All Features articles – Page 144
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Features
Best Entertainment Channel: E4
“A strong, clear brand that continues to deliver fresh and creative programming”
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Features
Hokusai: Old Man Crazy to Paint
Complete post-production and mastering multiple versions, including a 90-minute UHD cinema release, 60-minute HD broadcast version and a 90-minute UHD Japanese master.
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Features
Opportunity knocks for kids’ TV
Communications Act amendment is a victory - but the work is far from over
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Features
Henry Normal, Baby Cow
Baby Cow founder and Bafta Special Award winner on how comedy is faring in his absence
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Features
Turning real life into drama
Little Boy Blue writer Jeff Pope talks about his ‘iceberg theory’ - and why it’s important to pick a subject that will resonate with the public long after the press has moved on
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Features
Competing in the global marketplace
Is the desire for international sales making it hard to get gritty domestic drama commissioned?
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Features
The Crystal Maze
Complete picture and audio post-production, as well as the design of new titles, for a return of the cult gameshow.
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Features
MAM moves to the cloud
Broadcasters and vendors are reappraising the monolithic media asset management system
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Features
TV's quiet revolution
Following the introduction of the EBU’s R128 standard seven years ago, loudness complaints have fallen dramatically. But that doesn’t mean there isn’t work still to be done.
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Features
Making the leap into 5G
What progress is being made towards the introduction of the technology and the rewards it will bring for content providers
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Features
Embracing the shift to IP
The move away from SDI transmission towards a more flexible IP-based system is enabling rapid innovation in production workflows
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Features
The Beatles, Hippies & Hells Angels
House the offline and complete post-production on a 90-minute doc telling the story of Apple Corps
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Features
Ackley Bridge
Picture and sound post on a 6 x 60-minute drama set in a school in a fictional Yorkshire mill town
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Features
The key to making great AFP
Advertiser funded programming is growing as online ad spend puts a dent in broadcasters’ finances. But how do you ensure a good result for everyone involved?
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