All Comment articles – Page 60
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CriticsOld People's Home For Four-Year-Olds; In The Dark; Queers
“Only a terminal misery-guts could watch the whole hour without giving in to a big soppy smile”
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CriticsMan in an Orange Shirt; The Accused: An Inside Job?; Public Enemies: Jay-Z vs Kanye
“A bit like Brokeback Mountain with a stiff upper lip”
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CommentRegional TV has big part to play in broadcast landscape
Local programming is vital for the audience and to nurture new talent, says Jamie Conway
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CommentThe key to winning Songs Of Praise
Enhanced performance capture and the stories behind the music were crucial, says Emyr Afan
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CriticsWho Do You Think You Are?; I Shot my Parents; The Mash Report
“Balding was as engaging as ever and her delight was infectious.”
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CommentSkillset and ITF merger is a step in the wrong direction
Planned alliance may not serve the industry’s diverse training needs
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CommentCommercial PSBs must do more to support kids’ TV
Digital Economy Act has been a blessing, but the fight is not over yet
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CriticsThe Sweet Makers: A Tudor Treat; Red Rock; The Windsors; Sarah Payne: A Mother’s Story; Joanna Lumley’s India
“Just once, it would be good to see a history doc that doesn’t involve sniffles and tissues.”
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CommentWinter’s coming for commercial TV
Broadcasters face big battles as ad spend falls and digital platforms grow, says Kate Bulkley
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CommentUnpicking the talent pay bunfight
Revealing gender pay gap is clearest outcome of a flawed exercise
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CriticsWhen Football Banned Women; In The Dark; Addicted Parents: Last Chance to Keep My Children
“Clare Balding filled with Olympic fervour is a British treasure, pride of our sporting nation. Clare Balding steaming with indignation is another thing altogether, Boadicea on the boil.”
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CriticsGame of Thrones; Nadiya’s British Food Adventure; Normal for Norfolk
“This new mood of austerity was rather enjoyable, the seaminess coming from a script sprinkled with C-bombs and bitter rejoinders.”
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CriticsI Know Who You Are; Poldark; Imagine: Chris Ofili
“We love these BBC4 serials, with their expensive interiors, glamorous actors, tolerant attitude to nudity and expansiveness”
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CriticsWho Wants My Council House?; Dippy and the Whale; Decoding Disaster
“Even with the schedules swamped by property, food and dating shows, this was a promising one-off with potential for a full series.”
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CommentProtecting the director’s role in a changing world
As Directors UK marks its 25th anniversary, Steve Smith looks at how the job has evolved
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CommentUK-based international channels need Brexit clarity
Firms may have to move their operations to another member state, says Adam Minns
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CriticsAckley Bridge; Thronecast; Pharmacy Road; The Highland Midwife
“Full marks for great performances throughout the series.”
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CommentHere’s to the return of trashy TV
Forget box sets, Love Island is the show that everyone is talking about, says Steven D Wright
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CommentNew era coming up fast for C4
Alex Mahon will inherit a strong organisation at a challenging time