All Factual articles – Page 210
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NewsFranco doc wins top prize at Doc/Fest
The Silence of Others is executive produced by Pedro Almodóvar
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Behind The ScenesBobby Robson - More Than A Manager
‘Where do I begin, to tell the story of a greater love than this?’
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NewsLack of change leads to 'deeply unattractive industry'
Doc/Fest diversity panel identifies issues around class, race and gender representation
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NewsDoc groups lobby to keep UK in Creative Europe post-Brexit
European Documentary Network and Doc/Fest call to protect country’s position as ‘cradle’ of factual output
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Behind The ScenesBig Beasts: Last of the Giants, Sky 1
Never work with animals without a risk appraisal
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NewsSpun Gold chief launches royal SVoD platform
Nick Bullen strikes deals with All3 and DRG for archive docs
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NewsBBC2 peeks inside the Bank of England
Raw TV two-parter joins The Garden’s Gun No. 6 and True Vision’s latest Stacey Dooley doc
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NewsBBC Studios’ Auntie Productions to close as founders depart
Corporation will redistribute non-scripted unit’s slate to other departments
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FeaturesDocs that made a difference
Producers, execs, presenters and directors reveal the inside story of their masterpieces and their key moments during production
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CommentOnline docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford
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CommentDoc/Fest is playing its part in introducing new voices
We’re passionate about creating pathways for a new wave of storytellers, says Liz McIntyre
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FeaturesMPS preview: Simon Chinn on the doc 'explosion'
The Oscar-winning producer of Man on Wire talks Netflix, Whitney and the value of being truly transatlantic
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CommentVoiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
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CommentIt’s hip to be a documentarian
Forget drama and entertainment, being a ‘film-maker’ is where it’s at, says Steven D Wright
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NewsSVoD services court doc-makers
Film-makers are changing the way they operate as digital players move into in-house originals