All Features articles – Page 86
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FeaturesTV cheer in year of shocks
A former reality show host was elected US president and we lost several TV greats, but there was some brilliant telly too
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FeaturesMilestone year for OB firms
From the Rio Olympics to the Euros, 2016’s major sporting events were a showcase foremerging technologies such as UHD, VR and Dolby Atmos.
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FeaturesTech revolution gets into gear
Broadcasters’ experiments with virtual reality, UHD and live production over IP pointed to the future of television in a year when sales of 4K sets took off.
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FeaturesBoom puts pressure on space
With demand at an all-time high, an estimated 300,000 sq ft of purpose-built stages came on stream this year, with capacity set to rise further in 2017.
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Behind The ScenesThe World's Most Wanted Leopard, Nat Geo Wild
What started out as a bid to photograph a rare leopard in Azerbaijan turned into a mission to preserve a unique species, says Adrian Steirn
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FeaturesQuality drama tops wishlists
High-end dramas like Victoria and Versailles were big sellers this year, alongside risqué dating formats such as Undressed and Love Island, while consolidation continued.
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FeaturesIndies boom as fears fade
The indie sector enjoyed strong growth as threats to the terms of trade were staved off
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Behind The ScenesTime Commanders, BBC4
Rebooting the format a decade on allowed the use of much more powerful software
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FeaturesGoing live across the nation
Large-scale live non-sport productions are no longer the preserve of London
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FeaturesLearning on the job
As the government seeks to increase the number of apprenticeships, the TV industry has much to do to keep pace with other sectors, says Neil Midgley
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FeaturesStudios have the last laugh
Entertainment shows are big business for studios outside of London, with appreciative audiences, good facilities and nearby accommodation for guests.
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FeaturesDrama: a nationwide success story
Buoyed by tax incentives and bolstered by a wealth of locations and a talented skills base, the nations and regions are the major beneficiaries of the UK drama boom.
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Behind The ScenesLowri Morgan: Her 333, S4C
Running 150 miles up three mountains in three days not enough? Try being presenter and assistant producer too
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Behind The ScenesThe Last Miners, BBC1
By rejecting the use of mini cams, gimbals and drones, we strove for visual honesty of life in the pits, says Wesley Pollitt
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Behind The ScenesInside The Ambulance, W
We wanted to get an intimate view of the ambulance crews. The solution: shooting on GoPro cameras and wrangling data in the back of a Volkswagon, says Jacqueline Hewer