All Comment articles – Page 36
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Valuing staff is key to success
‘Television’s top employers understand the pressures their employees feel and actively work to improve the working day’
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The heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett
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Don’t be a snob about daytime
Episodic shows give new writing talent an opportunity to hone their skills, says Dan Sefton
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Digital advertising is the future
Commercial broadcasters need hit shows but should also offer targeted ads, says Kate Bulkley
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Landmark step for court reporting
Allowing cameras in courts will make the legal system more transparent, says John Battle
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Era of change beckons for BBC
Next DG must stick to guns on funding but embrace transformation
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Did the BBC lose its faith in its Year of Beliefs?
What happened to the corporation’s promise to bring religious debate to a wide audience, asks Torin Douglas
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There’s no fast track to success
We need to nurture both talent and ideas to create true breakout hits, says Stephen Stewart
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Keep the entertainment coming
Genre has real momentum and a few risks can push it to next level
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Why the BBC was wrong about Samira Ahmed’s case
The Newswatch presenter’s pay tribunal exposes bigger diversity problems at the BBC than a single gender pay dispute, says Marcus Ryder
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Let’s rebrand ‘low end’ factual
‘Popular doc series’ is more suitable for these innovative shows, says Hannah Demidowicz
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Time to present a united front
PSBs must stand together to defend TV journalism post-election
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Playing the long game with IP
Independent distributors aren’t bound by the need for instant success, says Karen Young
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A love letter to British television
These inspirational shows demonstrate the strength of the industry
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Industry must get to grips with disability experience
More collective work is essential for TV to reach its off-screen targets, says Deborah Williams
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Reasons for cheer in dark times
Despite the challenges, there is much to look forward to in 2020
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A postcard from Tokyo
The World Congress of Science and Factual Producers highlights myriad opportunities and looming challenges in specialist factual, says Ed Stobart
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Netflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
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Prospects good for streaming era
New platforms bring opportunities as BBC supercharges iPlayer
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Less is often more with drama
Returning series have their place but let’s champion shorter tales too, says Anthony Kimble