All Diversity articles – Page 57
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Comment
First step towards equality is to do one thing different
Frances McDormand’s Oscars speech should be a call to action for TV, says Ninder Billing
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Comment
Minorities keep TV relevant – so give us chance to shine
BAME stories are waiting to be told. All we ask for is opportunity and to be treated fairly
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News
The Crown: Smith paid more than Foy
Left Bank reveals Matt Smith’s profile meant he earned more than Claire Foy
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News
C4 sets top-level diversity target
Retention and progression of BAME staff is a ’particular issue’ for broadcaster, says Alex Mahon
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News
Bristol launches BAME training programme
Aardman and Plimsoll among local indies backing scheme to place 100 young people
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News
ITV unveils two-tick diversity system
Producers must meet a range of measures to secure commissions
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News
Ofcom kicks off diversity report round two
Regulator to canvas small broadcasters for details of their workforce
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News
C4 hopefuls talk up diversity
Proposals from Bristol, Leeds and the West Midlands set out selling points as race heats up
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Features
Best employers embrace diversity
Firms on the Best Places to Work list actively recruiting staff from diverse backgrounds are slightly up on last year
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Features
Bucking the trend for male dominance
This year’s Best Places to Work are ahead of the curve when it comes to gender
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News
Jane Fonda leads Sundance's rallying cry for women
“Everything is at stake”, declares campaigner and subject of HBO doc
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Comment
We should all listen to Oprah
Talking about diversity feels very 2017 – this should be the year of doing it, says Ninder Billing
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Comment
BBC must jump on gender pay gap
Carrie Gracie’s stand shows correction hasn’t come soon enough
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News
EHRC to quiz BBC over gender pay
Seeks more details on pay policy and full facts of Carrie Grace case
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Comment
Flipping the script on race issues
It’s not just the story being told that matters, but who is telling it, says Lucy Pilkington
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Comment
Disabled talent deserves a chance
Judge people on what they can bring to a production, not what they can’t, says The A Word’s Marcus Wilson