All Comment articles – Page 59
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Harness the power of podcasts
TV can learn from audio format’s authentic audience relationships
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Using AI to fight fake news
VeriFlix’s Donald Staar lays out his view of how Artificial Intelligence can be used to combat fake news
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Disrupted future is bright for producers who adapt
Digital services will shape TV and producers must embrace the change, says Sam Barcroft
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Stop pandering to today’s yoof
If you stick to making good shows, the cool kids will come back, argues Steven D Wright
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Regional indies can prosper from co-pro strategy
Broadcasters will also be able to fulfil out-of-London quotas, says Stephen Stewart
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PSBs realise strength in depth
Joining forces is the only effective way to deal with digital rivals
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Flicker of vulnerability in Netflix
As the king of the streamers wobbles, will its competitors zoom in? asks Kate Bulkley
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Benefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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Revolving door at DCMS does industry no favours
The latest DCMS recruit is the seventh to head up the department since 2012
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Why it’s game on for eSports
Just like mainstream sports, significant returns are up for grabs, says Jonathan Broughton
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The future is bright for formats
Queer Eye and our new Netflix gameshow prove the genre is alive and kicking, says Tom Popay
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Youth puzzle needs broad remedy
Mainstream channels must be part of response to 16-34 conundrum
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Boom in audio on-demand offers opportunities for all
Like Serial and My Dad Wrote A Porno, the next big hit will start here, says Adam Uytman
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They thought it was all over…
C4’s experiments with ‘contextual’ advertising put TV back in the game, says Kate Bulkley
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Taking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
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BFI fund puts kids’ TV at crossroads
Proposals must have buy-in from all PSBs for a chance of success
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Time to put kids directors in the spotlight
Bafta’s new category is long overdue, say Darcia Martin and Delyth Thomas
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Kids’ genre is turning a corner
Contestable Fund and government support are reasons to be cheerful, says Anna Home