All Features articles – Page 187
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FeaturesThe year’s best archive docs
Ahead of next week’s ceremony announcing the winners of the 2015 Focal International Awards, Broadcast casts an eye over the films nominated in the main categories
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FeaturesJonathan Strange & Mr Norrell, BBC1
BBC1’s adaption of Susanna Clarke’s novel takes the viewer on a journey into a fantastical world - but always remains grounded in reality. Benji Wilson finds out how it was done
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FeaturesHome Fires
Post for the six-part drama about members of a branch of the Women’s Institute at the start of WWII.
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FeaturesQuintinshill: Britain's Deadliest Rail Disaster
With an inferno at the core of the rail disaster, the programme required significant fire and smoke FX to reflect the scale of the tragedy.
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FeaturesSpike idents
Use creative sound design to maximise the impact of the idents for new free-to-air channel Spike.
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FeaturesWorld of Locations: Australia
The territory’s laidback lifestyle and advanced film infrastructure are big attractions for film-makers and talent spending six months or more Down Under.
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Features24 Hours in the Past
Post-production for the four-part BBC1 series in which six celebrities travel back in time to experience the life of a lowly Victorian worker.
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FeaturesThe Enfield Haunting
Post-production for the three-part dramatisation of the bizarre events that took place at a house in Enfield during the autumn of 1977.
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FeaturesA winning tactic for OB
Innovation in technology is enabling broadcasters to improve the audience’s experience of sports coverage. Adrian Pennington reports on the kit that’s helping on location
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FeaturesElection coverage: battle for the viewers’ vote
As politicians make their final pitches, Adrian Pennington examines broadcasters’ strategies for ensuring their OB teams will be first past the post with the election results
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FeaturesThunderbirds Are Go (Picture Post)
Create a workflow that encompasses the conform, grade, online edit and delivery of the 26-part series.
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FeaturesThunderbirds Are Go (VFX)
Act as the VFX production hub and provide a VFX workflow, combining New Zealand-based Weta Workshop’s live-action miniatures and Pukeko Pictures’ post-vis plates and CGI characters and vehicles.
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FeaturesThunderbirds Are Go (audio post)
Provide the sound mix for the 26 x 30-minute series, a reboot of the 1960s puppet adventure show.
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FeaturesHow to get the best from contributors
BBC Academy executive producer Lucy Hooper asks five programme-makers how they cast their shows and deal with sensitive subjects and vulnerable people
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FeaturesHire Q&A: keeping up with the customer
In a market flooded with competing cameras, and with 4K gradually gaining ground, knowing when and what to invest in is the biggest challenge for hire firms
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FeaturesUAVs: go fly zone
In-air collision avoidance systems and lighter batteries could enable unmanned aerial vehicles to be used in a host of new ways.
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FeaturesGrading Arte’s Intrusion
French psychological drama Intrusion was shot using Red Epic cameras, enabling senior colourist Frédéric Savoir to develop the distinctive look that blends reality and the surreal, writes Andy Stout
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FeaturesVidispine: getting organised
Swedish firm Vidispine’s VidiXplore software can index and organise video on both desktops and in the cloud. Co-founder Erik Åhlin explains how it works