief Jonathan Levy
Creating a state-of-the-art shark lab in CG
Arrow Media’s Nick Metcalfe goes behind-the-scenes during the making of When Sharks Attack 360
Action and accessibility hold key to Blindspot appeal
Director Jordan Hogg on how simple questions made producing the Clapperboard/Channel 5’s drama a better experience
Kate Bulkley: Broadcasters need to be smart to hook Gen Z viewers
The challenge is not only to come up with relevant content, but to find new ways to ensure it reaches the target audience
Andy Waters: Pushing boundaries is vital – especially in tough times
Embracing tech such as virtual production can help navigate challenging periods in a sustainable way, says the Dock 10 head of studios
Roy Ackerman: My top 10 tips for navigating an industry reset
Turmoil in the streaming business is striking fear into factual producers, but we will come out the other side
Simon Evans: Bringing down the curtain on Staged
The lockdown comedy is the product of a strange time, but it continues to resonate even as it draws to a conclusion
The challenges of navigating a summer of discontent
Indies and freelancers face a tough period as inflation pushes up costs and commissioning falls, says Chris Curtis
Black Mirror: reflections on true crime
Charlie Brooker’s pastiche in Loch Henry serves to reinforce the importance of the documentary staple in popular culture argues Will Hanrahan
Nick Swimer: How the Media Bill could modernise due prominence
Moves to make ‘due prominence’ requirements fit for the digital age are long overdue, and much is still unclear
Marcus Ryder: AI presents an existential threat to media diversity
Here’s how we can protect the precious progress with have made on diversity from the biases built into artificial intelligence
The ongoing fight for gender equality in sport
Molly Towers Mode, account director at EssenceMediacom, looks at the disparity in attention given to women’s sport when compared to men’s
Are broadcasters missing an open goal with Women’s World Cup influencers?
Rachel Powney, global VP of marketing at Influencer, takes a look at how broadcasters could use social media stars
Andy R. Worboys: Why I’m quitting as an editor
The industry’s refusal to take a chance on people is making docs look samey - and worse, it’s driving talent out
Gwenda Carnie: Deal-making tips for creative people
Ahead of the Sheffield Doc Fest, here are some helpful hints for a moment creatives anticipate and dread in equal measure
John Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
The Future of sustainability in the broadcast sector
With World Environment Day encouraging action for the protection of the environment, Adrian Pennington talks to tech companies about their sustainability plans
First look at the Apple Vision Pro
Analyst Paolo Pescatore gives a first insight into the new tool, after attending its reveal at the 2023 Apple Worldwide Developers Conference
Stephen Arnell: Never mind the optics, show me the money
It’s an arrogant mistake to award sizeable bonuses to C4’s top team shortly after cost-cutting measures left producers in the lurch
Faraz Osman: Under-representation persists but there is cause for optimism
Younger generations are exploring their identity on their own terms and the way they support each other is inspiring
Fatima Salaria: Taking time out has given me a fresh perspective
The value of journalism and the challenges that women and people of colour face have been brought into focus, says Fatima Salaria
Training needs to adapt to TV’s specific needs
Seetha Kumar: Government-backed apprenticeships have given emerging talent a break, but they have exposed faultlines in the system
Schedules and familiar shows take us back to the future
Clear release patterns and even clearer programme concepts appear to be the order of the day
Rescue the relationship between public service content and young people
Reach audiences where they are, rather than where we think they should be, says Emma Scott
How pots of funding can help middle ground indies
Candour Productions director of development Hannah Demidowicz on the vital support available to indies
Comment: unpicking the slowdown with Talent Manager data
The volume of jobs being advertised is well down on pre-pandemic levels, says Sarah Lee
Why multi-language audio will “drastically change” YouTube content
Jesse Shemen, CEO and co-founder of AI dubbing firm Papercup, reveals his thoughts on YouTube’s latest feature
The growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
How we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
Sara Putt: While we celebrate our industry’s excellence, let’s remember tomorrow’s talent
We must level the playing field if we want the best creatives, says the deputy chair of BAFTA and chair of the BAFTA TV Committee
The creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content
What could FIFA’s threat of a Women’s World Cup TV blackout spell for broadcasters?
Voiceworks head of sport Jim Salveson on how broadcasters can approach the issue
Nick Swimer: The Media Bill could lay the foundations for regional indie growth
The opportunities this legislation presents for out-of-London production are in danger of being overlooked
The rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
Scott Bryan: Even in the streaming age, there’s plenty of life in live
The industry and the audience would both be worse off if the rise of streaming makes live shows a thing of the past
Mike Darcey: BBC is betting goodwill holds key to licence fee debate
Viewers struggling with the cost of living may decide not to pay the licence fee despite using a plethora of free services
Leo Pearlman: The industry overlooks the north east at its peril
The TV sector stands to reap significant benefits if it follows Fulwell 73’s lead and invests in this incredible region
Christopher Yip: TV must trust people of colour to tell their own stories
The industry needs to embrace the wealth of talent that exists if it wants to make honest, authentic shows
Chloe Sarosh: Why we need new voices in natural history
Wildstar Films’ executive producer explains why increasing diversity in wildlife films is crucial
Tweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
Factual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
Competition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
It’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
Will Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
What can Wrexham’s Hollywood takeover teach other sports brands?
Chris Whitson, global head of strategy at creative agency Iris, explains how other rights holders could follow in Wrexham’s footsteps
Job uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
Julia Lopez: Let’s make sure the UK keeps making brilliant kids’ TV
The DCMS minister explains how the government plans to ensure children can continue to access inspiring, life-enriching British-made content
Talent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions
Bumps along the road to recovery
‘Given what we have all endured, there is much to celebrate in this year’s survey’
Making the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
How Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production
The key to not ruining a good series: knowing when to stop
It’s tempting to continue season after season with a hit series, but that’s when you put its legacy at risk, says Danny Brocklehurst
Breathing exercises can’t fix production’s mental heath crisis
Instead of mindfulness tips, production companies and broadcasters should be offering up the cash to make workloads manageable, an anonymous freelancer says
Robin Elias: We forget the sacrifices of frontline news teams at our peril
20 years on from the start of the Iraq war, the International News Safety Institute chair reflects on colleagues he’s lost and the value of their work
AI – boon or bane?
Andre Torsvik, Vizrt VP of product marketing, analyses possible uses for AI in TV production
Can cloud tech help broadcasters recalibrate news content to meet user demand?
Olivier Bovis, head of media solutions at Sony Europe argues broadcasters can glean important insights from how users engage with news content on social media and how cloud technology can assist
Rebecca Thompson: Indies are facing a perfect storm and C4 wants to help
The head of indie relations at Channel 4 on why broadcasters have a key role to play in supporting the indie sector
Joanna Carr: In an increasingly turbulent world, we need brilliant current affairs
Powerful reporting that delves behind the headlines has never been more necessary - fortunately, TV journalists are delivering
Vine FX: Why we moved out of Soho
Michael Illingworth of Vine FX explains his company’s journey out of Soho to Cambridge while establishing a global workforce
Charlene Chika Osuagwu: ‘Paula’ shows how much still needs to change
The producer of Curious Films’ Paula Yates doc reflects on the questions the film raises over the treatment of women in the public eye
Why do BBC’s editorial guidelines still carry foreword by Tony Hall?
Staff are raising the question because the guidance is fronted by DG who left almost three years ago, writes Tara Conlan
CITV closure not surprising but ITV’s attitude to children’s TV is “unfathomable”
Children’s Media Foundation director Greg Childs says ITV’s approach is a “big mistake”
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Neil Duncanson: How Create Central is turning Birmingham into a global media player
The opening of the Bond creative hub is a key step in reinvigorating the West Midlands’ TV industry and inspiring the next generation of local talent
Vicki Lines-Gibbs: I yawn a lot, don’t take it personally – MS, TV and me
The creative director of Gritty Talent highlights how flexible working supports her as a disabled woman - and why it benefits the whole industry
RTS Journalism Awards’ ‘smattering of colour’ fails to mask uncomfortable truth
The journalism that is most valued by the industry and shapes national British debates remains overwhelmingly white, writes Marcus Ryder
Matt Laycock: Data on shows’ streaming performances can offer valuable insight
Understanding how viewers are consuming streamed content can inform industry decisions on metrics and strategy, says Barb’s audiences director
Fatima Salaria: We would all benefit from taking time out to recharge
Burnout is a very real problem in this industry and those in need of a break deserve support
To box set or not? Industry grapples with release dilemma
A more balanced approach appears to be emerging as broadcasters experiment with different strategies
Neil Grant: Where is the next generation of fearless current affairs reporters?
New recruits’ lack of fire and broadcasters’ failure to support them means there will be no one to take the baton when today’s veterans retire
Victor Lewis-Smith’s final act of TV rebellion
In Fix or Fail, the acerbic broadcaster takes aim at fluffy business reality shows - and shaped my own philosophy, says collaborator Ryan Howsam
How collaboration is beaming the UK’s biggest cultural moments across the globe
YouTube UK and Ireland managing director says partnerships between live events, traditional TV and online platforms represent the future
Celebrating the best of British TV
‘What they share is the alchemy that takes place when clever, creative ideas combine with amazing production and top-tier on-screen talent’
Kate Bulkley: Broadcasters and streamers play it safe in tough times
Reboots, safe bets and programme extensions are the order of the day as global production spending growth slows
It’s too soon to mourn the death of the premium doc
The boom may have slowed down, but there is still life in the genre as streamers continue to want the best ideas, says Roy Ackerman
C4 saga is far from over as industry rings the changes
U-turn on privatisation comes during a period of flux for broadcasters and indies alike, writes Chris Curtis
Best firms make staff feel valued
‘The top workplaces are offering more tangible support as the cost-of-living crisis unfolds’
No-one must be left behind in the streaming revolution
The fabric of our industry is at risk if we don’t protect universality, warns Jonathan Thompson, as DUK unveils a rebrand
TV must put its money where its mouth is on diversity
Reluctance to listen to or pay black creatives reveals the darker side of shallow diversity intiatives, says Gabriella Lafor
Analysts: Reed Hastings exit marks the end of an era at Netflix
SVoD is adjusting to the post-peak streaming market, according to GlobalData analysts
Richard Wallis: The voice of the production manager must be heard
The current talent shortage in production management is emblematic of a bigger challenge - and it’s time to find out more
Why technical support is heading for a perfect storm
Ian Somerville at Jigsaw24 Media explains why dedicated specialist tech support is more essential than ever before
Keely Winstone: Time for an alternative to factual drama
The Stonehouse doc maker asks whether the way we label retellings of history could actually be the problem
Suzanne Lavery: true crime must find fresh ways to tell victims’ stories
Audiences love true crime, but they are also becoming more discerning - and the perpetrator obsessed cliches of the past just won’t cut it
Michelle Donelan: why I won’t sell C4
Exclusive: culture secretary reveals rationale for calling off previous regime’s privatisation plan
C4 is safe – but now faces in-house dilemma
Broadcaster will now enter a new era, irrespective of avoiding privatisation
Gearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
Top 10 comment articles of 2022
Including Ian Katz, Marcus Ryder, Jules Hussey and Steven D Wright
Mike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
Is D2C the next frontier for sports streaming?
Johan Bolin, CTO at Agile Content, examines whether D2C is the right option for major rights holders
Using Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
Scott Bryan: Rebranding channels can create confusion rather than clarity
Updating long-established channel and platform names for the streaming age doesn’t always pay off
No one wins if the balance of reboots tips too far out of kilter
It makes sense for broadcasters to play it safe, but reboots are limited and offer no guarantees
Paul Sumpter: Creating the new sound of ITV and ITVX
The creative director of the sound house behind the musical aspects of ITVX explains how it came about
Why podcasts are vital for major sport events
Jim Salveson, director of sport at Sport Social Podcast Network, takes a look at how to approach audio during the Qatar 2022 World Cup
COMMENT: A smarter way to work with metadata
Sunil Mudholkar, vice president of product management at EditShare on the value of handling metadata more efficiently
Broadcasters overlook the Midlands at their peril
The Midlands region accounts for more than a quarter of BBC licence fee income - it’s time some of that was reinvested, Will Hanrahan says
Sign2Win is quietly revolutionary television
The gameshow featuring Deaf contestants, host and crew has challenged the industry to produce more gripping, inclusive TV
How AI can automate multi-language dubbing
Jesse Shemen, co-founder and CEO of Papercup explains how AI can help your content reach big global audiences on FAST platforms
Stripped shows and indie deals prove factual firepower
The genre is showing its strength with a raft of indie acquisitions and some bold and punchy scheduling
Confidence takes a hit as costs rise
‘The economic situation is having an impact on commissioners’ appetite for risk’
Danny Brocklehurst: Think hard before bringing a real-life murder case to screen
Audiences love true crime, but film-makers need to consider its impact on the community involved, says Danny Brocklehurst
Kate Bulkley: Economic uncertainty won’t put the brakes on M&A boom
Hunger for intellectual property will continue to drive acquisitions from strategic buyers in spite of rising debt costs, says Kate Bulkley
Faraz Osman: What’s the alternative to Twitter?
Broadcasters and producers have few other ways to connect with audiences and get feedback on their shows, says Faraz Osman
How live production can tackle sustainability
Norbert Paquet, head of live production for Sony Europe, looks at the steps that can be taken
Life rights – a ‘mostly true’ story
Adapting a real-life narrative often means navigating a complex range of legal issues, says Nick Swimer
Risk-taking is required to find next gen hits
Telly’s not rubbish says Andrew Newman, but it wouldn’t hurt if it got a bolder
Tech updates offer a photo-real future for virtual production
Rob Chandler of Morden Wolf explains why Unreal Engine 5 and nVidia’s 4000 series graphic card will revolutionise virtual production
COMMENT: The value of hands-on training for creative roles
Rachel Nicholson at Backstage Academy highlights the importance of a skills-based education
How Jigsaw24 is tackling the skills shortage
Jason Cowan, Jigsaw24 Media business director, on the company’s post-production training scheme
Why Shoot The Company launched a new studio for short-form
Shoot co-founder Henry Wilks outlines the vision behind Creative Shoots
BBC and C4 must fight for their future amid political turmoil
A grown-up debate is required – but will the circumstances allow for a nuanced and intelligent exchange?
Top marks to Strictly for putting inclusivity at its core
The BBC1 show is leading by example, but now the rest of the industry should follow suit, says Fatima Salaria
Talent shines bright in a record year
‘It is reassuring to know that for the stars of the future, talent and kindness are compatible attributes’
Lorraine Heggessey: Documentary-makers are still pushing the boundaries
As the 50th Grierson Awards shows, the genre is in great shape, but fresh voices are needed if it is to continue to flourish, says Lorraine Heggessey
Jules Hussey: why I quit producing
Ralph & Katie and Guilt producer sets out her reasons for focusing on fledgling indie Brazen
Derek Drennan: retaining the best production management talent
Retaining production staff is a growing challenge, and will require a shift in employer approach
Mipcom returns bigger and bolder
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
Netflix hastens ad-supported plan to take on Disney+
GlobalData, the new owner of Broadcast / MBI, expects budget-conscious consumers to embrace Basic with Ads tier
Going for Broke: a tricky path from football to TV
Marvin Sordell on breaking the stigma of footballers being solely focused on the game & how life experiences can translate into fresh takes in TV
The Premier League at thirty - what should it sound like next?
Paul Reynolds, MD EMEA and operations director at MassiveMusic, looks at the Premier League’s audio strategy
The industry must protect its ability to collaborate across Europe
Director Alex Jacob argues European co-production is a brilliant experience - but Brexit is making it difficult
Steven D Wright: why is telly so shit?
30 years to the day after taking his first job, the producer asks how TV became a bland landscape of elves, celebrities and cheesemaking
Pitching shows in the US is a whole new ball game
I’ve had to quickly master new terminology and working practices in a country where the deal is king, says Roy Ackerman
The Queen’s funeral was a TV production masterclass
As King Charles III takes his place on the throne, the global audience’s appetite for royal stories will only grow, says Nick Bullen
Mipcom returns in full force to an industry in a state of flux
The production boom continues apace, but industry is grappling with a raft of new challenges
Growth returns but sector feels economic pinch
“Fighting consolidation and competing for programming, a growth story is a good story and UK distributors have stepped up once again”
Marcus Ryder: Queen’s death has exposed UK media’s diversity problem
‘At important national moments such as these, it is vital that the whole country is represented in all its diversity’
How cloud can help the skills shortage
Jon Raidel, global center of excellence lead, live production in the cloud, at Vizrt, on how cloud production could help ease the current staffing issues
Revivals can give broadcasters the edge over SVoDs
Debates over the ’laziness’ of reboots dominated Edinburgh but Scott Bryan argues familiar formats can be challenging and rewarding
Production managers have been forgotten - again
Bafta’s ’Behind Every Bafta’ advert continues a long tradition of overlooking production managers’ contribution to the industry, says Joe McDermott
Katz: a C4 recommission is about more than viewing figures
Linear and All 4 audience data, cost of production and whether a show hits our public service remit all come into play
Winners all round as Uefa divvies up broadcast rights
With BT, Amazon and the BBC sharing the spoils, the latest rights auction offers pointers to how the market is evolving, says Mike Darcey
Script editors aren’t given the credit they deserve
These unsung heroes have one of the most important roles in the writing process, says Danny Brocklehurst
The subscribers-at-any-cost model is no longer feasible
As consumers tighten their belts, streamers will have to embrace more traditional business models to survive, says Kate Bulkley
Breakout British hits can help Netflix navigate its wobble
Dip in subscribers increases the stakes in the streaming wars
Building a strong and inclusive studio culture in a virtual world
Jellyfish Pictures founder Phil Dobree discusses how to create and harness a great company culture in a hybrid working environment
When it comes to training, we need more than sink-or-swim
A more structured approach could reduce the skills gap, open opportunities to freelancers and boost the health of the industry, says Kate Fletcher
Meet Jonathan Indie-Boss, hirer of the disabled
Stu Richards takes a sideways look at what comes after the diversity recruitment box gets ticked
Alex Morris: five tips for creating social-first content
The director of LadStudios explains why there’s more to social video opportunities than just “shortform”
Scott Bryan: Old gems can be as big a draw as shiny new releases
Archives full of brilliant shows are a powerful but underused weapon in the battle for viewers’ attention
Peter Bazalgette: Change of PM must not derail a vital media bill
Government upheaval should not distract those in power from getting the regulatory regime in order
Heatwave offers chance to seize climate change challenge
From reducing carbon emissions to influencing behaviour through storytelling, the industry has a chance to make a difference
Why reforming advertising rules could make PSBs masters of their own destiny
Nick Swimer says change to the limits on PSB advertising is overdue - but warns it may not lead to an increase in budgets
The beauty of a busy facility
Andrew K Moodie, lead editor at Woodcut Media, explains why facility-based editing works wonders for your career development
Take the Looking Glass survey to help us improve the industry
As the deadline is extended, FTVC’s Alex Pumfrey explains that the Looking Glass Survey is the catalyst for real change
What AI means for the future of broadcasting
Vinayak Shrivastav, CEO & co-founder of VideoVerse, gives his thoughts on the future of AI in the TV industry
Louisa Compton: Glad to be gay is C4’s default setting
‘The channel has always been true to its remit by speaking to audiences that others don’t’
Ash Atalla: Success can feel fleeting so cut yourself some slack
Pinballing between anxiety, joy and disappointment is the price we have to pay for working in such a stimulating sector
Great shows give succour, even as overnights tumble
Judging performance has never been trickier – but quality will always cut through, says Chris Curtis
Sports rights: the new battleground in the streaming wars
Jean-Christophe Pineault, sales manager, sports at MediaKind, on why sport will be the next frontier for the streaming giants
How AI can help re-engage a global news audience
With news appetites declining globally, Papercup CEO Jesse Shemen investigates new localisation options to help halt the slide
Talent crisis won’t be solved by entry level recruitment
Richard Wallis and Christa van Raalte argue that it’s time to change the culture that allows an experienced workforce to leave the industry
Managing bandwidth in remote production
Stephen Tallamy, CTO at EditShare, on one of the main challenges to remote production
The hair and makeup diversity divide
Cynthia De La Rosa outlines the three major problems facing talent of colour
Why the evolution of graphics is adaptive
Petter Ole Jakobsen, chief innovation officer of Vizrt, give his opinion on the future of graphics in broadcast
Bridging animation’s inclusivity gap
JoJo & Gran Gran animation producer Katherine McQueen calls for broadcaster budgets to help fund training for diverse talent
Lorraine Heggessey: Plaudits and awards don’t excuse bad behaviour
TV needs to get its house in order if it is to continue to attract the brightest and best creative talent
Rupert Binsley: The sky’s the limit for first-person drone technology
This new technique allows the kind of cinematic shots that could not previously have been achieved on a TV budget
Playing it safe with familiar content is a risky tactic
Broadcasters are holding their own against the streamers, but too many reboots could undermine that
How two deaf friends became Hunted competitors
Executive producer Lucy Shepherd talks casting, communication and cohorts
Digital humans in the future of film
Goran Milic, Nils Lerin, Anton Söderhäll, and Jonas Törnqvist from VFX studio Goodbye Kansas Studios discuss the evolution of digital humans and how digital humans will affect identity, cinema, and society in the future
Finding value in artificial intelligence
Dan Carew-Jones at Arrow International Media explains how covid-restrictions led to previously untapped opportunities using AI
Sports Content Summit: Diverse crew bring fresh perspective
The team behind Buzz16’s doc Micah Richards: Tackling Racism explain how the company’s approach to diversity helped create a powerful film
Caught In the Net: Using graphics to demystify data
Ash Potterton, executive producer, Arrow Media, explains how cleverly crafted graphics help explain the role of digital data in solving a series of murders
Why talent is never an excuse for bullying
Workplace relationships expert Arran Heal sets out the need for a ‘clear air’ culture
Building positive narratives across our communities
Departing Together TV chair Caroline Diehl calls for greater investment in impact-driven media
How DANC plans to build on a Bafta win
Triple C’s special award has set the stage to turbocharge its 1300-strong disabled talent networking community
Channel 4 - From new channel on the block to broadcasting icon
Paul Reynolds at MassiveMusic discusses the way sound and music have been integral to the success so far of Channel 4
Industry must plan ahead to solve talent crunch in the long term
A better relationship with education and government is crucial to address long-term skill shortages, writes Seetha Kumar
The importance of providing a pathway to regional talent
We must do better at offering local opportunities to local talent says Fulwell 73 co-owner Leo Pearlman
Kate Bulkley: Now is the moment to hop aboard the NFT express
With the market currently standing at £14bn, NFTs offer a direct link to fans and fresh monetisation opportunities
The linear vs streaming battle is a phony war
Rather than one destroying the other, streamers and broadcasters have never been better aligned
Julia Lopez: C4 to be freed from straitjacket of public ownership
Now is the right time to equip broadcaster with the tools and freedoms it needs to guarantee its long-term future, says media minister
Going virtual – A creative yet practical game-changer
Jim Farmery, development director at Yorkshire’s research and innovation centre XPLOR, discusses the creative and practical benefits of virtual production
How Ukrainian film crews are adapting to the reality of war
Ukrainian film crew and facilities companies have mobilised in response to the Russian invasion writes filmmaker Robbie Fraser
Scott Bryan: Declining soaps need to find a way to hook younger viewers
The cancellation of Neighbours shows how vulnerable these former stalwarts of the schedules have become
Slow Horses: striking the right tone
Director James Hawes on See-Saw Films’ ‘anti-Bond’ espionage series for Apple TV+
Factual and formats to the fore at Mip TV
‘In the fight for eyeballs, the supremacy of drama is being eroded’
Peter Bazalgette: A new kind of journalism has come to the fore in Ukraine
Social media videos combined with responsible reporting provide a powerful antidote to fake news and propaganda, says the ITV chair
Time for broadcasters to dare to be different
ITV’s move into the on-demand world signals a new era as PSBs start to push the boundaries
Cautious optimism as industry recovers
‘Given what we have all endured, there is much to celebrate in this year’s survey’
Performing in the age of motion capture
Brett Ineson at Animatrik Film Design discusses how actors can prepare to portray motion capture characters
The future of streaming: power back to the content owners
Rick Allen, CEO and co-founder of Viewlift, makes his predictions for the future of OTT and D2C
How the Breakthrough Leaders programme benefited my career
It’s important to remember why these programmes need to exist, says factual producer Dani Carpanen
Lower cost drama needn’t mean lower quality shows
Chalkboard managing director Mike Benson on getting creative to finance primetime TV
5 Tips for Cloud Production
Jakub Majkowski, COO of Tellyo, offers his advice if you’re planning a cloud production project
Time to change Diamond data into action
We now have five years of granular visibilty around diversity, writes CDN boss Deborah Williams, so let’s act on it
The future of sports production: handing ultimate choice and control to viewers
Vizrt commercial director for global sports, Sam Leadsom, makes his predictions for the future of sports production
Five ways to plug the unscripted skills gap
Gritty Talent’s Mel Rodrigues offers tips for attracting a wider pool of skilled talent
IWD: Setting the scene for a more inclusive industry
Discovery’s Clare Laycock shares her views on improving inclusivity and effecting lasting and meaningful change
IWD 2022: Celebrating women in VFX
Alex Coxon speaks to established and up-and-coming female talent in VFX to find out more about their careers and aspirations
IWD – why there is still much work to do
Progress has been made but we must acknowledge areas where substantial improvement is needed, says WFTV chair Liz Tucker
Peaky Blinders: portraying Birmingham in Manchester
Screen Manchester’s Bobby Cochrane on producing the drama in the heart of a busy city
Upping the game of sports broadcasting with volumetric capture
Sara Gamble, head of volumetric solutions at MRMC, reveals how they’ve made volumetric capture portable
What has happened to the role of production managers?
PMs have become increasingly marginalised and the role is far less attractive than it used to be, says Adrian Pegg
How to organise a successful virtual production shoot
Alexis Haggar of Lexhag VFX says the key is investing time in planning, having a highly skilled team working together, and shooting in the right digital environment
Jazz Gowans: the West Midlands has tonnes of untapped talent
The region is buzzing and the industry would do well to tap into the opportunities it has to offer, says the Nine Lives Media co-creative director
London prepares to welcome the world
London TV Screenings is a celebration of the very best in programming
10 reasons why I quit production
Fanta Jarjussey worked in production for 13 years before opting to leave, below is her open letter to the industry published in full
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Faraz Osman: Don’t let the UK’s thriving kids’ content sector wither
With the BBC licence fee frozen and the YACF culled, this vital part of the industry needs as much support as it can get
Good things come in small indie packages – but it’s brutal out there
Broadcasters are doing their bit to help, but the landscape remains precarious for many
Getting to the bottom of comedy’s cancel culture
Comedy is about saying the unsayable but in a fast-changing landscape it’s hard to know what is acceptable
Best firms strike the right balance for staff
‘A diverse cadre of companies has recognised the challenges and is addressing them head on’
Transforming production through digital transformation
Karen Dewey of Lumi.Media offers three ways the TV industry can unlock the power of digital transformation
Why inclusivity and healthy culture are key for indies
Indielab’s Victoria Powell sets out the commercial imperative for inclusive leadership as the 2022 TV Accelerator opens for applications
How the pandemic has changed sports broadcasting forever
Natasha Bougourd speaks about the biggest changes to sports broadcasting over the past two years
Campaigning for screenwriters
Lisa Holdsworth looks ahead to the second half of her term as WGGB chair
How to network like a ninja
Former BBC commissioner and Fast Track to Fearless chief Tracy Forsyth shares five tips for getting ahead
A new way to monetise indie films
Rishi Kapoor from Paus TV explains why he created a streaming platform for indie films, run entirely by tipping
Apprenticeships can ease the headache of talent schemes
During National Apprenticeships Week 2022, BossaNova marketing manager Jasmin Joseph reflects on how her opportunity ignited her career
Safeguarding the mental health of freelance journalists
Clothilde Redfern unpacks the Rory Peck Trust’s dedicated programme of support
5 ways AI and ML will make sports broadcasting smarter
Andre Torsvik, vice president of marketing strategy at Vizrt Group, looks at how sports broadcasts can take advantage
BBC3 revival is good for society
Digital UK chief Jonathan Thompson argues that return of linear channel represents true value
Year of the Tiger will hear Asian content roar
TVF International’s Julian Chou-Lambert sees potential for risk-taking, adventure, and possibility for continent’s ambitious producers
Comment: Connections are what drive our creativity
Creative Coalition Festival director Maia Krall-Fry looks forward to celebrating success and driving forward essential change
Production is booming – but it might not be permanent
Beyond 2022, there are questions about whether high spending can be sustained, and which streamers will survive, says Kate Bulkley
Morse owes its longevity to breaking the mould
After 35 years and three different iterations, the franchise has racked up 750 million global views and shows no sign of stopping, says John Mair
A seriously reduced BBC would be disastrous for the industry
Consultation and clear thinking should be behind any funding changes, not political point-scoring
Making sure Muslim stories are portrayed accurately
Sajid Varda reveals how charity UK Muslim Film helped C4’s comedy drama Screw avoid misinformed stereotypes
What it means to volunteer for Rise Up
Josh Martin, Take 1 product manager, explains what it’s like to volunteer at the Rise Up Academy
What is the True Potential of 5G for Video Contribution?
Kieran Kunhya of Open Broadcast Systems, explains why 5G will have such an impact on live production
Harsh Reality: telling the story of Miriam Rivera
Willard Foxton on why Novel set about revisiting the exploitation of a trans woman in an historic TV programme
The broadcast tech that will be key to the metaverse
Steve Wind-Mozley, chief marketing officer at Vizrt Group, makes his predictions for how broadcast tech providers can target the metaverse
How Tech Innovations enhanced The Green Planet
Rupert Barrington, series producer on forthcoming BBC series The Green Planet on how tech transformed the natural history series
Top 10 comment articles of 2021
Including Ash Atalla, Kate Collier and Fatima Salaria
Digital UK: bringing the PSBs together
As Channel 5 joins Digital UK, chair Caroline Thomson looks ahead to a year of anniversaries
It’s high time subtitles were mandatory across the board
Improving accessibility for every viewer should be a requirement for all broadcasters, not an optional extra, says Scott Bryan
Great shows and good souls lift the spirits after a tough year
WFTV winners and Broadcast Awards nominees shine a light on the sector’s remarkable fortitude
BBCS should give emerging indies a leg-up
Partnering on BBC commissions would test the water for more co-pros between large and small players, argues Matthew Angel
Don’t lose sleep over turning of the jobs merry-go-round
We all obsess over who’s in or out, but while people always move on, the quality of shows will win out, says Ash Atalla
Why virtual production needs an influx of tech-savvy creatives
Silver Spoon’s Laura Herzing on the increasing need for creatives to have a firm grasp of the tech inspiring broadcasting innovations
How the pandemic accelerated Reuters’ video production transformation
Michael Young, chief technology officer at Reuters on how the company aimed to move its video delivery to a future-ready, industry-leading, cloud-native platform
How I learned to stop worrying and love AFP
Aligning brands is not just editorially justifiable - it can take a show to the next level, says Harry Bell
Building the best for Birmingham
Over 34 series of The Gadget Show, North One and Channel 5 have ensured regional voices get heard, writes Neil Duncanson
Addressing the balance: changing landscapes in broadcasting
Greg Burns, head of media products at Arqiva, looks at how broadcasters can balance linear and OTT going forward
Time to ‘open doors’ for deaf media professionals
See Hear series producer Camilla Arnold urges TV industry to do more to recruit deaf people
How remote cloud working enhances security
Jon Mason, CEO and co-founder of Hotspring on the security advantages of remote working in VFX
Adopt the ‘grow-pro’ model to give a leg up to smaller indies
Both sides would benefit if the bigger players were required to join forces with smaller firms to land a commission, says Faraz Osman
Black talent need chances to make it in the mainstream
Commissioning for Black History Month is one thing, but diverse casting all year round would make a bigger difference, says Fatima Salaria
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Practical challenges make commissioning so hard
Our survey suggests that being swamped by email poses more problems than fostering creativity
Social realism is helping broadcasters in SVoD battle
Series like C4’s It’s A Sin would never be greenlit by an SVoD – but they should, says Danny Brocklehurst
Commissioner Survey: in a nutshell
‘Commissioners will always be the subject of debate and speculation, but this is their chance to tell their own side of the story’
Bullying isn’t just about ‘a few bad apples’
The issue is systemic, according to the authors of Bectu’s report into unscripted management practices
Go green or go home: sustainability in media productions
Craig Wilson, product evangelist at Avid, on how you can reduce the costs of TV production while reducing the carbon impact it has on the planet
The past, present, and future of TV technology
To mark World Television Day, heavyweights from the TV technology industry speak about what’s to come
How Jamie Johnson tackled racism for CBBC
It was time our children’s football drama addressed the issue, says Anita Burgess
Why Strictly’s ‘silent dance’ was so important
Rose Ayling-Ellis and Giovanni Pernice’s extraordinary routine reminds producers why purposeful entertainment is so powerful, says Matt Campion
Comment: It's time for a mass migration to the cloud
Neil Anderson at Codemill explains how a cloud-native way of working adds efficiency, scalability and remote accessibility
In My Skin helped me unpick a lifetime of shame
BBC3 drama’s return shows truth is essential to successful scriptwriting, says Kayleigh Llewellyn
Black hosts shouldn’t be seen as ‘risks’
My Channel 4 series The Money Maker was a rare example of a black business expert on British TV, says Eric Collins
Comparable data will benefit the commercial broadcasters
A cross-media measurement service puts TV in a better position to compete for advertising with the online giants, says Kate Bulkley
Distinctive domestic content is key to our national identity
Streamers have brought more choice but the PSB model must be protected, says Peter Bazalgette
Time to stop undervaluing our production managers
They are the backbone of every show and their worth must be acknowledged and properly rewarded, says Lorraine Heggessey
Timing feels right for reset of freelancer relations
Unprecedented demand for crew sits uneasily with the relentless pressure of many productions
Why do so many shows feature violence against women?
‘Would it really be so hard today to come up with imaginative new plots that don’t involve the brutalisation and murder of women?’
Saving the planet is TV’s greatest task
Climate change is the big challenge of our future, so where are all the programmes reflecting its importance, asks Studio Silverback’s Colin Butfield
Will actions match intentions in terms of changing the industry?
The freelance workforce makes changing attitudes about issues such as chronic illness very challenging, writes Laurence Williams
How remote commentary can create a better experience for fans
Uzi Kakuda, head HB production & executive producer, CHL and associate director at Infront Productions on how remote commentary can continue post-pandemic
A sinkhole in Weatherfield? All in a day’s work
Space Studios Manchester’s Dean Sinacola lifts the lid on Corrie’s latest stunt
We’ll secure UK radio’s smart speaker future
The government is prepared to legislate to make sure listeners can easily find their favourite UK stations, writes culture minister Julia Lopez
Unlocking the potential of broadcasting in 5G
BT Sport’s Matt Stagg explains the role of private networks in enabling 5G broadcasts
Why we need more South Asian writer representation
Giving writers the space to portray ourselves authentically on screen will be life changing for so many people, says Furquan Akhtar
ITVS: recognising production management
The industry has woken up to the invaluable contributions of PMs and its now time we implement change, write Angela Jain and Helen Killeen
Looking into Sky Glass
A super slick product, but a potential slow burn, writes Alex Farber
Great drama can speak to audiences in any language
Foreign-language shows are on the rise as viewers focus on quality of content, not country of origin, says Andrea Scrosati
Launching a new studio in the wake of a pandemic
Marylou Thistleton-Smith, founding director of The Voiceover Gallery, reveals the challenges, unexpected positives and reasons behind opening its new studios post-pandemic
Time to rethink received wisdom around streamers
Co-pro boom is helping streamers feel a true part of the UK industry
Distributors make right calls to survive
‘Many sales companies have been forced to take make-or-break decisions and switch business models’
Work with us to usher in a new generation
The boss of Manchester’s Sharp Futures explains why industry partnerships are key to opening up the industry
Comment: How to launch a successful startup
Jon Mason and Varun Parange of VFX talent platform Hotspring provide their top tips for setting up a VFX-focused company in 2021
Comment: How AI is enhancing localisation
Amir Jirbandey at Papercup explains the benefits of AI-powered automated dubbing
How the Tory 'tax on jobs' will impact TV
National Insurance hike will significantly hurt the industry’s workforce, but good preparation will shield you from the worst, says Melanie Reed
In praise of Scotland’s TV arts scene
Commissioning programming locally platforms otherwise unheard stories and improves diversity, says Pauline Law
How Telstra Broadcast Services delivered the Olympics
Anna Lockwood, Telstra Broadcast Services’ global head of sales, explains how it helped the Olympics and Paralympics reach a quarter of the world’s population
Broadcasting challenges for long-form sports
CEO of Cerberus Tech, Chris Clarke looks at how cricket, tennis, and other sports need to adapt for the future
Comment: The timeless art of foley
Soundtrack Creation’s Sefi Carmel explains the mysterious world of foley
Selling C4 would betray underrepresented voices
4Stories could not exist at a profit-driven broadcaster, say Ben Bickerton and Philip Trethowan
We are all Channel 4 - and we can save it
Production newcomers from as far and wide as in Belfast, Glasgow, Birmingham and Brixton would be cut off at source by a sale, says Dermot Lavery
Six ways to make production management fun again
Big Little Fish’s Georgina Surtees delivers her blueprint to ‘make production management a desirable career path’
Preserving ‘did you see’ moments
The stories behind sporting glory are best told via free-to-air says Jonathan Thompson
Black to Front: forging a legacy
We were tired of taking small steps, say Vivienne Molokwu and Shaminder Nahal
We need more bridges to the disabled community
Jack Thorne’s MacTaggart proves that advocates and those with knowledge of the issues can enable the best disabled stories, says Sara Johnson
Time for industry to rise to MacTaggart challenge
If the Edinburgh lecture struck a chord, then do something about it, urge Andrew Roach and Caroline O’Neill
Why sports federations should look to free-to-air
Noel Curran, director general of the European Broadcasting Union - which represents public service broadcasters across the continent, explains why sports federations should continue to back free-to-air broadcasts.
Time is ripe to invest in building a sustainable workforce
Companies that show they appreciate work-life balance will be more successful in attracting the best talent, says recruitment expert Dermot Casey
What video editors can gain from AI and ML
Dave Colantuoni at Avid provides a series of practical examples of where artificial intelligence can aid the work of video editors
How The Hundred can harness the sound of cricket
Paul Reynolds, MD at international creative music agency MassiveMusic, explains how the competition can take advantage of the sport’s musical heritage
Will this (finally) be disability’s breakthrough moment?
Scattered Pictures boss Kim Tserkezie is hopeful Jack Thorne’s MacTaggart Lecture will bring meaningful change in the industry
TV should not be afraid to tackle class issues head-on
The sector should think hard about which definition it opts for, says Elsa Sharp
Olympics highlights the shift in power away from PSBs
Sub-licensing deal with Discovery leaves viewers disappointed and illustrates the tough challenges facing the BBC, says Scott Bryan
Don’t write off C4 – pushing boundaries is still in its DNA
It may not be the risk-taker it once was, but C4 still offers inspiration to many, says Danny Brocklehurst
Resisting privatisation doesn’t mean keeping the status quo
There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership
Privatisation: Lessons from C4’s past
What does the previous failed attempt to privatise Channel 4 say about the prospects of avoiding a sale next year?
When Ruby Met….Clive
How Ruby Wax’s teachings on talent shaped Clive Tulloh’s career
Revitalising live shows with virtual audiences
Tom Bowers at interactive audience specialist consultancy Hypothesis Media highlights the creative opportunities for virtual audiences
How far has AI come on and off the court?
Raghavan Subramanian, AVP and head of the Infosys Tennis Platform at Infosys, explains how AI can change how sport is covered.
News channels still hold value
Their business model is challenged but their power and influence shouldn’t be ignored, says Toby Chapman
The future of post-production after Covid
Thomas Urbye, CEO of The Look, explains how post houses and the productions they work with, should change after the pandemic
Reaching the next generation of sports fans with mixed reality
Sam Leadsom, VP for global business development in sports at Pixotope, tells Broadcast Sport about the future of mixed reality in sport
Inclusivity will be key to this year’s Edinburgh TV Festival
Jack Thorne will put disability centre stage and we’re taking up the challenge to ensure that everyone feels welcome, says Fatima Salaria
It’s time to act decisively to rein in the streaming giants
Traditional broadcasters cannot compete with their deep-pocketed rivals without government intervention, says Kate Bulkley
Why I’m no longer talking to media execs about C4 privatisation
I want a public C4 and a new regulatory environment to formally introduce ring-fenced funds for diverse-led productions, says Marcus Ryder
Don’t let gov’t force our hand on C4 sale
The plan to sell broadcaster is a crude magician’s trick that we reject wholeheartedly, says Jon Swain
Disabled people must be part of the conversation
Any solution for getting more disabled people into the industry should take into account our lived experience, says Caroline O’Neill
Misconceptions and biases are holding back progress
If we are to bring down the barriers to our industry, we need to change the narrative around disabled talent, says Deborah Williams
The rise of virtual production in the UK TV industry
David Bajt and Rowan Pitts of Bild Studios and MARS Volume discuss what the future holds for virtual production tools, technologies and workflows.
Making the economic case for C4 is key to winning the fight
Broadcast editor Chris Curtis calls on the industry to argue that privatisation doesn’t stack up commercially
Insurance scheme has given UK headstart over rest of the world
The £500m backstop has ensured that the growth of recent years wasn’t for nothing, says DCMS minister Caroline Dinenage
Don’t criminalise journalists for doing their job
Plans to alter the Official Secrets Act will have a chilling effect on doc makers and news and current affairs, says John Battle
AVSR: the revenue stream indies are missing
Little is known about secondary rights but they are worth cash to every producer, says Mark Rowland
5 Top Tips for creating Interactive TV spin-offs
Charisma.ai CEO Guy Gadney on how TV series can extend off the linear screen and into an immersive, interactive world
PTZ cameras – The future of broadcast?
Matthew Koshy of Canon Europe on the benefits of high-end PTZ cameras in enabling streamlined crews to capture 4K content
What VoD buyers want: the truth about local players
Distributors should not pass up oppportunity to work with emerging services without consideration, says Riaz Mehta
We have a duty to ensure C4 survives
If the PSB is privatised, it would kill off a genius child of British broadcast says producer Dermot Lavery
C4: is there value in privatisation?
Industry veteran David Elstein explains why fears for the broadcaster may be misplaced
PSBs are ignoring their remits in the Midlands
Some regions are more equal than others and broadcasters’ programme spends prove it, says Mike Bradley
Why is there still a stigma about coming out as disabled?
My own experience offers an encouraging sign that the industry is on the normalisation path, says Stu Richards
Stand up and be counted on issues that affect our industry
It’s time to make sure our voices are heard when it comes to creative sector public policy, says Peter Bazalgette
The BBC should capitalise on Eurovision’s popularity
A Saturday night entertainment show to select the UK entrant would deliver ratings and boost our chances, says Scott Bryan
Threat of C4 privatisation appears greater than ever
The broadcaster has seen off past attempts, but is facing a much tougher challenge this time around, says Maggie Brown
Selling C4 is an affront to free speech
C4’s unique remit to commission programmes others cannot and will not order is threatened by privatisation, says Callum Macrae
The government is gunning for C4 – so it’s time to speak up
Britain’s whole TV ecology is at risk as the government kicks off its push for privatisation
On a mission to be fair, green and moral
Derek Moore, CEO and co-founder of Coffee & TV explains what B Corp is and what it means to his business
I’m Jewish – why don’t I ‘count’ as BAME?
Being told Jews aren’t included in PSBs’ diversity counts is hurtful and unhelpful, says Michelle Singer
Don’t do a disservice to production managers
TV has ignored PMs for too long but the Covid crunch has proven how vital – and scarce – they are, says talent manager Kimberly Godbolt
Famous faces help build the podcast industry
Celebrities aren’t ruining podcasting – they’re opening them up to a wider audience, says Josh Adley
Can digital sport experiences overcome online fatigue?
Navin Rammohan, vice president, segment head marketing at Infosys, looks at whether Zoom fatigue can be defeated.
Forget preservation, the PSB debate needs to be about growth
Freeview’s Jonathan Thompson wonders if government is asking the right questions in current review
GB News review: one-sided TV and proud of it
The much-debated news channel has hit our screens with a few scores to settle, but does it offer something new, asks Stewart Purvis
RIP to my Holby City family
Don’t let the heart of BBC1’s medical drama be forgotten, says David Innes Edwards
Storytelling must reflect Britain’s diversity
We should strive to provide everyone with the opportunity have their experiences reflected, says Emily Burnett
It’s time to truly welcome the LGBTQ+ community
Television has a responsibility to create worlds featuring safe queer spaces, says Sophie Bernberg
N&R indies must target premium factual
The growing number of regional indies means producers must engage SVoDs to land work, says Ben Smith
IP bonding and the future of sports broadcasting
Ophir Zardok, sports solutions & business strategy director at LiveU, explains the latest developments in IP bonding and sports broadcasting.
Roku has the tools to make its mark in the streaming world
The US firm has evolved and its user relationships and advertising expertise put it in a strong position, says Kate Bulkley
Be nimble and open-minded to thrive in changing times
Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall
Impartial news is the bedrock of our PSB system
ITN’s special recognition win at the Broadcast Awards underlines the need for public service journalism, says Deborah Turness
Celebrating the best of British TV
“The industry’s innovation and perspiration helped see the nation through an incredibly testing period”
The UK should open up to the thrills of a writers’ room
There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst
Failings of the past must not damage the BBC’s future
Broadcast’s view on the Bashir scandal and Lord Dyson’s report
Mental health behind the screen is at crisis levels
Not enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield
Industry must stand together to stamp out harassment
More anti-bullying measures and a truly united front could give workers greater confidence to raise concerns
Don’t let indie TV become the new ESL
There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton
Mocap in the cloud: The future of motion capture
Rob Löring, senior business director of 3D body motion at Xsens, takes a look at what could be next for motion capture.
VFX and the virtualisation of content
David Ingham, client partner, media and entertainment at Cognizant explains how visual effects are opening up ever more creative options for producers
Stuart McDonald: a personal tribute
Richard Woolfe remembers an outstanding director and a dear friend
Magic Hands: setting an example for the younger generation
Execs tackled racism in the deaf community in first UK kids series to feature a majority deaf, black crew and presenting lineup
Original voices on Coronation Street
David Proud sets out how he combined ‘wheelchairs and cobbles’ with great success
Systematic change is needed for dignity at work
Resource must be allocated if harassment is to end, says Bectu head Philippa Childs
Lack of diversity is a market failure
Monopsony theory teaches us why broadcasters fight over Steve McQueen but the rest of the industry remains remarkably non-diverse, says Marcus Ryder
Young diverse talent will ensure docs continue to thrive
Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey
We must give young talent the opportunity to hone their skills
The industry should provide training and allow people to make mistakes rather than reject them because they lack experience, says Ruth Pitt
Meetings are magical – but new ways of working are here to stay
Remote working has been a boon for many in the industry and it would be a shame to lose that flexibility
Commissioning is a lottery – there must be a better way
In a world of measurement and big data, why does a green light still come down to luck, politics and personal opinion? asks Ash Atalla
When adapting IP, channel your inner Bear Grylls
Collaboration, compromise and teamwork are crucial when transposing IP from one medium to another, says Giuliano Papadia
Helping kids understand autism through TV
Our Cbeebies series Pablo has become a great tool for explaining how people interpret the world, says Gráinne McGuinness
The door to wildlife TV is open to the LGBTQI+ community
Things have come a long way since the “tokenisation and stereotypes” of the 90s, says wildlife presenter Dan O’Neill
CCC: nations and regions takes centre stage
Creative Cities Convention co-founder Ruth Pitt gears up for this week’s launch
Top 5 moments in interactive television
Co-founder and CEO of Charisma.ai, Guy Gadney selects his five favourite examples of interactive TV
Why TV needs a Spotify of streaming
We’re in the CD age of on-demand services but consumers demand more convenience, says Stu Watson
The intellectual property issues of volumetric video
Graeme Murray at Marks & Clerk discusses potentially thorny legal issues to do with the way the viewer engages with volumetric content
Producers must follow duty of care rule changes
Ofcom safeguards make clear indies must ensure contributor welfare, says Nigel Abbas
Why it’s crucial to hire from diverse backgrounds
The BBC’s new production staff quotas don’t solve all problems but are a step in the right direction, says Steve Wynne
Archives save the day for sports content
Simon Jones, head of studio at Iron Mountain Entertainment Services UK, explains how archive came to the fore over the past 12 months.
Nurturing Would I Lie to You
Peter Holmes and Rachel Ablett, the husband and wife team behind BBC1’s comedy panel show, reveal how they keep the magic of the series alive
TV should lead the way on ending workplace bullying
We have a duty of care to each other and our industry should be ahead of the curve in calling out bad behaviour, says Jane Perry
We must pressure government to do right thing on prominence
Broadcasters have to work with the global streamers or risk becoming irrelevant – but they have an ace up their sleeve
Quotas to the fore as Davie’s change agenda gathers pace
The BBC is to produce more shows outside of London, but devolution of commissioning power is unclear
Sketch comedy is flourishing but needs more space to shine
Young talent are breathing new life into a genre that looked dead and buried just a few years ago, says Lorelei Mathias
Much to admire as indies battle hard
‘This year’s Indie Survey is testament to a brilliantly hardy industry that kept battling, and found a way to get things done’
Lockdown lesson: if you wanna get ahead, get a shed
Garden working has been great, but I’ve had to swap Channel 4 for Naked without meeting my colleagues, says Fatima Salaria
We have the power to stop industry bullying
Happier workplaces create stronger and more creative productions, says Shayna Waldman
The doors to equality are beginning to open
There is room for cautious optimism as the conversation sparked by BLM continues into 2021, says Real Full Monty exec Ashley Banjo
Female directors: fighting for recognition
Friends warn us to deny our families to ensure we’re heard, but the best commissioners cherish talent, writes Cosima Spender
VFX Trends – what’s hype and what’s not
David Cordon, head of TV and film, Flipbook Studio discusses the pros and cons of recent trends in VFX production
Let slow-burn series warm up
Are we losing potential classics over demand for immediate hits, asks Dan Sefton
How indies can get Brexit secure
The double whammy of exiting Europe and the pandemic impacts producers profoundly, but there are solutions, says Val Cazalet
Docs: the rock stars of non-fiction
Global non-fiction in film and TV is booming and British sensibilities mean indies can lead the way, writes Kate Collier
Rise of the Machines: AI in Media
Rickard Lönneborg, CEO at Codemill on what developments need to happen in AI and ML to maximise their benefits for media workflows
IWD: Celebrating women in VFX
Alex Coxon profiles some outstanding women working in the VFX sector
IWD: VineFX celebrates women working in VFX
The company profiles 11 female professionals working at the visual effects house
IWD: BBC Sport chief on women’s sport and female leadership
Barbara Slater on the growth of women’s sport and the shifting attitudes to females both on and off screen over the last 12 years
Robust regulation is key to keeping British news buoyant
No matter the furore, GB News and News UK will need to abide by the same rules as everyone else
Streamers must stop hiding behind the big numbers
Lack of transparency over ratings is confusing for viewers – and may even be hurting the platforms’ smaller shows, says Scott Bryan
Improving industry diversity shouldn’t be so complicated
There are simple processes that can be implemented to ensure we achieve a more inclusive workforce, says Sarah Stevenson
Linear TV not about to disappear any time soon
A hybrid distribution model is emerging, says Freeview’s Jonathan Thompson
Playing the long game
Andy Wilson reveals why he’s taken the unusual step of directing all 24 episodes of ITV police drama Unforgotten to date
British journalism needs reinvention
RTS-nominated Need To Know’s Seth Goolnik and Warren Nettleford set out how news providers are failing to engage young audiences
How dock10 created production and post-production facilities from scratch
Dock10 explains how it has grown from its beginnings to the present day.
Pursuing a net zero strategy to make a better world
Jeremy Darroch on how Sky is implementing its unique sustainability initiative
Discovery+ is well placed to follow in Disney+’s footsteps
Factual broadcaster can leverage global linear channels and pay-TV relationships to boost streaming service, says Kate Bulkley
No need for Dutch courage if intimacy is handled correctly
Intimacy co-ordinators are vital to ensure actors feel comfortable enough on set to give an authentic performance, says Vanessa Coffey
CDN chief: ‘huge scale of inequality must be addressed’
Diamond’s Fourth Cut shows minorities are still being excluded from senior roles, says CDN executive director Deborah Williams
Hope for a better year lies in putting staff welfare first
The industry has been inspiring in how it dealt with the pandemic, now focus must shift to colleagues
How a malice-free format is thriving during lockdown
The BBC can’t always wallow in nostalgia, but The Repair Shop is just what’s needed right now, says Peter Bazalgette
Human interaction can be just as gripping as crime
Success of series like Normal People and I Hate Suzie shows you don’t need cops and killers to attract a big audience, says Danny Brocklehurst
Is your business ready for ‘The Great Compression’ of 2021?
CEO of Rakuten DX, Olivier Alluis, takes us through the opportunities and potential pitfalls ahead in 2021.
Gaining Katie Price’s trust
Director Hannah Lowes on creating an intimate portrait of the reality star
A camera operator’s view: filming in Covid
Channel 4 News chief camera operator, Ray Queally, on the many challenges of filming news content during Covid-19
We’re letting down working mums - just ask Dorothy
Podcaster Shaunagh Connaire is frustrated by the industry’s female talent drain
Memories of Michael Apted
Producer Claire Lewis reflects on four decades of collaboration with the legendary documentarian
Why collective action is key to increasing inclusivity in production
CEO of BBC Studioworks, Andrew Moultrie, calls on the industry to build on diversity efforts
Time for TV to make lasting new year’s resolution
Bournemouth University’s Dr Richard Wallis says Covid-19 catapulted the industry’s bad habits into the spotlight
COMMENT: Engaging fans and boosting revenue through D2C
Dheeraj Ravula, head of product for D2C video solutions, MediaKind, takes us through the growing opportunities in D2C/OTT
How the industry can collaborate to make change
As Sky is unveiled among the sponsors of COP26, Sky Studios chief Gary Davey explains why it is launching guidelines on sustainable production
Virtual Worlds: Avoiding the Gimmicks
Creative agency DRPG on how to use gaming tech without falling into the trap of the ’gimmick’
Ensuring 2021 is a year of progress
Broadcasters, indies and filmmakers will have to sticks their heads above the parapet and understand the power they hold, says Wa’qaar Mirza
Don’t forget the multichannel broadcasters in PSB review
Policymakers must acknowledge that non-PSBs play a key role in the success of a mixed TV ecology, says Heather Jones
Distribution strong in the face of Covid
‘Buyers have been forced to change the nature of their relationship with sellers and think creatively’
This festive period, spare a thought for commissioners
Scheduling the perfect mix over Christmas is tough – and Covid has it even more of a challenge, says Lorraine Heggessey
Revolution in the air as industry looks to future
As broadcasters embrace the digital world, TV can and must do more to represent everyone
Virtual events can be almost as good as the real thing
Napte Virtual Miami 2021 will be a seamless experience for all – and as fun and educational as ever, promises JP Bommel
Building an all-IP HQ for BBC Wales
Roger Crothers, head of technology at BBC Wales goes behind-the-scenes at BBC Wales’ new state-of-the-art HQ in Cardiff’s Central Square
Shining a light on production management
David Mortimer hails division as the Cinderella of the industry
The challenges of long-term archiving
Eric Bassier, senior director product marketing at Quantum, outlines the long-term challenges of looking after your irreplaceable content
Bringing back the MOBOs’ magic
Bringing back the music awards show for the first time in three years is vindication for an unexpectedly tough year, says Justin Rees
The impact of Covid on industry juniors
Vittorio Giannini, joint MD at Freefolk on ensuring those starting up in the industry aren’t hindered by the negative impacts of Covid lockdowns
Richard Bennett: a tribute
Roger Law says goodbye to an accountant extraordinaire, producer and a very good friend
Why The Queen’s Gambit gets women so right
Female characters are often portrayed as dependent on men for their happiness, but Netflix’s chess drama makes no such mistakes, says Joanna Tilley
Shift to on-demand gathers pace as pandemic strikes
Broadcasters that exploit their online services the quickest will win this particular battle, says Kate Bulkley
Journalist certification a necessity to benchmark truth
As fact becomes increasingly hard to discern in the fake news era, certification offers a means to bring back trust, says Ben Fenton
Disability should not be a barrier to working in TV
While on-screen representation is improving, the hiring of off-screen talent is still well below target, says Deborah Williams
Evidence not ideology should shape PSB future
The ecology of public service broadcasting has to evolve, but debate must be open and honest
Lockdown has transformed post sector – for the better
Productivity has increased while plush offices and hotel-style customer service are no longer necessary, says Derek Moore
Why TV must learn to manage properly
It’s time to end ‘anti-management’ techniques that impact mental health and cost producers money, says Sunshine Jackson Underhill
Collaborate to captivate audiences
Connecting producers to leaders in other fields will create better formats, says Donna Taberer
Harnessing PSBs in a modern world
Working out what should be preserved and what needs to change is crucial to the PSB review, argues Jonathan Thompson
Don’t forget TV’s LGBTQ community
Broadcaster diversity pushes are great, but they are missing us out, says Greg Sanderson
Finding the lockdown formula for IndieLab
Nothing beats good, old-fashioned networking but our class of 2020 has made the most of digital opportunities, says Victoria Powell
Indies need to embrace a diverse ecology
Pandemic has highlighted the importance of having multiple revenue streams, says Duane Jones
Mental health support is key to getting TV back on track
Six months of global pandemic have taken their toll on the industry, says Alex Pumfrey
BBC3 needs to balance online and linear
Combined presence across TV and on-demand is best strategy for youth channel, says Scott Bryan
The stakes have never been higher for factual
The lack of specific Covid-related advice for unscripted directors led us to develop a new resource for all, says Nick Guttridge of Directors UK
US-style news won’t work in UK
Impartiality rules mean there is no place for polarised, opinion-heavy services, says Peter Bazalgette
Broadcasters are no longer slaves to the schedule
The BBC and ITV are leading the charge in transforming the commissioning status quo, says Chris Curtis
Broadcasters must promote social change
Work at ITV and Channel 4 proves channels are on the right course, says Mihir Haria-Shah
Time to take diverse voices off mute
Television businesses to help young people from diverse and underrepresented backgrounds break into the sector, says Nishy Lall
Giving Sherlock a Russian makeover
We’ve reimagined the quintessentially British detective for a Russian audience but his beloved core attributes remain untouched, says Nurbek Egen
Planning for life after furlough
With the Job Retention Scheme set to end, now is the time to organise your indie’s future, says Val Cazalet
PSBs face challenges - but they benefit from market changes too
Competition is hotter than ever, but those rivals are funding the PSB co-pro boom, says Adam Minns
The industry needs to bring a diversity lens to every table
The TV sector needs to interrogate the shortfalls and discrepancies in representation across all genres, says CDN chief Deborah Williams
Bullying: no time to waste
Resources are already available to tackle this problem, writes Seetha Kumar
Bravery required from PSBs as pressure mounts
Content offering is strong but challenges remain around distribution, platform and branding
AVoD’s unintended upside
Free, ad-supported on-demand services can be the digital era’s free TV, says Chris Sharp
Diversity schemes are great – but they need to go further
A scheme launched my career and innovative new initiatives can do the same for the diverse voices we need in this industry, says Nacressa Swan
TV is bouncing back - but there are bumps ahead
Production is back on its feet, but awkward debates around programme costs require compromise and common sense, writes Chris Curtis
Making a Millionaire during lockdown
Who Wants to Be a Millionaire? line manager Clair Carney on the show’s Covid-19 safe return to the studio
No need to rush to judgement
New shows, and the new Broadcast, need time to settle, writes Ash Atalla
Unpicking ratings has never been trickier
Reaching younger viewers is hard – but still achievable, writes Danny Brocklehurst
Covid-19 accelerated BBC News’ remote working
The pandemic has demanded a more flexible operation, writes Morwen Williams
A new-look mag to reflect the changing TV landscape
Like the rest of the industry, Broadcast has had to react to the challenges of Covid-19
Covid coverage debates have been crucial at ITN
Striking the right reporting tone has been a huge challenge, writes Tom Bradby
Stakes high as the streaming wars heat up
Traditional players are playing catch up having lost power to digital players, says Kate Bulkley
Keeping the show on the road during Covid
Live productions most at risk from suspension as tech adoption accelerated, says Reed Smith partner Ingrid Silver
‘Korea can become a co-pro Mecca’
The nation has steered clear of a full lockdown and is open for business, says Korea’s self-proclaimed pioneer of international co-productions
MBI’s diversity editorial policy
Our public Editorial policy on diversity.
The tech that’s shaped news reporting over the last 50 years
Ryan Kamata, European product manager at Canon Europe looks back at the technology that’s made the biggest impact on news broadcasting
My Mentor: Jon Stroud on Matthew Littleford
I went from installing WiFi on buses to creating programmes thanks to Matthew’s guidance, says Jon Stroud
Dominic de Terville's branded content breakthrough
A deal involving the clothing brand, Theo Walcott and Sky Sports showed the Zinc Media exec how commercial and editorial could be perfect partners
Telly’s got talent - Connie Fisher on talent development
Transitioning from the West End to the development room gave a unique insight into talent, says the How to Solve a Problem Like Maria star
Davie wastes no time making statement of intent
Floating idea of 20% cut in hours is sign of radical thinking
Olusoga sets agenda for an important Edinburgh
MacTaggart lecture lays down gauntlet for industry to make good on diversity pledges
Don’t let labels define your indie
Chatterbox creative director Nav Raman queries value of being identified as a ‘BAME-led producer’
Tackling video piracy head on
Akamai’s Ian Munford on his concerns about the rise of piracy and what can be done to defeat the pirates
We must collaborate to avoid getting squashed in fast lane
Lobbying Ofcom and government must be joint industry effort, writes Freeview’s Jonathan Thompson
Covid can be catalyst for change in comedy
The lack of an Edinburgh Fringe this year forces us to find talent elsewhere, says Richard Watsham
Is working from home working?
Five months into lockdown, replicating the creativity of offices remains a challenge
Obituary: Aidan Laverty
Jonathan Renouf remembers a producer who took James May to the edge of space
Only action can rebuild the trust lost over diversity
Anger evident from BAME community as broadcasters promise to do more
Why podcasts are TV’s new obsession
Audio allows producers to attempt the ‘unproduceable’, says Jago Lee
Life in an audio post house during Covid-19
Lee Walpole , Sound Editor and Re-recording Mixer, Boom
PSBs must be clear-eyed about scale of challenges ahead
Ofcom content chief Kevin Bakhurst questions what the UK broadcasting sector’s ‘lockdown legacy’ will be
Incentivise the industry to save production
Without intervention, indies face reduced broadcaster commissioning budgets for years to come, says Matt Cain of Oliver & Ohlbaum
Why I’m waving goodbye to TV
Production’s a wonderful way to make a living but it’s no longer worth the stress, says Gigi Eligoloff
Green shoots sprout at ITV
First-half results cause for some optimism – but production margins under pressure
The diary of an agent in lockdown
Supporting talent, negotiating fees and encouraging creative development have been key, says InterTalent Rights Group chairman Jonathan Shalit OBE
Insurance breakthrough paves way for autumn restart
Optimism that prodcution capacity could shortly be back to 70%-80%
TV is an infinity mirror of itself
For too long we have dumbed down and homogenised the way we represent our nation, says Andrew Robertson
Squeezed indies caught in the middle
Tough choices for production sector as it gets back to work
The co-production survival guide
Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter
Indie leadership lessons are vital - so let’s share them
ScreenSkills and Broadcast hosting 22 July event to discuss challenges of the pandemic
What the Radio 1 of yesteryear can teach today’s BBC
Paul Robinson on what radio’s relationship with 15-24s reveals about an audience that’s falling out of love with the BBC
My Mentor: Emily Dollman on Steven D Wright
The long-time Broadcast columnist may have a reputation as a grumpy telly hater, but nothing could be further from the truth, says Emily Dollman
Hats off to hard-working indies
Return to production is result of gruelling efforts
Is Gen Z lost to the PSBs?
Claire Hungate asks whether linear broadcasting can win back young audiences
My Mentor: Greg Sanderson on Nick Fraser
The former BBC Storyville supremo taught me the true art of keeping filmmaking simple, says Greg Sanderson
My Mentor: Angela Griffin on Robin Sheppard
Robin Sheppard helped the popular actor realise she is capable of working behind the camera, not only in front of it
Banijay faces structural balancing act
Creativity and efficiency are elusive combination for whole production sector
My Mentor: James Friend and James Stier
How cinematographer James Friend is supporting camera assistant James Stier’s move from docs into high-end drama
‘Excluded freelancers seem to have become the permanently forgotten’
Series director/senior producer James Taylor’s personal experience shows ‘the government doesn’t understand how our industry actually works’
Tim Crescenti on discovering Dragons’ Den
The moment the formats guru saw a ropey trailer for the Japanese business format, he knew it was a hit
Streaming 360-degree video: The challenges to overcome
InterDigital tech staff discuss the stumbling blocks on the way to offering high-definition 360-degree video streams to a mass market
C4’s Growth Fund must not become a Covid-19 casualty
Kate Bulkley says it is a lifeline to producers – and generates healthy returns
Pressure mounts on indie community
Closure of Wild Pictures points to sector under strain
The more who come forward, the better
Vanessa Kirkpatrick, one of the UK’s first black newsreaders, says speaking out is vital for change as she recalls her experiences of racism within the industry
The new rules of production and the role of the on-set Covid Operative
Dominic Allen, video director and scriptwriter at DRPG on returning to shoots post-lockdown and the new role of the Covid Operative
Tales of a veteran TV hack
Robin Parker looks back over a 13-year career with Broadcast as he signs off from the title
David Cornwall on ‘serendipitous’ Diana doc
Navigating secretive contributors, demanding commissioners and NDAs were all worth it for the Scorpion TV founder
Carlotta Rossi Spencer’s format trio
Every deal, good or bad, is a learning experience, says Banijay formats guru
Disney and Sky: a linear relationship that fizzled out
The breakdown of carriage for linear kids’ channels speaks to new imperatives for both sides
Jellyfish: Why We’re Going Remotely Global
Jellyfish CEO Phil Dobree on how virtualised production has eliminated global boundaries
Don’t let Covid-19 derail nations and regions progress
Industry must not retreat to London post-pandemic, says Graham Sherrington
Creating an industry of equality
Broadcasting can be inclusive of young people from all backgrounds, says Ashley-John Baptiste
Ingenuity and insurance key as production restarts
Creative thinking is central to helping overcome social distancing obstacles
My Mentor: Mel Bezalel on David Wise
Fresh One creative director steered the RDF development chief through her early career with ’generosity and genuine interest’
TV will survive if we work together
Lockdown has been hard but starting up again is an even bigger challenge, says Craig Hunter
The time for real action is now
Every single company has a responsibility to create a diverse production sector, says Fraser Ayres
The challenges for TV studios during lockdown
BBC Studioworks CEO Andrew Moultrie on the changes the TV studio has had to make to keep productions safe during lockdown
‘The stability of the TV industry is reliant on our junior workforce’
Worrying ‘chain reaction’ has been set off as experienced execs take on junior roles, says The Nest Productions founder Derek Drennan
Eat, sleep, watch repeats
Schedules are suffering as lockdown bites
Reasons to be cheerful for the new DG
The BBC’s deft handling of the coronavirus has provided a real-life case study of the value of PSBs, says Jonathan Thompson
The A-Z of life in post-production during lockdown
The Farm Group commercial director Charlotte Layton shares an A-Z of working at the facility during the pandemic
Bectu chief: the onus is on the white majority
The privileged must use their positions of power to deliver real change, says Philippa Childs
What Ashford International Studios will mean for Kent
Gavin Cleary, CEO at Locate in Kent on what impact the Ashford International Studios development is likely to have on the county
Turning the advertising ignition
Market on road to recovery as car showrooms open their doors
Time to turn statements of support into actions
Black Lives Matter must be catalyst for genuine change
My Mentor: Tim Whitwell on Pat Llewellyn
Formidable but fabulous, Pat Llewellyn was a TV powerhouse with a touch of class, says Tim Whitwell
Broadcasters have gone backwards on inclusion
Diversity of headcount is not enough - TV must find ways to empower BAME staff, says Marcus Ryder
Pandemic will breed new creativity
If TV returns to ‘normal’, we will have squandered a unique chance to innovate in our industry, says Nicola Ibison
How VFX can aid productions in a post-Covid world
MPC VFX supervisor Gary Brozenich on the role of VFX in enabling productions to shoot in a smarter, safer way
Hints of progress after a brutal few weeks
Indie sector on tenterhooks as it edges towards getting back to work
An important part of our media landscape has gone dark
Surge in Unidentified viewing leaves industry searching for answers, writes Attentional’s David Graham
My Mentor: Lucie Ridout on Nick Metcalfe
Following the lessons I learned from Nick Metcalfe has helped me every step of the way in my career, says Lucie Ridout
Protect creativity and the future could be perfect
Covid-19 poses commercial challenges for producers and distributors but there is opportunity ahead if we are collectively smart, says Jimmy Humphrey
BBC3 linear return is investment in corporation’s future
By creating watercooler moments, the youth channel could help BBC compete with Netflix, according to Studio BE chief Brandon Relph
Hitting a century: the benefits of a high volume returner
Inside the Ambulance has transformed Brown Bob and given us confidence to spread our wings, says Jacqueline Hewer
The puzzle of BBC3’s move back to the future
Younger viewers’ habits at odds with linear resurrection
‘Charity runs have offset anxieties’
Running 31 half-marathons in 31 days has eased anxieties over work and focused my mind on positives, says Adam Badrawy
‘The pandemic has shown that industry can be fairer’
With coronavirus forcing the industry online, regional workers have been handed an unexpected advantage, says Perjeet Aujla
Lockdown is hard on young TV staff
Working from home with my adult children has reminded me of how lockdown is affecting our younger staff at Arrow, says Nick Metcalfe
‘I hope this period will spark change in the industry’
The failure to help freelance producers has hurt financially but current events could spark a production processes review, says Cheri Darbon
Why Mental Health Awareness Week is vital for freelancers
Providing support and advice for TV’s workforce is crucial during lockdown, says Seetha Kumar
‘I face five months of unemployment’
The production lockdown came at a terrible time for freelance entertainment producers
Directors can be key to production recovery
Our creative approach will find solutions to many of the problems producers are facing, says Dan Zeff
Knowledge is power - and it’s time to share
Production strategies to combat coronavirus must be openly discussed
Ben de Pear: social media must support PSB news
Platforms that benefit from our investment in journalism must differentiate real news from fake - and pay for it, says the C4 news editor
Keeping Ireland’s Crimecall rolling on lockdown
A tenth of the entire population tuned into our live crime-fighting show but production required buy-in from many parties, says Stephen Stewart
My Mentor: Alice Boorman on Lucy Bacon
The Two Rivers Media exec is the energy in every brainstorm, the champion of the smallest voice in the room and maybe the best boss in TV
Audiences should recognise PSB value in its entirety
Criticism of our news teams is deeply unfair on the majority of our staff, says outgoing BBC Scotland director Donalda MacKinnon
Covid-19 calamity shows freelancers need New Deal
Join the conversation and help Bectu shape a stronger and more secure future for all, says Phillipa Childs
VE Day in Lockdown: we borrowed our neighbours wifi
With our presenter on lockdown and the edit moved to the shed, our Discovery doc became a domestic affair, says Kate Beal
How long will the BBC bang the drum for BBC4?
Cassian Harrison’s puzzling move to BBC Studios could signal that it’s time up for BBC2’s brainy sister
My Mentor: Sofia Parisi on the NFTS’s John Lee
John Lee helped kickstart my career after I left Italy for the UK, says set designer Sofia Parisi
Europe’s PSBs need help to excel during the crisis
Covid-19 is bringing out the BBC and its public service cousins but they need support to continue that work, says Noel Curran
Hardy young producers deserve praise
The future careers of ITN producers are being forged in the white heat of the coronavirus crisis, says David Stanley
A resilient industry will forge new paths
From virtual commissioning to avatars and thermal cameras, TV is finding ways to adapt, says Tara Conlan
Stakes are high as broadcasters seek right answers
Tricky questions in the offing about who should foot lockdown bills
Lockdown TV: it’s time for phase two
Right now, viewers want escapism - not self-filmed fodder or coronavirus docs that feel like an endurance test to watch, says Mark Downie
My Mentor: Meryl O’Rourke on Saskia Schuster
Saskia Schuster made me learn how to enjoy the writing skills I possess, says Meryl O’Rourke
How Red Sky scored commissions during lockdown
The current climate forced us to essentially rip our indie up and start again, but new business shows we made the right choice, says Jane Rogerson
Modesty is The Repair Shop’s biggest asset
The show’s successful move from daytime to peak continues a long-held BBC tradition, says Carla-Maria Lawson
Online takes on big beasts in entertaining the nation
Content creators are using their strengths as agile risk-takers to shine in lockdown, says Deborah Coughlin
Reality smash offers reasons to be cheerful
Too Hot to Handle should pave the way for a British boom in Netflix non-scripted
Covid-19 poses unprecedented challenge to TV
The route to recovery is uncharted and only innovation will guide broadcasters through the choppy waters ahead, says Kate Bulkley
Analysis: Netflix results mask coronavirus threat
A slowing of the original content pipeline will reveal itself later this year, writes Jonathan Broughton
Alternative thrills: Why esports is like punk rock
Ross Video esports business development manager Cameron Reed on the anti-establishment appeal of esports
Lockdown has scotched Quibi’s strategy
We may never know if the audience the mobile-only service’s owners were chasing actually exists, writes Broadcast Intelligence’s Jonathan Broughton
Ben de Pear: lockdown’s untold stories and unsung newsroom heroes
In his second dispatch, the Channel 4 News editor reflects on the challenge of late-changing running orders and salutes his team’s ‘holy trinity’
Logjam looms as novelty of lockdown TV wears off
Impossible for every show to swing into production this autumn
My Mentor: David Sumnall on Ben Frow
Ben Frow is not my mentor in the traditional sense but his actions changed my life
Why Covid-19 could create opportunity in Italy
Country is likely to be Europe’s first to leave lockdown and international broadcasters may move productions there, says Giuliano Papadia
Quibi bids to overcome mobile SVoD curse
Loud and vivid but lacking depth is Broadcast insights editor Jesse Whittock’s first impression of fledgling service
A time for bold ideas to bloom
There’s never been a more important moment for indies to think even more creatively, says STV Productions chief David Mortimer
Going inside the ICU
ITV News health correspondent on striking the right tone in the ‘red zone’
The monumental fight facing C4
PSB could take inspiration from commercial rival as it battens down the hatches
Navigating anxiety in a time of crisis
Bad times pass, but the good discovered through periods of difficulty lingers, says STV news head Steven Ladurantaye
Fixed-rigs: the next frontier
Brown Bob Production’s Nicki Gottlieb on the future for fixed-rig shows
How I survived nine months in lockdown
Struck down by a medical issue, I was forced to develop techniques to get me through isolation, says Michelle Langer
My Mentor: Harjeet Chhokar on Donna Taberer
Donna Taberer is a true one-off with a contacts book that puts Laura Kuenssberg to shame - and always has my best interests at heart
Ben de Pear: Covid-19 has rewritten all the rules
Covering the biggest crisis since WW2 has brought challenges and surprises - not least government’s attitude to news media, says the C4 News editor
The freelance conundrum
Has the decades-long path towards casualisation of labour gone too far, asks Chris Curtis
Are post, VFX and animation houses open for business?
UK Screen Association CEO Neil Hatton on how companies are innovating to stay safely open for business
Tips for staying sane during the corona crisis
Working from home requires discipline, time and an ability to laugh at sheep, says Lou Plank
My Mentor: Danny Fenton on David Lyle
David Lyle was upfront, honest and always on hand to offer advice
The uncanny appeal of audience-free shows
Hosts and talent performing in isolation could very soon become the norm, says Robin Parker
There’s light at the end of the tunnel
Producers of factual and formats will be in much demand when the national lockdown is over, says Steven D Wright
BBC has chance to silence political naysayers
Our national broadcaster has played a blinder in a time of crisis. Is it enough to convince the sceptics, asks Max Goldbart
Hot shows for extraordinary times
Broadcast showcases the latest programming from around the world
Colourisation brings history to life
Demand from buyers has surged as technique helps reach new audiences, says Lilla Hurst
Deal-making enters a new era
Industry must reset its relationships to get through this turmoil
Covid-19 risks accelerating gender inequality
Whenever this crisis ends, there’s no guarantee schools will reopen at the same time as work. What price will working mothers pay, asks Marcus Ryder
How to prepare for the months ahead
Derek Drennan, founder of small indie advisory The Nest, outlines best practice for a coronavirus contingency plan
Improving TV’s mental health
My harrowing experience of the industry prompted me to help others, says Naomi Harvey
Pressure on at Disney as Chapek takes reins
Kate Bulkley assesses how outgoing chief executive Bob Iger will work with successor Bob Chapek to secure his legacy
Uncertain times call for solidarity
Industry must pull together as coronavirus threatens to reshape TV
Freelancer crisis: location managers reach out to juniors
With productions potentially on hold for months, small pockets of help are springing up for those out of pocket, says Georgette Turner
An unprecedented crisis for TV
Covid-19 has already halted shoots and sports fixtures. Advertising revenues are now set to spiral, writes Jack Genovese of Broadcast Intelligence
In times of crisis, the BBC can shine
Corporation can “rise to the challenge” to unify the country in troubled times, says Oliver Dowden
Are digital markets the future?
As coronavirus closes Mip TV, there are alternatives to meeting face to face, says Ian McKee
No quick fix for the N&R skills gap
Only by investing in training and development will we achieve sustainable growth, says Ruth Pitt
New buyers boost market
‘The numbers point to a sector in rude health and broadcasters still hungry for great shows’
Only radical change can save the BBC
In an extract from a new book about the corporation, Tiger Aspect founder Peter Bennett-Jones looks at how it can futureproof itself
Coronavirus requires cool heads
Epidemic is challenging normal business practices in many ways
An open letter to the new DG … whoever she may be
Neglect your core, non-metropolitan, viewers at your peril, warns Fiona Chesterton
The Herculean effort of reforming the BBC
Kicking off a series of industry thought pieces on the BBC, Iain Dale says it must recognise it can’t do everything - and nor should it
Digital licence can save the BBC
Everyone wins by switching the burden of payment to broadband firms, says Faraz Osman
Unity is key to taking on SVoDs
Collaboration is the only way for UK industry to achieve scale to compete
Appeal to youth or become irrelevant
Bold, targeting programming that attracts 16-34s is the only way for broadcasters to survive, says Richard Pickering
BBC walking a tricky tightrope
PSB must look to future without forgetting its founding principles
It’s tough being a freelancer
I considered starting a new career after selling my indie but TV is my life, says Steven D Wright
Mental Health: views from TV’s frontline
FRIDAY: A PM speaks out about the perils of freelancer culture and its impact on wellbeing
Mental Health: views from TV’s frontline
THURSDAY: Adeel Amini calls for broadcasters to provide psychological aftercare for production staff
How video is changing the behaviours of consumers and audiences
Imagen VP product marketing Ian Mottashed reveals the agenda for the company’s annual Tech Summit
Observations from a PD who struggles with the ‘invisible chronic illness’
WEDNESDAY: Observations from a PD who struggles with the ‘invisible chronic illness’
BBC needs a level playing field
The corporation’s social media rivals should be regulated and taxed too, says Kate Bulkley
Time to stand up for the BBC
Supporters need to be ready if looming political threat materialises
Mental health: views from TV’s frontline
First-person testimony from people in the TV industry who have experienced mental health issues
Let’s be honest about illness
A cancer diagnosis left Julie Heathcote acutely aware of how tough the TV industry can be
BBC on the hunt to find friends
New DG must get indies and PSB rivals on side to tackle challenges
A relatable DG is vital for BBC
The corporation plays a crucial role and needs a leader who will listen to audience, says Asif Hasan
Remembering Tony Garnett
The drama producer’s funeral was a celebration of an uncompromising and influential man, writes Maggie Brown
Gameshows are backbone of TV
International popularity makes genre perfect for platforms’ global expansion, says James Fox
Brexit will heat up VoD battle
FAANGs will be in an even stronger position without oversight from EU, says Kate Bulkley
Making Dolby Atmos setups smaller and more streamlined
Jigsaw24 senior pro audio consultant David ‘Saxon’ Greenep reports from the NAMM Show
And the winner is… regionality
Broadcast Awards highlight the industry’s strength outside London
Innovation shines through
“A fantastic combination of some very well-deserved but ultimately unsurprising winners and some that flew a little under the radar”
We need to bring back the fun
Shows like The Masked Singer deliver much-needed joy in serious times, says Steven D Wright
The diversity dinosaurs will die
Fight may be long but economics ensure outdated views will become extinct, says Katy Brand
Lack of nuance is killing debate
The adversarial nature of much discussion on TV today is poisoning us, says Amna Saleem
A 2020 vision for PSB
From the hunt for a new DG to Ofcom’s latest PSB review, never has there been so much at stake yet so much uncertainty, says Jonathan Thompson
SVoDs throw down the gauntlet
Can UK broadcasters rise to streamers’ public-service challenge?
Valuing staff is key to success
‘Television’s top employers understand the pressures their employees feel and actively work to improve the working day’
The heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett
Don’t be a snob about daytime
Episodic shows give new writing talent an opportunity to hone their skills, says Dan Sefton
Digital advertising is the future
Commercial broadcasters need hit shows but should also offer targeted ads, says Kate Bulkley
Landmark step for court reporting
Allowing cameras in courts will make the legal system more transparent, says John Battle
Era of change beckons for BBC
Next DG must stick to guns on funding but embrace transformation
Did the BBC lose its faith in its Year of Beliefs?
What happened to the corporation’s promise to bring religious debate to a wide audience, asks Torin Douglas
There’s no fast track to success
We need to nurture both talent and ideas to create true breakout hits, says Stephen Stewart
Keep the entertainment coming
Genre has real momentum and a few risks can push it to next level
Why the BBC was wrong about Samira Ahmed’s case
The Newswatch presenter’s pay tribunal exposes bigger diversity problems at the BBC than a single gender pay dispute, says Marcus Ryder
Let’s rebrand ‘low end’ factual
‘Popular doc series’ is more suitable for these innovative shows, says Hannah Demidowicz
Time to present a united front
PSBs must stand together to defend TV journalism post-election
Playing the long game with IP
Independent distributors aren’t bound by the need for instant success, says Karen Young
A love letter to British television
These inspirational shows demonstrate the strength of the industry
Byrne, BritBox and a fresh prince
Broadcast looks back on a year of SVoD launches, licence fee rows and a car-crash interview
Industry must get to grips with disability experience
More collective work is essential for TV to reach its off-screen targets, says Deborah Williams
There’s money in niche content
Smaller players are finding focused, monetisable ways to attract audiences, says Kate Bulkley
Reasons for cheer in dark times
Despite the challenges, there is much to look forward to in 2020
A postcard from Tokyo
The World Congress of Science and Factual Producers highlights myriad opportunities and looming challenges in specialist factual, says Ed Stobart
Netflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
Prospects good for streaming era
New platforms bring opportunities as BBC supercharges iPlayer
Straightforward guide to low-latency streaming
Kyle Goodwin of Vecima Networks explores, in layman’s terms, how the industry is preparing to tackle low-latency streaming
Cable is key to streaming growth
Rising consumer demand for improved connectivity is driving investment, says Kate Bulkley
Less is often more with drama
Returning series have their place but let’s champion shorter tales too, says Anthony Kimble
The interview is ripe for revamp
Emily Maitlis’ Newsnight inquisition was a masterclass of the genre
Explaining the appeal and continued growth of esports
Gravity Media Group sales manager Edward Dowdall, explains the growing appeal of esports
A new era for natural history
Growing interest from the US will shape the genre for years to come, says Stephen McQuillan
Time to end TV’s #DiversityFails
Diverse make-up of those at the top is the only way to effect real change, says Marcus Ryder
BritBox deserves more respect
Service will ensure PSBs aren’t left out of the streaming revolution
Capturing Berlin’s freedom, thirty years on
History was unfolding around us as the wall came down – but we’d lost a former PM in the gents, recalls former Newsnight producer Steve Anderson
Bucking the consolidation trend
Indie employees taking ownership can improve culture and productivity, says Rhodri Evans
SVoDs put faith in franchises
Big brands are essential in helping new players build a subscription base, says Kate Bulkley
Quality is king in youth battle
PSBs must balance reinvention with programming principles
Viewers expect access anywhere
Tech offers a solution for when EU portablity rules no longer apply, says Charlie Johnson
Why Samira Ahmed deserves compensation
The Newswatch host’s case is not just about gender equality. It questions what value the BBC places on journalism, says her predecessor Raymond Snoddy
Indies remain the lifeblood of TV
Despite intense competition, the industry has much to celebrate
How to survive as an indie
Running your own firm is like a rollercoaster – only more terrifying, says Steven D Wright
The VoD battle lines are drawn
Traditional TV execs know that linear is dying, but can SVoD save them? asks Kate Bulkley
Why investors still back Netflix
It’s right to question the SVoD’s debt burden, but its model is sound, says Linda Sullivan
Banijay finally gets its target
Mega-producer will have epic scale but must focus on creativity
Collaboration and innovation are key as ad revenues fall
Broadcasters and advertisers can turn a vicious circle into a virtuous one, says Richard Lawson
Diversity should be baked into the DNA of our shows
Sky 1 comedy In The Long Run shows what can be done if we try, says TriForce Creative Network’s Jimmy Akingbola
New home, new opportunities
Change could prove to be a boon for both C4 and BBC Studios
TV needs to offer more variety
Our constant diet of quality drama is becoming a little hard to stomach, says Steven D Wright
A new angle on the slave trade
Getting Samuel L Jackson on board means our series will be seen, says Simcha Jacobovici
Redefining the business of TV
Germany’s ProSiebenSat.1 is taking a different route in the ad-funded world, says Kate Bulkley
BBC battles to win over production community
Indies open to iPlayer plans if BBC also embraces change, writes Chris Curtis
Shunning stereotypes is crucial
What constitutes great casting is hard to define but easy to overlook, says Tim Whitwell
Listen to the experts in sound
Think you already know what great audio content can do for TV? Wrong, says Tim Hammond
BBC must learn from Naga row
Hall’s intervention necessary as BBC ruling lacked common sense
The BBC has lost its way on diversity and inclusion
Upholding complaints about Naga Munchetty’s comments sends a worrying message to staff and viewers, says Marcus Ryder
Rising to the challenge
“The Broadcast Distributors Survey 2019 throws up several examples of how the UK market is adapting to global deal-making”
Streaming is TV’s next gold rush
Producers and hit franchises are set to benefit from the coming SVoD battle, says Kate Bulkley
Netflix launches charm offensive
The digital giant knows it needs friends in the coming SVoD war
Is British TV in a mid-life crisis?
Uncomfortable questions are being asked about the future of public service broadcasting. They deserve a proper hearing, says Jonathan Thompson
Don’t ‘dumb down’ TV for Gen Z
Broadcasters can grab youngsters’ attention with subjects they care about, says Emma Yuille
Let’s all talk about depression
Industry can make a difference by supporting #HowYouDoing campaign, says James Carroll
Bingeing or savouring – what’s best?
More release models are emerging as platforms start to experiment
Disabled talent need a break
It’s time for the industry to stop making excuses and give people a chance, says Andrew Roach
Focus on local can pull in viewers
By playing to its strengths, STV is winning over audiences and advertisers, says Kate Bulkley
TV brings comfort amid chaos
Return of big entertainment shows provide respite from Brexit crisis
5G technology: A revolution is on the way
The arrival of 5G has the potential to completely change the way sporting events are produced and watched, says Matt Stagg
TV has the power to change perceptions for the better
Both scripted and non-scripted can play a part in highlighting social issues, says Alex Fraser
Linear TV is still the best bet for UK production companies
Rise of the SVoDs doesn’t necessarily equate to more orders for indies, says Danny Fenton
We bow to the gods of power
Controllers and politicians are cut from the same dictatorial cloth, says Steven D Wright
A reminder of the power of docs
Back-to-basics series like Jade and Thatcher demonstrate real class
Top tips for HDR grading
Core Post managing director Matt Brown reveals what the team learned grading Sky 1’s Brassic – its first HDR production
Why it’s good to talk – and listen
Edinburgh offered reminder of the value of face-to-face discussion
How we made our RAF series fly
We had to negotiate access at every level, from the pilots to the top brass, says Willard Foxton
Funny factual can educate by stealth
Humour can be the most potent weapon in confronting unpalatable truths, says Emily Hudd
Industry’s old rules fading fast
Bravely embracing new creative freedom is the only way to thrive
Don’t mess with a winning recipe
Warmth and putting food front and centre is key to MasterChef ’s longevity, says David Ambler
Where are all the female crew?
We need to create a more flexible environment where woman can thrive, says Colleen Flynn
ViacomCBS needs to be smart
Scale is important but the right content is essential to compete with SVoDs, says Kate Bulkley
ViacomCBS is a long-play game
Broadcast Intelligence: the merger of Viacom and CBS is not about short-term benefits
AVoD is an important part of the on-demand revolution
Potential access to younger audiences is a key attraction to advertisers, says Kate Bulkley
Edinburgh is no laughing matter
Putting on a festival session was much more stressful than I expected, says Steven D Wright
Edinburgh has the ability to make even Brexit fun
Festival is packed with entertaining sessions, but still tackles big issues, says Lisa Campbell
Natural history is booming
Opportunity is there for producers to tap into growing demand
TV’s duty of care is here to stay
Industry must take ongoing action to safeguard all those involved, says Katerina Capras
Politicians are ducking TV too often
Industry must unite to battle for access to those running the UK, says Alexander Gardiner
Test is still to come for duty of care
What constitutes ‘unjustified’ distress could be a contentious issue
Why Netflix has no room for critics’ darlings
Tuca & Bertie’s swift cancellation symbolises the streamer’s increasingly cynical content strategy, says Jack Genovese
Voice assistants are taking over
Devices will be key to how shows are discovered – and they need content, says Kate Bulkley
Brexit impact could be minimal
British firms will not necessarily lose funding and access on departure, says Ingrid Silver
Don’t dismiss the feel-good factor
Entertainment shows are a key weapon in broadcasters’ ratings armoury, says Neale Simpson
BritBox will need time to settle
Service has potential if it shrugs off what could be a tricky launch
TV isn’t what it used to be
I yearn for the days of big stars, big audiences and only three channels, says Steven D Wright
Duty of care needs expert input
Using registered psychologists is key to protecting contributors’ wellbeing, says Tanya Byron
Sky plays a blinder with cricket
FTA showcase will serve it well – but don’t expect too many repeats
Alex Graham: protect the sanctity of producer IP
Terms of trade will remain important in the future
Charlotte Moore: making the BBC fit for the future
Three key principles will guide us as we face the challenges ahead
Jane Millichip: there’s no ‘norm’ in drama funding
Producers need to be agile as models evolve and new players emerge
John de Mol: fear is undermining hunt for hits
The next generation of breakout formats will only emerge from risk-taking, says John de Mol
The demise of the big beasts
Conor Dignam reflects on how the PSBs have ceded power and big personalities eased out
Andy Harries: how SVoDs changed everything
Streamers transformed the sector, but PSBs can still punch above their weight
David Olusoga: other industries put TV to shame
Diversity has suffered for years as sector has rested on its liberal laurels, says David Olusoga
Gazing into the past and future
Genuinely distinctive content is best response to a host of challenges
TV’s duty of care is far-reaching
Industry must better understand its responsibility and embrace change, says Denise Freeman
Digital crazes can teach us a lot about younger viewers
Online stars show us what sort of content and personalities kids want, says Stuart Dredge
TV ad model is being disrupted
Brands are blurring content and advertising lines to reach their audience, says Kate Bulkley
Time to shine the spotlight on teens
Our new British Academy Children’s Awards category recognises investment in teen programming, writes Helen Blakeman
YACF is an opportunity to secure the future of kids’ TV
Everyone in TV can play a role in making this pilot scheme a success, says Jackie Edwards
A celebration of exceptional content and broadcasters
‘We wanted to place greater emphasis on amazing programming and outstanding channels beyond those linked to the PSBs’
BBC grapples with digital future
BBC3 and iPlayer need more cash to help hang on to young viewers
Success of Sounds depends on IP
The BBC’s new audio service must set standard terms or risk missing out, says Steve Ackerman
Some of the best stories are local
Global co-pros can be brilliant but there’s much to explore at home too, says George Ormond
Do your bit to change the industry
Small actions can add up to something genuinely transformative
C4 youth strategy is working
Focus on online and on-demand will help keep the broadcaster relevant, says Kate Bulkley
Branding needs to be more flexible as viewing changes
New platforms like Instagram and Snapchat require a different approach, says Rob Coke
Japanese broadcasters are open for British business
Opportunities abound for those who are prepared to adapt, says Katherine Parsons
Make duty of care a common goal
Sharing best practices can diffuse pressure and repair reputations
TV is going out with a whimper
Even the SVoD services’ output has begun to feel tired and repetitive, says Steven D Wright
Investment is the way to grow
An injection of cash can help you take your business to the next level, says Arrow’s Tom Brisley
BBC burned by over-75s debacle
Corporation must stand its ground and fight back in PR battle
Endeavor takes on the SVoDs
Talent agency-turned-content company makes a compelling business case, says Kate Bulkley
A healthier way to tackle illness
Broadcasters are seeing the benefits of taking a more creative approach, says Jenni Regan
Critical acclaim only half the battle
Do Sky’s quality, esoteric titles have more mainstream potential?
Radio is full of rising stars
Our new generation of young broadcasters show the future of radio is rosy, says Siobhan Kenny
Authentic young women’s voices need to be heard
BBC3’s Galdem Sugar explores youth culture through a female lens, says Ayesha Carrick
BSL programming needs to break rules and experiment
Progress has been made but a deaf newsreader remains a long way off, says Cathy Heffernan
A new way to measure progress
Diversity is a complex issue and the way we talk about it needs to change, says Marcus Ryder
TV can change people’s minds
Seeing more people with disabilities on screen is key to transforming attitudes, says Lee Ridley
Fight for representation goes on
The industry needs real solutions to improve diversity, not just words
Living through the Blitz
Dr Emilia Chodorowska explains how telling personal stories was integral to Windfall Films’ doc series
Drama's co-pro conundrum
Will industry partners really turn off the funding tap or is the market in rude health, asks Max Goldbart
Channel brands are losing power
As ecosystem changes, content creators need to rethink how they value IP, says Kate Bulkley
TV must be beyond reproach
Industry has to work tirelessly on its duty of care responsibilities
Sky’s post-Thrones plan
The next steps for Sky Atlantic are vital now Game of Thrones’ watch has ended, says Stephen Arnell
ITV theme park is a thrilling idea
Creating rides based on classic shows is a great way to extend the brand, says Steven D Wright
Young editors need more support
This key role needs to be seen as a positive and creative career choice, says Andrew Sheldon