All Comment articles – Page 61
-
-
CriticsCatching a Killer; This Was My Dad; How to Retire at 40
“This was a chilling tale, grippingly told.”
-
CriticsEpidemic; Ross Kemp; How to Holiday Better; OMG! Make Me A Famous Face
“Channel 4 is to be commended for gleaning something celebratory from one of the darkest chapters in modern British history.”
-
CriticsWho Do You Think You Are?; Circus Kids; Outlander
“What a cracker of an episode to launch the new series of Who Do You Think You Are?”
-
CriticsThe Windsors; Joanna Lumley’s India; The Highland Midwife
“It is a comedy so funny and silly that not even the royal family could take offence.”
-
CommentBBC vision is radical but distant
Online gateway plan is clever, but new types of content feel remote
-
CommentThe pros and cons of Brexit
Funding may be lost but UK could reshape laws to attract productions, says Julian Wilkins
-
CommentPlaying the digital name game
Branding is key in the online ecosystem and TV content is especially strong
-
CriticsTV Critics: Life Behind Bars; Broken
“The makers of Life Behind Bars: Visiting Hour may have hit on the fixed-rig format’s platonic ideal.”
-
Critics50 Shades Of Gay; The Betrayed Girls; Eamonn & Ruth Do Dubai
“It’s a fascinating picture of a country that has come a long way from undercover coppers lurking in public toilets.”
-
-
CriticsHorizon; Naked Attraction; Killer Women; Outlander
“This thoughtful documentary wore its knowledge lightly and was sufficiently in-depth without lapsing into technobabble.”
-
CommentTelling diverse stories in an authentic way
Apple Tree House brought real-life experiences to on-screen drama, say the Five Apples team
-
-
-
CommentProducers face digital dilemma
Convergence is creating opportunities, but it’s a balancing act
-
CriticsHospital; Storyville; Broken; The Dog Rescuers
“The ever excellent Hospital contained a moral quandary in every sequence.”
-
CriticsDoctor Who; The Loch; Great Canal Journeys; Glastonbury
“Not just the standout story of this 10th ‘nu-Who’ series but one of the best episodes since the 2005 reboot.”
-
CriticsWho Should We Let In?; Killer Women with Piers Morgan
“Hislop is on razor-sharp, twinkly-eyed form, reminding us that it was not ever thus.”
-
CommentWho will pay for drama’s future?
Different funding models are here to stay so we may as well get used to it