All Comment articles – Page 230
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11 May '10
“They are plums in a very duff pudding.” Read on for the verdict on last night’s TV.
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Rivalries flare at Sony Awards
The age old radio battle between the commercial and public sector showed it is alive and well at last night’s Sony Radio Academy Awards, writes Alex Faber.
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10 May '10
“He couldn’t stop his prison looking like a branch of hell.” Read on for the verdict on last night’s TV.
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Great Railway Adventures / Wormwood Scrubs / La La Land
Atlantic Productions’ James Taylor and Lion TV’s Jack Macinnes on railways, prison riots and LA dreams.
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Where next for post-Lygo C4?
Lygo is synonymous with C4’s risk-taking - now it needs a new image, writes Emily Bell.
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The gender gap is growing
Our latest Women in TV survey reveals an alarming lack of progress.
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Norton: exterminated
Graham Norton has let Doctor Who fans have their revenge for the Over The Rainbow teaser.
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Emily Bliss, Home Corp
Home Corp managing director Emily Bliss on what keeps her awake at night, what she’d put into Room 101 and the best place for meeja networking.
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Creating the multi-platform BBC Maps season
Tern Television’s Harry Bell reveals how the indie developed a multi-platform initiative for the BBC’s Maps season and the secret to its success.
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Lygo’s battle on the home front
Will Kevin Lygo win over ITV Studios’ most demanding customers – the broadcaster’s own commissioners, asks Chris Curtis.
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29 April '10
“No series has ever captures so finely the meaning of that phrase about saving the best til last.” Read on for the verdict on last night’s TV.
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28 April '10
“Proof that you don’t need to be nasty or aggressive or a wind-up merchant to make a good film.” Read on for the verdict on last night’s TV.
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BBC2 boosts its brainpower
A £25m lift will help Janice Hadlow reassert the channel’s intelligence.
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How to Live the Simple Life / Survival... / Scream if you Know the Answer
Matchlight’s Jacqui Hayden and The Bill’s Tim Key on begging, screaming and howling like a wolf.
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Action gets the British treatment
Strike Back producer Andy Harries reveals how, despite not having a tradition of making action series, UK production companies can compete with the US masters of the genre.
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Five learns art of compromise
FiveFWD avoids rights squabbles and makes money for both parties, writes Kate Bulkley.