All Features articles – Page 127
-
RatingsAll change for daytime
As Liam Keelan exits BBC Daytime, what sort of inheritance has he left his successor Damian Kavanagh?
-
Behind The ScenesSyria: Across the Lines, C4
Entering a ‘vortex of horror’ where scores of journalists as well as Syrians had been killed, seriously injured or taken hostage was a nerve-shattering experience for Olly Lambert
-
FeaturesGoing back to basics
Are universities and colleges giving students the skills they need to enter the creative industries? Ann-Marie Corvin speaks to those involved in training the next generation
-
The Broadcast InterviewNicola Shindler & Andrew Critchley, Red Production Company
Red Production Company, Broadcast’s Indie of the Year has made some of the most popular drama of recent times. Now it’s starting a new chapter with a move into comedy and a potential sale. Chris Curtis reports
-
Behind The ScenesHenry Hugglemonster, Disney
A show based on Niamh Sharkey’s book offered just what we were looking for: something unique that the family could watch together. But above all it was funny, says Beth Gardiner
-
The Broadcast InterviewZai Bennett, BBC3
As BBC3 reaches its 10th birthday, Zai Bennett tells Jake Kanter how he has sharpened its focus and made the channel his own – and why the milestone won’t be celebrated on air
-
FeaturesFilming in the danger zone
Four experienced film-makers tell Paul Buller how to stay safe in a hostile environment
-
FeaturesInternational trailblazers
Zig Zag’s chiefs tell Alex Farberhow they are fighting to change perceptions of the indie, and about their plans for overseas expansion following the buy-back from France’s Banijay
-
Behind The ScenesRichard III: The King in the Car Park, C4
We won’t know whether we have found the bones of Richard III until the day of TX, but getting to this point has been quite a journey, says Simon Young
-
FeaturesPolitics squeezes women out
As long as the news focuses on Westminster, women will be marginalised, says Lis Howell
-
RatingsA tough act to follow
Last year’s mega events all pulled in massive TV audiences, but how did the rest of the schedules fare?
-
FeaturesAdvertisers take control
File-based workflows underpinned by asset management systems are shaking up the supply and delivery of ads to UK broadcasters, reports Adrian Pennington
-
Behind The ScenesGT Academy, ITV4
Making six series at once was already a massive challenge - but then our lasers broke down and things got even tougher, says Dylan Wyn Davies
-
FeaturesA showcase of female talent
The first Broadcast-backed Expert Women’s Day revealed an abundance of female high achievers lining up to be the contributors and presenters of tomorrow.
-
FeaturesSinging for your supper
Bringing Dancing On The Edge to the screen required a patchwork of funding, from the BBC to gap financing and selling the soundtrack rights. Tim Adler unpicks the details
-
The Broadcast InterviewStephen Poliakoff
Writer and director Stephen Poliakoff talks about the important questions raised by his first full-length TV series, Dancing On The Edge, and how the BBC’s faith in him has been repaid
-
RatingsA year of two halves
With viewing figures for last year skewed heavily by the London Olympics and Paralympics, Stephen Price takes a look at the performance of the main broadcasters pre and post Games.
-
The Broadcast InterviewMark Browning, Chris Shaw and Emma Read, ITNP
In two years, ITNP has grown into a formidable production division, thanks to a content strategy built around its news heritage. What’s next on the agenda, asks Jake Kanter
-
FeaturesWho’s top of the class?
Which indies are winning the biggest orders and who is the most prolific commissioner? Robin Parker delves into the latest data from commissioning index Greenlight to find out
-
FeaturesThe good, the bad & the ugly of 2012
From Homeland and the Olympics through the Jubilee Pageant and TOWIE Live to Savile-gate, 2012 has been an eventful year for television.