Features – Page 82
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FeaturesHow reality compares with crime fiction
Born To Kill’s writers discuss how 24 Hours In Police Custody compares to real life
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FeaturesTaking risk out of reality TV
From gameshows to survival series, formats are ramping up the element of danger.
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FeaturesPlugging the financing gap
With many different ways to fund drama, how do you decide which is best?
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FeaturesTaking a plunge into library music
Perceptions of production music are changing as TV becomes increasingly international and licensing of commercial tracks gets more complicated.
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FeaturesBaroness von Sketch Show
US sketch comedy is making a comeback, with Saturday Night Live bolstered by the absurdities of Donald Trump’s presidency and the success of Inside Amy Schumer.
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FeaturesTin Star
Fortitude – the first big-budget drama distributed internationally by Sky Vision – was a global hit, selling to linear broadcasters and SVoD services around the world. The Sky-owned distribution division is now hoping that its next trip to an ice-capped climate can be just as successful.
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FeaturesThe Commute
In The Commute, Waddell Media has taken the mundanity of the morning journey and used it to delve into the daily conversation
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FeaturesMythbusters
Mythbusters was one of Discovery Channel’s longest-running hits, conducting 2,950 experiments with 910 explosions and using 83 miles of duct tape over 282 episodes, across 15 series.
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FeaturesBBC: back in favour
The BBC has returned to indies’ favour in this year’s survey, having dipped to third place in the best broadcaster to deal with table during the run-up to charter renewal in 2015.
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FeaturesA bigger pie to share around
Combined UK indie turnover is up 2% year on year, boosted by the deep pockets of the global digital players and the continuing popularity of big-budget drama.
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