All Critics articles – Page 35
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Critics
Cat Burglar; Moors Murders: The Witness; The Real Dirty Dancing
“The joy comes from the brilliantly observed homages to cartoons of the golden era”
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Critics
Call the Midwife; Louis Theroux’s Forbidden America; Jane McDonald: My Yorkshire
“Always stays classy, and this was no exception”
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Critics
Severance; Extraordinary Escapes with Sandi Toksvig; The Marvelous Mrs Maisel
“For all its sci-fi stylings, Severance will ring true for anyone trapped in a job they hate”
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Critics
Gemma Collins: Self-Harm and Me; Jeen-Yuhs; Shakespeare & Hathaway
“Collins has provided a blueprint for taking steps to get better”
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Critics
Traces; Devil’s Advocate; Secrets of the Krays
“Those who tuned in to see what Martin Compston did next will have been glad they went to the effort”
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Critics
Rise of the Nazis: Dictators at War; Bel Air; The Millionairess and Me
“Despite the dramatic voiceover it was mostly a classy documentary”
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Critics
Forbidden America; Starstruck
“Theroux did a clever job of drawing them out so that their smiley masks slipped, showing the true colours beneath”
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Critics
The Fast and the Farmer-ish; Mega Mansion Hunters; Magpie Murders; President
“It is an extremely silly but strangely entertaining show”
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Critics
This is Going to Hurt; Cheaters; Inventing Anna
“The BBC adaptation is excellent and Ben Whishaw is a joy to watch”
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Critics
The Curse; Chloe
“The creators of The Curse clearly have a very good idea of what they’re about, and their plan is seamlessly executed to highly amusing effect”
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Critics
Hope Street; China; Pam & Tommy; The Tinder Swindler
“The lively script gives this comedy-drama an edge that the plot doesn’t quite supply”
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Critics
Pam & Tommy
“It’s a fun opener but doesn’t showcase what will become a warm, funny, intelligent and rather moving drama”
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Critics
The Teacher; The Great Cookbook Challenge; Janet Jackson
“No straightforward answers were provided in this opening episode – making for a mystery as compelling as it is gripping”
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Critics
Celebrity Hunted; Station Eleven; Cry Wolf, Trigger Point
“All extremely silly stuff that isn’t pretending to be anything else”
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Critics
Hotel Portofino; Survivors: Portraits of the Holocaust; The Afterparty
“A visually handsome production with a great cast and lots of 1920s Italian Riviera porn”
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Critics
The Gilded Age; The Decade the Rich Won
“All snobbery and society balls, waspish aunts and snooty servants, and on a very ‘new money’ budget”