All Features articles – Page 85
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Features
Best Short-Form Documentary: Life After Death: How Seven Kids Came Back from the Dead
Met the remit of bringing younger, underserved audiences back to the BBC
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Features
Best Specialist Channel: Cartoon Network
‘The channel feels like the future, in a really positive way, which is entirely appropriate, because it is for kids’
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Best Programme Acquisition: Succession
First season peaked at 200,000, notching up an average of 150,000 over 10 parts
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Best VR Experience: Common Ground
‘Uses the mediums involved to tell an emotional and important story that immerses you in inner-city lives’
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Best Documentary Programme: Real Kashmir FC
‘A fantastic way to put BBC Scotland on the map’
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Best Digital Support for a Strand, Channel or Genre: CBeebies Grown-Ups
‘A great use of community’
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Best Digital Support for a Programme: RuPaul’s Drag Race UK
‘A comprehensive and brilliantly executed campaign which ticked every box in the Digital Support playbook’
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Best Short-Form Format: #FML - Most Racist Uber Ride Ever
‘Creative, funny, with great performances and a lot of charm’
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Best Digital Children’s Content: The Worst Witch
‘A quality brand that stretches brilliantly across a range of platforms’
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Best Sports or Live Event Coverage: Fury v Wilder
‘I felt like I was one of Fury’s best mates backstage with him’
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Best Popular Factual Programme: Emma Willis: Delivering Babies
‘This is a channel-defining show that has cut through and continues to bring an audience to the channel’
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Features
Quiz of the Month
Test yourself in our quiz on the industry news during the month of September
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Features
Stepping up to the Covid plate
The team behind MasterChef: The Professionals on overcoming the challenges to record a new series
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Features
Gallery: The Crown
Selection of images from season four of Left Bank Pictures’ Netflix drama
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Features
Covid supervisors: Adapting to the new normal
What do Covid supervisors they do and how much power should they wield?
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Cracking the code for a safe comedy shoot
Covid supervisor Maja Wlodarczyk reveals the procedures and protocols she had to be put in place to produce Code 404 for Sky 1