All Comment articles – Page 32
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Why I’m waving goodbye to TV
Production’s a wonderful way to make a living but it’s no longer worth the stress, says Gigi Eligoloff
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Green shoots sprout at ITV
First-half results cause for some optimism – but production margins under pressure
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The diary of an agent in lockdown
Supporting talent, negotiating fees and encouraging creative development have been key, says InterTalent Rights Group chairman Jonathan Shalit OBE
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Insurance breakthrough paves way for autumn restart
Optimism that prodcution capacity could shortly be back to 70%-80%
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TV is an infinity mirror of itself
For too long we have dumbed down and homogenised the way we represent our nation, says Andrew Robertson
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Squeezed indies caught in the middle
Tough choices for production sector as it gets back to work
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The co-production survival guide
Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter
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Indie leadership lessons are vital - so let’s share them
ScreenSkills and Broadcast hosting 22 July event to discuss challenges of the pandemic
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What the Radio 1 of yesteryear can teach today’s BBC
Paul Robinson on what radio’s relationship with 15-24s reveals about an audience that’s falling out of love with the BBC
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My Mentor: Emily Dollman on Steven D Wright
The long-time Broadcast columnist may have a reputation as a grumpy telly hater, but nothing could be further from the truth, says Emily Dollman
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Is Gen Z lost to the PSBs?
Claire Hungate asks whether linear broadcasting can win back young audiences
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My Mentor: Greg Sanderson on Nick Fraser
The former BBC Storyville supremo taught me the true art of keeping filmmaking simple, says Greg Sanderson
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My Mentor: Angela Griffin on Robin Sheppard
Robin Sheppard helped the popular actor realise she is capable of working behind the camera, not only in front of it
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Banijay faces structural balancing act
Creativity and efficiency are elusive combination for whole production sector
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My Mentor: James Friend and James Stier
How cinematographer James Friend is supporting camera assistant James Stier’s move from docs into high-end drama
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‘Excluded freelancers seem to have become the permanently forgotten’
Series director/senior producer James Taylor’s personal experience shows ‘the government doesn’t understand how our industry actually works’
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Tim Crescenti on discovering Dragons’ Den
The moment the formats guru saw a ropey trailer for the Japanese business format, he knew it was a hit
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Streaming 360-degree video: The challenges to overcome
InterDigital tech staff discuss the stumbling blocks on the way to offering high-definition 360-degree video streams to a mass market
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C4’s Growth Fund must not become a Covid-19 casualty
Kate Bulkley says it is a lifeline to producers – and generates healthy returns