All Features articles – Page 72
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FeaturesInside The Foreign Office
“It’s not a PR job for the Foreign Office, but it’s not a hatchet job either. We examine how it all works without an agenda”
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Behind The ScenesAlone At Home, Channel 4
Meredith Chambers describes the challenge of filming children trying to cope without their parents
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Behind The ScenesInside No. 9 Live: staging a Halloween prank
Executive producer Adam Tandy lifts the lid on the delicate staging of BBC Studios’ elaborate hoax
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Behind The ScenesHitler’s Holocaust Railways With Chris Tarrant, C5
Finding the right testimony was key to retelling of these harrowing WWII stories, says Paul Kittel
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Behind The ScenesThe ingredients for a Great British success
The Love Productions megahit is now on its second series for Channel 4, but it remains a tricky recipe to pull off
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The Broadcast InterviewBanijay Group: We want to be the world's number one
Amid rumours of a bid for Endemol Shine, key Banijay execs talk about the company’s rise and future ambitions
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Behind The ScenesLast Chance Lawyer, BBC2
We embraced the chaos of our larger-than-life character, but working with a born performer has its challenges, says Barnaby Peel
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Behind The ScenesThe Bisexual, Channel 4
Katie Carpenter on the many hurdles faced in producing an authentic take on London life
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Behind The ScenesThe Hundred Years War with Dan Jones, History Channel
Tailoring history to different audiences
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FeaturesHow a BBC comedy become a movie awards contender
The director and producer of Stan & Ollie on why the Laurel & Hardy story was too big for the small screen
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FeaturesTransatlantic Content Spend
Looking at the spending habits of the world’s biggest media groups
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FeaturesWhat's the score with AI music
Adrian Pennington finds out if artificial intelligence is a threat to the production music industry or a useful resource
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FeaturesHydrogen One: A smartphone, but not as we know it
Michael Burns rounds up what we know so far about Red Digital Cinema’s much-anticipated
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CommentBroadcast TECH - September 2018
Sports broadcasters around the world are embracing 4K, but there are better ways to improve the viewer experience, says Shane Warden
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