All Comment articles – Page 51
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Timing is everything in TV comedy
With the global demand for IP, it feels right to work with an old friend, says Maurice Gran
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Comedy should open the doors to everyone
Comedians need room to experiment and take risks to find an audience, says Jon Jayson
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Microsoft HoloLens ushers in a mixed reality future
Advances in mixed reality technology is moving apace, with the HoloLens providing a glimpse of the future
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Eastern promise for Channel 4
Broadcaster cannot miss opportunity to showcase the east of England with new HQ, argues Andrew Sheldon
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How we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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Diversity makes business sense
Creating an inclusive workplace culture and training staff are key, says Alasdair Weddell
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UK should be a media tech leader
With world-beating creative industries, all that is lacking is investment, says Nick Walters
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There’s nothing risky about employing diverse talent
It’s time broadcasters took their cue from the US and put diverse shows in the heart of primetime
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Radio is growing the talent pool
A series of initiatives will help us improve the diversity of voices, says Siobhan Kenny
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Opening doors and breaking down barriers
Those who don’t have industry connections need a helping hand, says Fiona Francombe
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Time to tackle fake news threat
As the forthcoming GDPR shows, digital platforms can be brought to heel, says Kate Bulkley
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TV's turn to take the stage on equality
The Baftas were awash with activists and #timesup badges - now we need to turn promises into actions, says Lisa Campbell
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TV will feel the biggest impact of Disney’s OTT service launch
Consumers will increasingly cut the cord with expensive pay platforms, says Phil Birchenall
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ITV SignPost is what a truly diverse company looks like
We are breaking down the barriers for deaf and disabled film-makers, says Gareth Deighan
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No better time to quit the capital
With regional production quotas rising, there’s no better time to move, says David Sumnall
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TV risks losing young viewers
On-demand, new-form content presents big challenge to industry
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Why my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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The future of TV viewing and measurement is already here
Barb’s tracking of on-demand and catch-up reveals some key trends, says Justin Sampson
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Netflix chases the grey pound
First it came for the 18-24s, now older viewers are in the SVoD giant’s sights, says Kate Bulkley
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A year in the life of a start-up
Getting our first commission over the line makes it all worthwhile, says Daniel Nettleton