All Features articles – Page 42
-
FeaturesAnalysis: Grabbing a slice of online original content
With online platforms stepping back from ordering original content, what are the opportunities for indies working in the space?
-
FeaturesBroadcast Indie Summit: Indies raise concerns over mid-market squeeze
Fears over dwindling appetite for mid-priced shows as broadcasters focus more on cut-through or low-price content
-
FeaturesBroadcast Indie Summit: Amazon reveals all
The SVoD giant’s full UK team offer insight into its commissioning strategy
-
FeaturesFirst look: The Gallows Pole, BBC2
Shane Meadows’ series, produced by Element in association with Big Arty, is based on Benjamin Myers’ book
-
FeaturesThe US writers’ strike: What will it mean for the UK industry?
British peers show solidarity with fight for fair pay
-
![CE1_20220131_CS_T5_R504_R5_5BC1729[1]](https://d11p0alxbet5ud.cloudfront.net/Pictures/100x67/3/5/2/1395352_ce1_20220131_cs_t5_r504_r5_5bc17291_313988.jpg)
FeaturesHow an ageing professor inspired James Reed’s latest Netflix epic
Oscar winner embraced the drama of handheld cameras to keep up with battling chimps
-
FeaturesThe Missing Heiress: Betrayals In The Riviera
‘The originality of the series is the Shakespearian element of betrayal and tragedy’
-
FeaturesSilence, language barriers and crime syndicates: the making of The Good Mothers
First director Julian Jarrold explains the challenges of filming a drama about the mafia in their own back yard
-
FeaturesThe Man Who Played With Fire
‘It’s visually impressive, narratively captivating and will have viewers hooked’
-
FeaturesThe Last Secrets Of Humankind
‘It’s a high-quality production where you can see the budget on screen’
-
-
-
FeaturesOld Enough
‘It is fascinating to see how children are capable of thinking and acting on their own’
-
FeaturesThe Chameleon: The Killing Of Ronald Platt
‘Stranger than fiction is more than just true crime and this film embodies that’
-
-
FeaturesHot Wheels: Ultimate Challenge
‘This is a shiny floor general entertainment show that is universally relatable’
-
FeaturesThe Real Fatal Attraction
‘It is counterintuitive of the genre because true-crime victims are usually female’
-
FeaturesBend it Like Bollywood
‘You feel like you can’t walk away from the screen in case you miss a critical piece of information’
-
-
FeaturesThe Pez Outlaw
‘Steve broke the law, but he was also an underdog and you can’t help rooting for him’