All Comment articles – Page 82
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CommentThe BBC is working hard to reflect the UK’s diversity
There is much to do, but it’s wrong to suggest progress hasn’t been made, says Asif Hasan
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CommentITV feels hip and funky again
The most tiresome aspect of being a professional columnist writing about TV is the sheer number of times you end up talking about the BBC.
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CommentData is key to competing with new web players
Getting to grips with analytics helps with recommissions and curation and content strategies, says Laura Chittick
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CommentEnsuring the BBC is for everyone
Today the BBC’s record on reflecting the diversity of the UK will be debated in parliament. It’s a debate I welcome, says Tunde Ogungbesan
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CommentMusic plays a pivotal role in the multiplatform era
PPL licences help producers fi nd the right soundtrack for their show, says Jez Bell
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CommentContent is king for big brands
From Coke to Barbie, Mip TV was the place to be, says Kate Bulkley
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CommentKevin Lygo’s contemporary challenge
Director of TV has looked to the past to bring ITV bang up to date
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CommentJuniper TV: C4 Muslim doc can kickstart debate
Critics of our survey are ignorant - and attacks were predictable, says Samir Shah
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CommentLearning to generate our own audiences
Reverse engineering a web show for TV requires a whole new mindset for producers, discovers Matt Percival
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CriticsTV Critics: Britain's Got Talent; Home Fires; Hidden Britain by Drone; 11.22.63
Cowell needed Beau Dermot because the rest was repetitive fare”
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CriticsTV Critics: The People Next Door; Grantchester; The Reassembler
“A glittering puzzle box of a mystery that hinted at dark deeds without ever fully showing its hand.”
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CommentTaking a gamble on talent is vital for the future of TV
Being allowed to fail can help comedians learn how to create future hits, says Luke McQueen
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CommentTV is stuck in a ’90s time warp
No wonder young people are deserting us, given what’s on offer
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CommentLess is more for Mip TV buyers
Deals are for quality, not quantity, while drama remains the focus
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CommentIndies need to talk Whittingdale's language in C4 debate
Whittingdale is interested in hard economic facts, not vested interests protecting their position, says David Graham
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CriticsTV Critics: Undercover; The Durrells
“I didn’t mind not having a clue what was going on, even if at times it felt like at least three different dramas were playing out in tandem.”
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CommentHistorical accuracy is paramount in period drama
An obsession with weather and an ear for slang have helped Julie Summers ensure ITV’s WW2 drama Home Fires is authentic.
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CommentBroadcast goes global
Broadcast, like much of the British independent production sector, is going global.