Dracula

Post Molinare

Client Carnival Film & Television

Brief Picture and audio post-production of the 10 x 60-minute version of the Bram Stoker novel.

How it was done Senior colourist Asa Shoul graded the series on Baselight 4, using its categories system to update timelines and keep track of the hundreds of VFX shots that were delivered by multiple companies.

This enabled Shoul to compare multiple VFX versions and provide feedback to production and vendors.

Many of the scenes had to look as if they were lit by candlelight, so Shoul used Baselight’s tracking capabilities to isolate faces and increase eye detail.

Senior dubbing mixer Scott Jones created an atmospheric ‘calm before the storm’ to heighten the tension before Dracula strikes.

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