All Comment articles – Page 54
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Factual content has a new home
A boom in online advertising will help producers thrive in the digital world, says Sam Barcroft
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Everything changes except TV
Scheduling may be dying – but Gemma Collins will always be with us, says Steven D Wright
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Non-scripted shows resilience
The genre is fighting hard to remain relevant in the digital age
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Unscripted has a bright future
But the genre needs to embrace technology and show shade as well as light, says Will Hanrahan
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Netflix faces bumpy road ahead
As rivals raise their game, the SVoD player needs to look beyond content, says Kate Bulkley
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Work culture starts at the top
Business leaders have a duty to ensure their staff are treated well
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Bandersnatch: an experiment in storytelling
Black Mirror special is fun - but it’s not the future of entertainment, writes Jesse Whittock
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Our year on the UK murder trail
Rejecting the blue-light approach, we wanted to focus on the human cost, says Ben Anthony
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Stop paying lip service to access
Society has closed the door on the next generation. It’s up to us to open it, says Foz Allan
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Dramas aren’t only must-see TV
There’s plenty of great unscripted to look forward to this year too
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Learning to love criticism
Doctor Who and Murdered By My Father writer Vinay Patel reflects on his coping strategies
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8 trends impacting broadcast in 2019
Chris Wood, CTO of media technology consultancy Spicy Mango lays out the commercial and technical trends he believes could matter the most in 2019.
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New writers keep drama fresh
The next generation of great talent is out there waiting to be heard, says Laurence Bowen
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Innovation is key to longevity
As 24 Hours In A&E approaches its 200th episode, Spencer Kelly reflects on how it has evolved
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Fingers crossed for upbeat 2019
Industry faces uncertain time, but creativity provides some cheer
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The debate that never was
Former Number Ten PR guru Giles Kenningham unpicks the debacle of May and Corbyn’s scrapped head-to-head
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Artificial Intelligence is not a production panacea
Grabyo CEO Gareth Capon lays out the pros and cons of an AI-enabled future
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How we bluffed our way into TV
Despite the success of our C4 sitcom, we still feel like outsiders, says Bingo’s Mark O’Sullivan
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It’s great to have new IP but the catalogue is still king
Popular older formats give us space to let fresh ideas develop and bloom, says Lucas Green
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Brexit shouldn’t be a barrier to European co-production
It has worked for high-end drama so why not live-action kids’ shows? asks David Michel